MCN Originals Archive for April, 2019

All Parts: A Review of Alex Ross Perry’s HER SMELL

“I can’t point to any movie, recent or otherwise,” writer-director Alex Ross Perry has noted of his intently, intensely ambitious sixth feature, “that combines the two things I wanted to explore in ‘Her Smell’: lowbrow popular music and highbrow theatrical productions going back to Shakespeare’s five-act tragedies.”

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Fluid Mechanic: Claire Denis Talks High Life

“Deny them your essence, Mandrake!”

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Vertiginous Scale: Thoughts on WELCOME TO MARWEN

Welcome to Marwen is something else, but what is it?

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The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

The studio decided to downscale the size of the sixth installment, by reducing the budget drastically, bringing in fresh behind-the-camera talent , keeping the running time under 120 minutes for the first time in 12 years, putting the focus on fewer characters and de-emphasizing the brand in the publicity material. It would promote the presence of a formidable teenage heroine, alongside the already popular Bumblebee and formidable Decepticon enemy, and add a malleable American warrior.

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Unapologetic Stuff: A Review Of KNIFE + HEART

“Knife + Heart” (Un couteau dans le coeur) has all kinds of stuff. It’s a tumultuous original, dragging worlds of cinema sensation that came before screaming and punching behind it. Begin with “Phantom of the Paradise,” stir in “Peeping Tom,” and “Body Double”; don’t stop at “Poison” or “Cruising” and “Blow Out.” Sex and art commingle…

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American Charmer: A Review Of The Brink

Alison Klayman’s “The Brink,” an avatar of cinema-vérité observation, arrives in a hush and escalates with precision. Recording political consultant and purported intellectual powerhouse Stephen K. “Steve” Bannon after his dismissal from the arms of Trump power, captured by a filmmaker-cinematographer-sound recordist on their own, edited to a fierce ninety-minute form from day-after-day of close…

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MCN Originals

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“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento