Press Releases Archive for March, 2014

Kino Lorber To Launch Zalman King Label

NEW YORK, NY – MARCH 12, 2014 – Kino Lorber is pleased to announce that it has entered into an exclusive agreement with the Zalman King Company for the packaged media and digital distribution rights to the Zalman King library which will be marketed under a dedicated Zalman King label. The first release under this new…

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Hank Rieger, Former President of the Academy of Television Arts & Sciences, Was 95

Hank Rieger, left, with Tom Sarnoff, both past presidents of the Television Academy Henry “Hank” Rieger, a Los Angeles icon in the fields of news and public relations and former President of the Academy of Television Arts & Sciences (1973-75, 1977-1980), died Wednesday of old age in Oceanside, California. He was 95. For more than 20 years…

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TOM TYKWER’S “A HOLOGRAM FOR THE KING” STARRING TOM HANKS LOCKS IN CAST AS PRINCIPAL PHOTOGRAPHY BEGINS IN MOROCCO

Produced by X Filme Creative Pool, Primeridian and Playtone in Association with Silver Reel Entertainment and Fábrica de Cine   Berlin, 6th March 2014 – Shooting starts in Morocco today on the comedic drama “A Hologram for the King,” which is being directed by Tom Tykwer (“Cloud Atlas”, “Perfume”), who also adapted the script from the eponymous novel…

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DESIERTO WRITTEN AND DIRECTED BY JONAS CUARON AND STARRING GAEL GARCĺA BERNAL AND JEFFREY DEAN MORGAN BEGINS PRODUCTION

BAJA CALIFORNIA (March 6, 2014) – It was announced today that Jonás Cuarón’s DESIERTO began production last week in La Paz, Baja California. Gael García Bernal (NO, Y TU MAMÁ TAMBIÉN) and Jeffrey Dean Morgan (WATCHMEN, P.S. I LOVE YOU) will star in the film, written by Cuarón and Mateo García. The film marks Cuarón’s second…

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AMPLIFY AND WELL GO USA TEAM UP TO OPEN MINDS WITH TERRY GILLIAM’S THE ZERO THEOREM

New York, NY  March 5, 2014 – Amplify and Well Go USA Entertainment have teamed up to acquire the U.S. rights to acclaimed director Terry Gilliam’s science-fiction opus, THE ZERO THEOREM.  The partners will release the film to theaters across the US in late summer, with a home video release to follow. Amplify will handle theatrical and digital…

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PMK•BNC FILM DEPARTMENT GROWS WITH ADDITION OF REBECCA FISHER

Fisher has joined the agency expanding its Film Marketing and Distribution Department as Director of National Publicity.

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2014 Tribeca Film Festival announces World Narrative and Documentary Competition selections, plus Viewpoints titles

  2014 TRIBECA FILM FESTIVAL ANNOUNCES WORLD NARRATIVE AND DOCUMENTARY COMPETITION SELECTIONS PLUS OUT-OF-COMPETITION VIEWPOINTS TITLES *** Documentary Competition Section to Open with World Premiere of DIOR AND I; Narrative Competition Section to Open with World Premiere of GABRIEL; Viewpoints to open with  World Premiere of SUMMER OF BLOOD at 13th Annual TFF, April 16-27  New…

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Press Releases

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“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier