Press Releases Archive for May, 2015

SLAMDANCE LOOKS FORWARD, GROWING YEAR ROUND ENTERPRISES

Submissions open for the 2016 Film Festival, Slamdance Alumni returns for Manager Position, and programs expand through Slamdance Cinema Club, Slamdance Studios on HULU, and beyond (LOS ANGELES, CA—May 29, 2015) Following last year’s record breaking submission numbers, Slamdance Film Festival is now open for 2016 entries with a new program called DIG and the return of…

Read the full article » No Comments »

Seth McFarlane Gets A Non-MacArthur “Genius Award”

CRITICS’ CHOICE TELEVISION AWARDS ANNOUNCES LOUIS XIII GENIUS AWARD RECIPIENT SETH MacFARLANE MAY 18, 2015 (Burbank, CA) – The Broadcast Television Journalists Association (BTJA) today announced that Seth MacFarlane, creator of long-running Emmy Award-winning TV series Family Guy and the Emmy Award-winning series Cosmos: A Spacetime Odyssey, will receive the Critics’ Choice LOUIS XIII Genius…

Read the full article » No Comments »

ORSON WELLES’ UNFINISHED FINAL FILM ‘THE OTHER SIDE OF THE WIND’ LAUNCHES INDIEGOGO CAMPAIGN  

 The film to be released in 2015, the centenary year of Orson Welles birth LOS ANGELES, CA, May 7, 2015 – Forty five years after the first scenes were filmed and 30 years after his death, legendary director Orson Welles’ never-before- seen final film THE OTHER SIDE OF THE WIND, has launched a campaign today…

Read the full article » No Comments »

Chicago Underground Film Fest “Bar Talks” Moderated By Ray Pride

Where Filmmakers Meet The Audience Moderated By Film Critic Ray Pride The Logan Lounge at Chicago’s Logan Theatre May 13-17, 2015 The Chicago Underground Film Festival, the world’s longest-running underground film festival, presents the fourth edition of “Bar Talks,” presented by Tribeca Flashpoint College, an informal series of talks among local and visiting filmmakers during CUFF….

Read the full article » No Comments »

Press Releases

Quote Unquotesee all »

“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch