Press Releases Archive for July, 2016

UCLA Explains The Coppola Live Cinema Workshop

“I felt the need to experiment in order to learn the actual methodology of live cinema, which is a hybrid of theater, film and television.”

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Screenwriter Mark Boal Sues Feds For Military Overreach In Bowe Bergdahl Case

MARK BOAL SUES FEDERAL GOVERNMENT FOR OVERREACH BY MILITARY IN BOWE BERGDAHL CASE   Military Prosecutor’s Threat to Subpoena Boal’s First Amendment-Protected Taped Interviews with Bergdahl Prompts Suit   Taped Interviews Were Part of Boal’s and NPR’s Peabody Award-Winning Investigative Report, ‘Serial’   LOS ANGELES, CA, THURSDAY, JULY 21—Mark Boal filed a suit in a…

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54th NYFF Sets First Nonfiction Opener, Ava DuVernay’s Netflix Doc On Racial Inequality

THE FILM SOCIETY OF LINCOLN CENTER ANNOUNCES AVA DuVERNAY’S THE 13th AS OPENING NIGHT OF THE 54th NEW YORK FILM FESTIVAL First nonfiction film to ever open the festival makes its world premiere New York, NY (July 19, 2016) – The Film Society of Lincoln Center announces Ava DuVernay’s documentary The 13th as the Opening…

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Spielberg, Laura Dern, Roger Ross Williams Among New Academy Governors

THE ACADEMY ELECTS 2016–17 BOARD OF GOVERNORS Runoff election required for Film Editors Branch LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences today announced its newly elected 2016–17 Board of Governors.  A runoff election is required for the Film Editors Branch. “I’m honored and privileged to welcome the Academy’s new Board,”…

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“SONY PICTURES’ “GHOSTBUSTERS” OFFERS FIRST-EVER FRONT AND REAR-FACING LENS ON SNAPCHAT”

 On July 7th, Snapchatters Can “Bust” Ghosts Using Their Front-Facing Camera or “Slime” Friends Using their Rear-Facing Camera on Highly Popular Lens Feature Adored By Millions For the first time ever, Snapchatters can use both the front and rear cameras of their phones with a new type of Lens as millions of users become true Ghostbusters on…

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JOHN COOPER AND JAMES FRANCO TO RECEIVE AWARDS AT OUTFEST LOS ANGELES

FILMMAKERS ROSE TROCHE AND GUS VAN SANT TO PRESENT Los Angeles, July 7, 2016 – Outfest – the Los Angeles–based nonprofit organization promoting equality by creating, sharing, and protecting LGBT stories on the screen – has announced the recipients of their two major awards. Former Outfest Director of Programming and current Sundance Film Festival Director,…

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SUBMISSION DEADLINES FOR 2016 OSCARS® APPROACHING

LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences today published its list of upcoming submission deadlines for 89th Academy Awards® consideration. Submissions for individual categories and the General Entry/Official Screen Credits (OSC) form are due by 5 p.m. PT on the following dates: Scientific and Technical Awards Wednesday, July 13 Documentary…

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Press Releases

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“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch