Press Releases Archive for June, 2013

The Academy Invites 276 New Members

he Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 276 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures.

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12 YEARS A SLAVE moves To October 18, 2013

This film will be a limited platform release.

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BUMBLE WARD AND TRACY BECHTOLD LAUNCH NEW COMMUNICATION FIRM, HIVE COLLECTIVE

Digital-oriented firm will focus on entertainment and philanthropy   LOS ANGELES, June 27, 2013 — A fresh approach to communication comes in the form of Hive Collective, a new company launched by entertainment industry veteran Bumble Ward in partnership with philanthropy professional Tracy Bechtold.  Sitting at the intersection of entertainment and philanthropy in Los Angeles, the firm will offer…

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FOCUS FEATURES SETS RELEASE DATE FOR FIFTY SHADES OF GREY AS AUGUST 1, 2014

Focus Features will market and distribute the first film in partnership with Universal.

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IFC FILMS TAKES US RIGHTS TO MICHAEL WINTERBOTTOM’S THE TRIP TO ITALY

Follow Up To 2010 Comedy Hit The Trip Also Will Star Coogan and Brydon  New York, NY (June 24, 2013) – IFC Films announced today that the company is acquiring US rights to Michael Winterbottom’s THE TRIP TO ITALY.  The film is a follow up to the 2010 road trip comedy The Trip, which was…

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THE ACADEMY ANNOUNCES SUBMISSION DATES FOR 2013 OSCARS

June 24, 2013 FOR IMMEDIATE RELEASEBEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences today announced category submission deadlines for 86th Academy Awards® consideration. Scientific and Technical Awards Friday, July 12 Documentary Short Subject Tuesday, September 3 Documentary Feature Monday, September 23 Live Action Short Film Tuesday, October 1 Animated Short Film…

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Sundance Institute Selects 22 Fellows for 2013 Documentary Edit and Story Labs

For Immediate Release Los Angeles, CA, June 19, 2013 — Sundance Institute today announced the selection of 22 Fellows representing nine documentary film projects to participate in the 2013 Documentary Edit and Story Labs, June 21-29 and July 5-13 at Sundance Resort in Sundance, Utah. Built upon the immersive Lab model launched in 1981 by…

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FOCUS FEATURES’ AFRICA FIRST PROGRAM BEGINS SIXTH YEAR, ACCEPTING ENTRIES

$10,000 IN FINANCING APIECE EARMARKED FOR NEW FILMMAKERS FOR IMMEDIATE RELEASE NEW YORK, June 11, 2013 – To commence its sixth year, Focus Features’ Africa First Program will accept entries continuing through Monday, August 19, with applications needing to be received by Thursday, August 29. Focus CEO James Schamus made the announcement today. The uniquely conceived…

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Sundance Selects Wraps Polanski’s VENUS IN FUR

SUNDANCE SELECTS ACQUIRES U.S. RIGHTS TO ROMAN POLANSKI’S VENUS IN FUR Film Made Its World Premiere In Competition at 2013 Cannes Film Festival New York, NY (June 5, 2013) – Sundance Selects announced today that the company is acquiring U.S. rights to Academy Award-winning filmmaker Roman Polanski’s VENUS IN FUR. With a screenplay by Polanski…

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SONY PICTURES ENTERTAINMENT OPTIONS ENGLISH-LANGUAGE RIGHTS TO “A PROPHET”

To be produced by Neal H. Moritz and Toby Jaffe through the Original Film banner.

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FOCUS FEATURES INTERNATIONAL LOCKS MULTI-TERRITORY SALES FOR AMY WINEHOUSE DOCUMENTARY AND MIKE LEIGH’S J.M.W. TURNER PIC

Company also closes Italy for Jude Law Starrer Black Sea, Germany for Mike Flanagan’s Oculus London (June 3, 2013) – Alison Thompson, co-president of Focus Features International (FFI), announced multi-territory sales on director Asif Kapadia’s (Senna, The Warrior) untitled documentary on five-time Grammy award-winning singer/songwriter Amy Winehouse.  FFI also saw strong sales on seven-time Academy Award-nominated writer/director…

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FOX SEARCHLIGHT PICTURES ACQUIRES RICHARD SHEPARD’S “DOM HEMINGWAY”

“You only want the best for your baby. I’m over the moon and under the influence.”

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Press Releases

Quote Unquotesee all »

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant