MCN Originals Archive for February, 2019

The Gurus Weigh In, Post-Oscar

Not quite round-ups, but a jolt or three.

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The Gurus o’ Gold Oscar Blowout – Part 1

The Gurus make their final estimations of the field as seen by the Academy… no huge surprises, but Vice tumbled in almost all categories, with a few stray hopes for an editing nod.

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The Gurus o’ Gold Oscar Blowout – Part 2

First (and final) surmises of the shorts categories, and a few familiar crafts staying about the same from recent weeks.

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The DVD Wrap: Robin Hood, Overlord, Alexanderplatz, Rodrigo D., Happy Hour, Moko Jumbie, Last Race, Joseph H. Lewis, Backtrace, Backbeat … More

Not surprisingly, perhaps, the geniuses decided that a Robin Hood that borrowed liberally from the Wachowskis’ V for Vendetta (2005) and Baz Luhrmann and DiCaprio’s Romeo + Juliet (1996) could pump fresh blood into a character whose cinematic career began in… 1908.

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The Gurus: Ranking Acting, Singing, Writing, Best Picture-ing

Reflecting the Grammys and a few last guild votes before Oscar voting closes, consensus arrives in a few categories under the watching eyes of the Gurus, notably in the acting categories, and a sweep in Best Adapted Screenplay for BlacKkKlansman.

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The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

If Roma had been released a year earlier or later, Shoplifters might have hit the cinematic equivalent of a grand-slam homerun. It’s every bit that good.

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The DVD Wrapup: Spider’s Web, Maquia, Cloverfield, No Date, Free Lunch, Possessed, Road House 2, Dolphins, Poetic Justice, Human 3.0 … More  

In the only interview he ever gave about the series, Larsson said he based the character on how Pippi Longstocking might have turned out, as an adult. He also credited his rebellious teenage niece, Therese, for Salander’s goth look.

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Gurus Predict, Post-Guilds: Director, Production Design, Film Editing, Animated Feature; As Well As Doc Feature, Cinematography, Costume Design, SFX and of course, BEST PICTURE

The Gurus respond to Oscar chances after multiple guild nods, catching up with Director, Production Design, Film Editing, Animated Feature; As Well As Doc Feature, Cinematography, Costume Design, SFX and not least, Best Picture.

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MCN Originals

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“I always thought that once I had lived in Chicago for a while, it would be interesting to do a portrait of the city – but to do it at a significant time. Figuring out when would be the ideal time to do that was the trick. So when this election came around, coupled with the Laquan McDonald trial, it seemed like the ideal time to do the story. Having lived in Chicagoland for thirty-five-plus years and done a number of films here, I’ve always been struck by the vibrancy of the city and its toughness. Its tenderness too. I’ve always been interested in the people at the center of all the stories. This is a different film in that regard, because we’re not following a couple of individuals over the course of the project in the way that a lot of the films I’ve done have, but I still feel like people’s voices and aspirations and hopes are at the center of this series.

It wasn’t easy. We started back in July 2018, it was actually on the Fourth of July – that was our first shoot. It’s like most documentaries in that the further you go along the more involved and obsessed you get, and you just start shooting more and more and more. We threw ourselves into this crazy year in Chicago. We got up every day and tried to figure out if we should be out shooting or not, and what it is we should shoot. We were trying to balance following this massive political story of the mayor’s race and these significant moments like the Laquan McDonald trial with taking the pulse of people in the city that we encounter along the way and getting a sense of their lives and what it means to live here. By election day, Zak Piper, our producer, had something like six cameras out in the field. You could double-check that, it might have been seven. We had this organized team effort to hit all the candidates as they were voting, if they hadn’t already voted. We hit tons of polling places, were at the Board of Elections and then were at the parties for the candidates that we had been able to follow closely. Then of course, we were trying to make sure we were at the parties of the candidates who made it to the runoff. So, yeah, it was kind of a monster.”
~ Steve James On City So Real

“I really want to see The Irishman. I’ve heard it’s big brother Martin Scorsese’s masterpiece. But I really can’t find the time. The promotion schedule is so tight, there’s no opportunity to see a three and a half-hour movie. But I really want to see it. In 2017, right before Okja’s New York premiere, I had the chance to go to Scorsese’s office, which is in the DGA building. There’s a lovely screening room there, too, with film prints that he’s collected. I talked to him for about an hour. There’s no movie he hasn’t seen, even Korean films. We talked about what he’s seen and his past work. It was a glorious day. I’ve loved his work since I was in college. Who doesn’t? Anyone involved with movies must feel the same way.”
~ Bong Joon-ho