Press Releases Archive for March, 2016

Heroes and Outcasts Seek Redemption, Justice, Peace in POV’s 29th Season on PBS, Starting Monday, May 23, 2016

Returning veterans, newly paroled prisoners, Afghan girls and hospice patients navigate a world of new challenges in thought-provoking documentaries; Season opens with ‘The Return’ and features Oscar® nominee ‘The Look of Silence’ Not all eyes are on politicians seeking higher office. POV’s new season presents unforgettable stories of diverse people—ranging from war heroes to highly stigmatized…

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ACADEMY LAUNCHES 2016 STUDENT ACADEMY AWARDS COMPETITION

New Expanded Foreign Film Category Winners Eligible for Oscars®

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Ebertfest 2016 Sets Its Slate

EBERTFEST ANNOUNCES FINAL SLATE OF FILMS AND SPECIAL GUESTS FOR 2016 FESTIVAL 18th Annual Roger Ebert’s Film Festival to take place April 13-17, 2016 in Champaign, IL CHAMPAIGN, ILL – March 23, 2016 – The 18th Annual Roger Ebert’s Film Festival hosted by Chaz Ebert, also known as ‘Ebertfest,’ announced today the final slate of…

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NATO’s Statement On “The Screening Room”

Movie theater operators will individually decide what business models work for movie theaters.

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Academy Adds 3 To Board Of Governors; 6 Members Added To Board Committees

“We know there is more to do as we move forward to make this a more inclusive organization.”

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Peter Dinklage Seeks Your Memories

Clips of memories to appear in new film.

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Focus World Takes Natalie Portman’s Directorial Debut

A TALE OF LOVE AND DARKNESS, DIRECTED BY AND STARRING NATALIE PORTMAN

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Al Jazeera Offshoot beIN Media Group Acquires Miramax Assets

Miramax to continue operating as an independent film and television studio under new ownership.

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Press Releases

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott