Press Releases Archive for June, 2014

Kino Lorber Goes Godard In 3D

    KINO LORBER ACQUIRES ALL NORTH AMERICAN RIGHTS TO JEAN-LUC GODARD’S 3D MASTERWORK GOODBYE TO LANGUAGE, JURY PRIZE WINNER AT THIS YEAR’S CANNES FILM FESTIVAL     New  York, NY – June 30, 2014 – Kino Lorber is proud to announce the acquisition of all North American rights to Jean-Luc Godard’s 3D masterwork Goodbye…

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Docs Rock HBO’s Monday

  MONDAY NIGHT IS DOC NIGHT ON HBO, WITH GROUNDBREAKING HBO DOCUMENTARIES NOW ANCHOREDWEEKLY ON MONDAY NIGHTS YEAR ROUND             NEW YORK, June 30, 2014 – With the popularity of nonfiction filmmaking increasing, HBO has created a regular slot for its powerful and provocative documentaries, featuring debuts of new original films along with timely encore presentations every Mondaynight. The Monday night slot kicked off…

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The Chicago Int’l Film Festival Turns 50

Celebrating 50 years of making Chicago an international destination for acclaimed filmmakers, bold new directors and lovers of cinema, the Chicago International Film Festival returnsOctober 9 – 23, 2014. The anniversary celebration will kick off with an Opening Night Gala presentation at the Harris Theater (205 E. Randolph St.), followed by a Golden Anniversary celebration at the…

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Academy Invites 271 To Membership

The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 271 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2014. “This year’s class of invitees represents some of…

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REGULATIONS CONCERNING THE PROMOTION OF FILMS ELIGIBLE FOR THE 87th ACADEMY AWARDS

  LOS ANGELES, CA – The Board of Governors of the Academy of Motion Picture Arts and Sciences has updated regulations for how companies and individuals may market movies and achievements eligible for the 87th Academy Awards® to Academy members.  The most significant changes affect the Music category. Music Branch members may not contact other…

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Starz Gets GIRLFRIEND EXPERIENCE From Soderbergh, Kerrigan And Seimetz

 STARZ GREENLIGHTS “THE GIRLFRIEND EXPERIENCE” FROM STEVEN SODERBERGH, PHILIP FLEISHMAN, LODGE KERRIGAN AND AMY SEIMETZ Anthology Series Inspired by Soderbergh’s 2009 Film Explores a World Where Love has a Price   Beverly Hills, Calif. – June 23, 2014 – Starz today announced the greenlight of “The Girlfriend Experience,” a 13-part anthology series produced by Transactional Pictures….

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TRIBECA FILM ACQUIRES NORTH AMERICAN RIGHTS TO LISTEN UP PHILIP

Fall theatrical release set for Alex Ross Perry’s acclaimed dark comedy starring Jason Schwartzman and Elisabeth Moss “The acerbically funny Listen Up Philip counts as a great leap forward for Alex Ross Perry. Assured and at times dazzling.” – Manohla Dargis, The New York Times “Remarkably achieved…told by Perry with immense filmmaking verve and novelistic flourish,…

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41st Telluride Film Festival Guest Directors Will Be Guy Maddin And Kim Morgan

“More than any other festival, Telluride is driven by the sheer love of cinema.”

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CHINA’S LARGEST MOVIE MEDIA GROUP ANNOUNCES OPENING OF LOS ANGELES OFFICE

Paramount Pictures’ Transformers: Age of Extinction will be first U.S. film.

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TRISTAR PRODUCTIONS GREENLIGHTS FILM VERSION OF “THE LADY IN THE VAN” STARRING MAGGIE SMITH

  Film Reunites Director Nicholas Hytner and Writer Alan Bennett, Team Behind The Madness of King George and The History Boys CULVER CITY, Calif., June 3, 2014 –  Tom Rothman’s TriStar Productions has joined with BBC Films to greenlight The Lady in the Van,Alan Bennett’s adaptation of his commercial and critical West End hit, based on his own bestselling memoir.  Dame Maggie Smith,…

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Roland Emmerich’s STONEWALL Starts Production

Principal photography has commenced on STONEWALL, directed by Roland Emmerich and starring Jeremy Irvine.

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Press Releases

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott