Press Releases Archive for June, 2014

Kino Lorber Goes Godard In 3D

    KINO LORBER ACQUIRES ALL NORTH AMERICAN RIGHTS TO JEAN-LUC GODARD’S 3D MASTERWORK GOODBYE TO LANGUAGE, JURY PRIZE WINNER AT THIS YEAR’S CANNES FILM FESTIVAL     New  York, NY – June 30, 2014 – Kino Lorber is proud to announce the acquisition of all North American rights to Jean-Luc Godard’s 3D masterwork Goodbye…

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Docs Rock HBO’s Monday

  MONDAY NIGHT IS DOC NIGHT ON HBO, WITH GROUNDBREAKING HBO DOCUMENTARIES NOW ANCHOREDWEEKLY ON MONDAY NIGHTS YEAR ROUND             NEW YORK, June 30, 2014 – With the popularity of nonfiction filmmaking increasing, HBO has created a regular slot for its powerful and provocative documentaries, featuring debuts of new original films along with timely encore presentations every Mondaynight. The Monday night slot kicked off…

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The Chicago Int’l Film Festival Turns 50

Celebrating 50 years of making Chicago an international destination for acclaimed filmmakers, bold new directors and lovers of cinema, the Chicago International Film Festival returnsOctober 9 – 23, 2014. The anniversary celebration will kick off with an Opening Night Gala presentation at the Harris Theater (205 E. Randolph St.), followed by a Golden Anniversary celebration at the…

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Academy Invites 271 To Membership

The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 271 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2014. “This year’s class of invitees represents some of…

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REGULATIONS CONCERNING THE PROMOTION OF FILMS ELIGIBLE FOR THE 87th ACADEMY AWARDS

  LOS ANGELES, CA – The Board of Governors of the Academy of Motion Picture Arts and Sciences has updated regulations for how companies and individuals may market movies and achievements eligible for the 87th Academy Awards® to Academy members.  The most significant changes affect the Music category. Music Branch members may not contact other…

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Starz Gets GIRLFRIEND EXPERIENCE From Soderbergh, Kerrigan And Seimetz

 STARZ GREENLIGHTS “THE GIRLFRIEND EXPERIENCE” FROM STEVEN SODERBERGH, PHILIP FLEISHMAN, LODGE KERRIGAN AND AMY SEIMETZ Anthology Series Inspired by Soderbergh’s 2009 Film Explores a World Where Love has a Price   Beverly Hills, Calif. – June 23, 2014 – Starz today announced the greenlight of “The Girlfriend Experience,” a 13-part anthology series produced by Transactional Pictures….

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TRIBECA FILM ACQUIRES NORTH AMERICAN RIGHTS TO LISTEN UP PHILIP

Fall theatrical release set for Alex Ross Perry’s acclaimed dark comedy starring Jason Schwartzman and Elisabeth Moss “The acerbically funny Listen Up Philip counts as a great leap forward for Alex Ross Perry. Assured and at times dazzling.” – Manohla Dargis, The New York Times “Remarkably achieved…told by Perry with immense filmmaking verve and novelistic flourish,…

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41st Telluride Film Festival Guest Directors Will Be Guy Maddin And Kim Morgan

“More than any other festival, Telluride is driven by the sheer love of cinema.”

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CHINA’S LARGEST MOVIE MEDIA GROUP ANNOUNCES OPENING OF LOS ANGELES OFFICE

Paramount Pictures’ Transformers: Age of Extinction will be first U.S. film.

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TRISTAR PRODUCTIONS GREENLIGHTS FILM VERSION OF “THE LADY IN THE VAN” STARRING MAGGIE SMITH

  Film Reunites Director Nicholas Hytner and Writer Alan Bennett, Team Behind The Madness of King George and The History Boys CULVER CITY, Calif., June 3, 2014 –  Tom Rothman’s TriStar Productions has joined with BBC Films to greenlight The Lady in the Van,Alan Bennett’s adaptation of his commercial and critical West End hit, based on his own bestselling memoir.  Dame Maggie Smith,…

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Roland Emmerich’s STONEWALL Starts Production

Principal photography has commenced on STONEWALL, directed by Roland Emmerich and starring Jeremy Irvine.

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Press Releases

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“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch