Press Releases Archive for March, 2014

Kino Lorber To Launch Zalman King Label

NEW YORK, NY – MARCH 12, 2014 – Kino Lorber is pleased to announce that it has entered into an exclusive agreement with the Zalman King Company for the packaged media and digital distribution rights to the Zalman King library which will be marketed under a dedicated Zalman King label. The first release under this new…

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Hank Rieger, Former President of the Academy of Television Arts & Sciences, Was 95

Hank Rieger, left, with Tom Sarnoff, both past presidents of the Television Academy Henry “Hank” Rieger, a Los Angeles icon in the fields of news and public relations and former President of the Academy of Television Arts & Sciences (1973-75, 1977-1980), died Wednesday of old age in Oceanside, California. He was 95. For more than 20 years…

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TOM TYKWER’S “A HOLOGRAM FOR THE KING” STARRING TOM HANKS LOCKS IN CAST AS PRINCIPAL PHOTOGRAPHY BEGINS IN MOROCCO

Produced by X Filme Creative Pool, Primeridian and Playtone in Association with Silver Reel Entertainment and Fábrica de Cine   Berlin, 6th March 2014 – Shooting starts in Morocco today on the comedic drama “A Hologram for the King,” which is being directed by Tom Tykwer (“Cloud Atlas”, “Perfume”), who also adapted the script from the eponymous novel…

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DESIERTO WRITTEN AND DIRECTED BY JONAS CUARON AND STARRING GAEL GARCĺA BERNAL AND JEFFREY DEAN MORGAN BEGINS PRODUCTION

BAJA CALIFORNIA (March 6, 2014) – It was announced today that Jonás Cuarón’s DESIERTO began production last week in La Paz, Baja California. Gael García Bernal (NO, Y TU MAMÁ TAMBIÉN) and Jeffrey Dean Morgan (WATCHMEN, P.S. I LOVE YOU) will star in the film, written by Cuarón and Mateo García. The film marks Cuarón’s second…

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AMPLIFY AND WELL GO USA TEAM UP TO OPEN MINDS WITH TERRY GILLIAM’S THE ZERO THEOREM

New York, NY  March 5, 2014 – Amplify and Well Go USA Entertainment have teamed up to acquire the U.S. rights to acclaimed director Terry Gilliam’s science-fiction opus, THE ZERO THEOREM.  The partners will release the film to theaters across the US in late summer, with a home video release to follow. Amplify will handle theatrical and digital…

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PMK•BNC FILM DEPARTMENT GROWS WITH ADDITION OF REBECCA FISHER

Fisher has joined the agency expanding its Film Marketing and Distribution Department as Director of National Publicity.

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2014 Tribeca Film Festival announces World Narrative and Documentary Competition selections, plus Viewpoints titles

  2014 TRIBECA FILM FESTIVAL ANNOUNCES WORLD NARRATIVE AND DOCUMENTARY COMPETITION SELECTIONS PLUS OUT-OF-COMPETITION VIEWPOINTS TITLES *** Documentary Competition Section to Open with World Premiere of DIOR AND I; Narrative Competition Section to Open with World Premiere of GABRIEL; Viewpoints to open with  World Premiere of SUMMER OF BLOOD at 13th Annual TFF, April 16-27  New…

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Press Releases

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“One of my favorite things in watching any performance on film is when there isn’t a lot of cutting going on and when you get a chance to become really absorbed in the artist in hand. The same way we do, hopefully, at a concert, when we get a chance to really trip in to something that’s happening on stage. Whether the singer’s singing, or one of the other musicians is playing, we sort of stay there instead of cutting round with our eyes a lot.”
~ Jonathan Demme

“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray