Press Releases Archive for October, 2007

A Catered Affair in San Diego

October 17, 2007 The horror, of course, is that the sheer energy of crap like Legally Blonde and a single thematic song – in that case “Oh My God” – can drive a show to a lot of audience for a long time. And something much more ambitious and thoughtful, like A Catered Affair, will…

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Young Frankenstein In Seattle – Detailed, Spoiler Notes

August 29, 2007 This is the follow-up to Monday’s spoiler-free review column on Young Frankenstein, now out-of-towning in Seattle. Don’t read a word if you want to maintain a show surprise, though most of it is set by the movie we all know so well. ACT ONE Scene 1: A Village In Transylvania, 1934 “Frankenstein…

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Young Frankenstein In Seattle – Spoiler Free

August 27, 2007 The thrill and the horror of Young Frankenstein is that it, unlike The Producers, has the feel of the giant machine shows that have been hitting Broadway in recent years. For instance, the current Grease revival – generated not by the need for a revival, but as a guaranteed pre-sale based on…

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Not So Under The Sea

Sept 5, 2007 There is no drama like theater people throwing gossip around about the latest show they hope goes down the drain. When shows fail, the gossip is “I told you so.” When the gossiped about shows hit, they suddenly forget that there was any fuss at all. The latest show to get bashed…

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Hairspray: The Musical Movie

July 13, 2007 I first saw it in a slightly premature screening – New Line was thrilled with what was delivered – and the show was so charming and sweet that it was pretty irresistible. Still, there were flaws that stuck out, the most frustrating being that Adam Shankman is a better choreographer than a…

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The Unexpected Pleasure Of Xanadu

June 29, 2007 I saw the biggest new hit to land Off-Broadway in years. Unfortunately for the show, it’s opening on Broadway next Tuesday. Xanadu, which I bought tickets for after a half-price opportunity showed up in the e-mail and have been apologizing for since whenever answering “what are you seeing in New York?,” turns…

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Press Releases

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott