MCN Originals Archive for March, 2019

Kent Jones on Arriving With DIANE

Mary Kay Place is a quiet revelation in writer-director Kent Jones’ fiction feature debut, but she’s surrounded by history: Jones’ own.

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The DVD Wrapup: Capernaum, Perfect Blue, Cameron Post, Tyrel, Ailes, Body Snatcher, Sam J. Jones, Sonny Chiba, Phantom Lady, Victoria’s Wedding … More

In Capernaum, Zain is a victim of a nearly universal legal system that allows unsuitable parents to retain control of their children. Here, Zain helps support the family by hauling goods to costumers in the street market. It’s more than his old man contributes.

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A Review of US (some spoilers)

You don’t want to be Them.

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The DVD Wrapup: Mary Returns, Becoming Astrid, Quake, Holiday, Vengeance, Out of Love, HoneyGlue, Born in East L.A., Greasy Strangler, Mystery Road … More

At 130 minutes, I doubt that most younger viewers possess the stamina to stay with Mary Poppins Returns until the uplifting ending, which transcends the darkness by adding some pixie dust.

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Climax Daddy: The Modern Dance With Filmmaker Gaspar Noe

Beauty suffers.

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The DVD Wrapup: Ritual, She Wolf, Over the Top, Dark River, Man’s Best Friend, Mr & Mrs Adelman, Mad Dog & Glory, A.I. Rising, Deadly Mantis, Watch Over Me … More

The chief selling point is spelled out on the jacket: “Inspired by the philosophy of, and featuring an appearance by the father of ‘psychomagic,’ Alejandro Jodorowsky.” The marketing team might just as easily summoned the memory of Luis Bunuel.

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What is a Harmony Korine?

The man, the myth, the Vaudeville.

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Who’s A Hero: A Review of Captain Marvel

Sometimes silly, largely disposable yet lightly likable, the bulk of “Captain Marvel” is set in 1995 but exists for this moment. Its love for its heroine radiates outward, through the busy narrative and out into the streets afterward. Self-realization: what’s there not to admire about the sense of self that Carol Danvers (Brie Larson) beams with at the end of “Captain Marvel” on her way to “Avengers: Endgame”?

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The DVD Wrapup: Instant Family, Burning, Clovehitch Killer, Vanishing, Marquise, Kalifornia, Donna Haraway, Walking Dead … More

If everything that happens outside the group-therapy sessions plays out according to Hollywood standards, the interaction between the prospective parents and the social workers effectively serves as a counterbalance to the Wagners’ misery.

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The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter’s Moon, Legally Blonde, Willard, Bang … More

The PG-rated To Sleep With Anger features three of Burnett’s favorite themes: family, community and tradition. It is set in a middle-class section of South-Central L.A., before the Watts riots changed the outside world’s perception of the LAPD and the willingness of residents to stand up for their community.

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MCN Originals

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“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier