Press Releases Archive for April, 2016

Turner And Criterion Developing Streaming FilmStruck For Fall 2016

Turner to Launch New Streaming Movie Service: FilmStruck Turner Classic Movies (TCM) and the Criterion Collection Collaborate to Develop Turner’s First Domestic Direct-To-Consumer Streaming Product, Launching in Fall 2016 FilmStruck Video Preview: filmstruck.com Global media company Turner is launching the company’s first direct-to-consumer product in the U.S., called FilmStruck. This brand new subscription video on-demand service for film aficionados,…

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Nashville Film Fest Announces Winners

NASHVILLE FILM FESTIVAL ANNOUNCES FEATURE FILM AWARDS FOR 2016 NASHVILLE FILM FESTIVAL Top Prizes Go to Magallanes, SEED: The Untold Story, The Seer: A Portrait of Wendell Berry, Transpecos, Syl Johnson: Any Way the Wind Blows, The Lure, Josephine Honorable mentions include  Free in Deed, The Bandit, The Fits, Colin Hay – Waiting for My Real Life, Curtain Nashville, TN – Nashville Film…

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Louisiana Int’l Film Fest Marks Passing Of Artistic Director Dan Ireland

Baton Rouge, LA – Dan Ireland was currently serving as the Artistic Director for the Louisiana International Film Festival & Mentorship Program (LIFF) and Louisiana Film Society, a position he held since LIFF’s inception in 2013. Dan shared that title with Jeff Dowd as Co-Artistic Director in the inaugural year. Dan was scheduled to attend…

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Tim League Has A Bucket Of Shush For AMC Floating Texting-In-Theaters Notion Once More

Alamo Drafthouse Founder/CEO Tim League: First off, I’d like to say that I am very excited for Adam Aron to be taking the helm at AMC.  I am a fan of the Starwood Hotel and Resort brand and the customer experience that his former company consistently delivers.  Bringing that leadership focus to our industry will…

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Alamo Drafthouse Sets 7-Screen Brooklyn Enclave

Tim and Karrie League founded Alamo Drafthouse Cinema in 1997 as a single-screen mom and pop repertory theater in Austin.

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Press Releases

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Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas