Press Releases Archive for April, 2016

Turner And Criterion Developing Streaming FilmStruck For Fall 2016

Turner to Launch New Streaming Movie Service: FilmStruck Turner Classic Movies (TCM) and the Criterion Collection Collaborate to Develop Turner’s First Domestic Direct-To-Consumer Streaming Product, Launching in Fall 2016 FilmStruck Video Preview: filmstruck.com Global media company Turner is launching the company’s first direct-to-consumer product in the U.S., called FilmStruck. This brand new subscription video on-demand service for film aficionados,…

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Nashville Film Fest Announces Winners

NASHVILLE FILM FESTIVAL ANNOUNCES FEATURE FILM AWARDS FOR 2016 NASHVILLE FILM FESTIVAL Top Prizes Go to Magallanes, SEED: The Untold Story, The Seer: A Portrait of Wendell Berry, Transpecos, Syl Johnson: Any Way the Wind Blows, The Lure, Josephine Honorable mentions include  Free in Deed, The Bandit, The Fits, Colin Hay – Waiting for My Real Life, Curtain Nashville, TN – Nashville Film…

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Louisiana Int’l Film Fest Marks Passing Of Artistic Director Dan Ireland

Baton Rouge, LA – Dan Ireland was currently serving as the Artistic Director for the Louisiana International Film Festival & Mentorship Program (LIFF) and Louisiana Film Society, a position he held since LIFF’s inception in 2013. Dan shared that title with Jeff Dowd as Co-Artistic Director in the inaugural year. Dan was scheduled to attend…

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Tim League Has A Bucket Of Shush For AMC Floating Texting-In-Theaters Notion Once More

Alamo Drafthouse Founder/CEO Tim League: First off, I’d like to say that I am very excited for Adam Aron to be taking the helm at AMC.  I am a fan of the Starwood Hotel and Resort brand and the customer experience that his former company consistently delivers.  Bringing that leadership focus to our industry will…

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Alamo Drafthouse Sets 7-Screen Brooklyn Enclave

Tim and Karrie League founded Alamo Drafthouse Cinema in 1997 as a single-screen mom and pop repertory theater in Austin.

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Press Releases

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott