Press Releases Archive for April, 2016

Turner And Criterion Developing Streaming FilmStruck For Fall 2016

Turner to Launch New Streaming Movie Service: FilmStruck Turner Classic Movies (TCM) and the Criterion Collection Collaborate to Develop Turner’s First Domestic Direct-To-Consumer Streaming Product, Launching in Fall 2016 FilmStruck Video Preview: filmstruck.com Global media company Turner is launching the company’s first direct-to-consumer product in the U.S., called FilmStruck. This brand new subscription video on-demand service for film aficionados,…

Read the full article »

Nashville Film Fest Announces Winners

NASHVILLE FILM FESTIVAL ANNOUNCES FEATURE FILM AWARDS FOR 2016 NASHVILLE FILM FESTIVAL Top Prizes Go to Magallanes, SEED: The Untold Story, The Seer: A Portrait of Wendell Berry, Transpecos, Syl Johnson: Any Way the Wind Blows, The Lure, Josephine Honorable mentions include  Free in Deed, The Bandit, The Fits, Colin Hay – Waiting for My Real Life, Curtain Nashville, TN – Nashville Film…

Read the full article »

Louisiana Int’l Film Fest Marks Passing Of Artistic Director Dan Ireland

Baton Rouge, LA – Dan Ireland was currently serving as the Artistic Director for the Louisiana International Film Festival & Mentorship Program (LIFF) and Louisiana Film Society, a position he held since LIFF’s inception in 2013. Dan shared that title with Jeff Dowd as Co-Artistic Director in the inaugural year. Dan was scheduled to attend…

Read the full article »

Tim League Has A Bucket Of Shush For AMC Floating Texting-In-Theaters Notion Once More

Alamo Drafthouse Founder/CEO Tim League: First off, I’d like to say that I am very excited for Adam Aron to be taking the helm at AMC.  I am a fan of the Starwood Hotel and Resort brand and the customer experience that his former company consistently delivers.  Bringing that leadership focus to our industry will…

Read the full article »

Alamo Drafthouse Sets 7-Screen Brooklyn Enclave

Tim and Karrie League founded Alamo Drafthouse Cinema in 1997 as a single-screen mom and pop repertory theater in Austin.

Read the full article »

Press Releases

Quote Unquotesee all »

“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima