Press Releases Archive for July, 2014

SABAN FILMS EXPANDS EXECUTIVE TEAM FOLLOWING LAUNCH IN CANNES

Jonathan Saba leads Marketing and Azniv Tashchyan heads up Finance As Saban Bolsters Its Release Slate LOS ANGELES – July 31, 2014 – Saban Films, an entertainment venture from Haim Saban’s Saban Capital Group, expands their team with the hire of Azniv Taschyan as Vice President of Finance and Jonathan Saba as Vice President of Marketing. After…

Read the full article » No Comments »

JEFF BLAKE ANNOUNCES DEPARTURE FROM SONY PICTURES ENTERTAINMENT

JEFF BLAKE ANNOUNCES DEPARTURE FROM SONY PICTURES ENTERTAINMENT CULVER CITY, Calif., July 22, 2014 – Jeff Blake, Vice Chairman of Sony Pictures Entertainment and the studio’s Chairman of Worldwide Marketing and Distribution, announced today that he will leave Sony Pictures Entertainment (SPE) to pursue other opportunities effective August 1. “I have had a great 22…

Read the full article » No Comments »

THE FILM SOCIETY OF LINCOLN CENTER ANNOUNCED TODAY ALEJANDRO G. IÑÁRRITU’S BIRDMAN AS THE CLOSING NIGHT SELECTION FOR THE 52ND NEW YORK FILM FESTIVAL

THE FILM SOCIETY OF LINCOLN CENTER ANNOUNCED TODAY ALEJANDRO G. IÑÁRRITU’S BIRDMAN AS THE CLOSING NIGHT SELECTION FOR THE 52ND NEW YORK FILM FESTIVAL  New York, NY (July 21, 2014) – The Film Society of Lincoln Center announced today Alejandro G. Iñárritu’s Birdman or the Unexpected Virtue of Ignorance as the Closing Night selection for the…

Read the full article » No Comments »

THE WORLD PREMIERE OF PAUL THOMAS ANDERSON’S INHERENT VICE WILL BE CENTERPIECE FOR 52ND NEW YORK FILM FESTIVAL

FOR IMMEDIATE RELEASE   THE FILM SOCIETY OF LINCOLN CENTER ANNOUNCED TODAY THE WORLD PREMIERE OF PAUL THOMAS ANDERSON’S INHERENT VICE AS THE CENTERPIECE SELECTION FOR THE 52ND NEW YORK FILM FESTIVAL  New York, NY (July 18, 2014) – The Film Society of Lincoln Center announced today that Paul Thomas Anderson’s Inherent Vice will make its…

Read the full article » No Comments »

Academy Sets New Governors, Including Albert Berger, Kate Amend, Ed Zwick And Caleb Deschanel

July 18, 2014 FOR IMMEDIATE RELEASE THE ACADEMY ELECTS 2014–15 BOARD OF GOVERNORS LOS ANGELES, CA – Five first-time governors have been elected to the Academy of Motion Picture Arts and Sciences Board of Governors.  In addition, eight incumbents have been reelected and four previous governors are returning to the Board. The first-time governors are…

Read the full article » No Comments »

Dolby Donates $12 Million To Academy Museum Of Motion Pictures

  THE ACADEMY ANNOUNCES MAJOR GIFTS FROM DOLBY® LABORATORIES AND THE DOLBY FAMILY   $12 MILLION TO THE ACADEMY MUSEUM OF MOTION PICTURES     BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences announced today that it has received a $7 million gift from Dolby Laboratories to provide cutting-edge audiovisual technology…

Read the full article » No Comments »

NYFF Goes GONE GIRL For Opening Night

    THE FILM SOCIETY OF LINCOLN CENTER ANNOUNCED TODAY THE WORLD PREMIERE OF DAVID FINCHER’S GONE GIRL AS THE OPENING NIGHT SELECTION FOR THE  52ND NEW YORK FILM FESTIVAL     New York, NY (July 17, 2014) – The Film Society of Lincoln Center announced today that David Fincher’s Gone Girl will make its World Premiere as…

Read the full article » No Comments »

Press Releases

Quote Unquotesee all »

“A shot is a story. A shot on its own should be a piece of a story. Which is why I talk a lot about watching films, even the films we’re working on, with the sound off. Just to analyze how the film works, because a film should work for an audience without any sound. The biggest problem I see is that someone may have a superficial understanding of what a shot is propositionally, but they don’t have an understanding of how all of these shots are part of a family that needs to connect, and so you’ll get something that’s like a sentence arranged poorly with six nouns in a row. That surprises me, because I think that’s something that can be learned. Some things can’t be, but that can. It’s a grammar. In a classroom I could walk somebody through the difference between a sequence in which the filmmaker has a deep understanding of how images connect, and someone who doesn’t. It’s not really an intellectual process. Some people are just born with it and are just sort of savants at that deep mathematical understanding of shot construction.  I’m better than I used to be, but there are some people I’m just never going to catch. Spielberg. His staging ability. I’m never going to catch him. But when you’re trying to figure out how to get better—I’m not competitive in the sense of looking around at other filmmakers and comparing myself to them. What I do have to think about in trying to navigate myself through a career is: what can I get better at, and what do I have that I can enhance that somebody else doesn’t have?”
~ Steven Soderbergh

“It’s not going to be huge. He and I had been corresponding for a while. When I finally met him, he said, ‘We should collaborate.’ When John Ashbery says that to you, you don’t say when, you just say yes. It has not been easy to conjure this out of nothing. Sean Price Williams and I spent time with him, and it will appear on FilmStruck before the year is out…. I have figured out how to streamline things. I still have dreams of making movies with bigger budgets, and they might be considered to have more of a voice in pop culture. I don’t want to let go of that. I also realize that you grow up a lot of your life with wishful thinking and waiting. I have figured out ways to avoid doing that. I am working on a bigger movie about Nikola Tesla, set in the past, so it is not an easy film to make. I am also working on an adaptation of Don DeLillo’s ‘White Noise.’ That seems more likely to catch fire.”
Michael Almereyda Steps It Up