MCN Originals Archive for January, 2019

The DVD Wrapup: Nutcracker, Always Room For Giallo, Mondo, Hunter Killer, Slice, Night Is Short, Suburbia, Masanjia and more

Disney decided that “The Nutcracker and the Four Realms” had a better ring to it than “The Nutcracker and the Mouse King.” And, perhaps, that’s where the studio’s expectations for the holiday movie first hit a wall.

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Gurus o’ Gold On The Oscar Chart No. 1

Weighing in on a first set of Oscar nominations, including acting nods after the Sunday night SAG awards. Harsh weather and (harsher?) Sundance delayed several Gurus, but the roster will be back to full strength in charts leading up to Oscar night.

Love for BlacKkKlansman pushes Spike Lee’s multi-nominated pic atop Green Book for second ranking for Best Pictures. Best Actor and Best Supporting Actor predications offer up a pretty solid consensus

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Sundance: Untitled Amazing Johnathan Documentary, The Magic Life of V and Walden

What sets “Untitled Amazing Johnathan Documentary” apart is that about midway through the film there’s a plot twist, followed by another plot twist, followed by a period of tense relationship between documentarian and subject that left Berman sad, morose, feeling badly used, and uncertain as to whether he’d ever finish his film. It’s here that “Untitled Amazing Johnathan Documentary,” not unlike “Winnebago Man,” becomes a film as much about the filmmaker unearthing deep and sometimes unpleasant truths about himself and ultimately becoming part of his own film, as it is about the subject the film thought it was going to be when it grew up.

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The DVD Wrapup: Mikey & Nicky, Apparition, Widowed Witch, Dis, Spiral, Wandering Muse, Jack the Ripper, Howling 3, Eating Animals, Scoundrels, Waterworld … More

Cassavetes and Falk may fit the mold of small-time wise guys, but the characters’ likability factor decreases from the moment May ratchets up the dial on Nicky’s booze-fueled paranoia. It plummets even further during their visits to former wives and girlfriends, who act as if they expect to be slapped around, fucked and forsaken.

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The Gurus O’ Gold Weigh The Acting Categories And Best Picture

Hello, Glenn Close!

Oscar nominations drop on Tuesday morning, and the Gurus anticipate some shifts in the Academy’s Final Five for acting nominations, plus a few flyaway titles from the Best Picture roster, which could contain as many as ten nominees.

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The DVD Wrapup: Not A Witch, Jonathan, The Captain, Speed Kills, Room 304, Hippocrates, The Dark, Crimson Peak, Tea With Dames, Forbidden Photos, Addiction … More

I was reminded of Nǃxau while watching I Am Not a Witch, an offbeat dramedy by Rungano Nyoni. It depicts the ways women convicted of being witches in rural Zambia cope with ignorance, prejudice and forced labor.

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The Gurus o’ Gold Highlight Best Picture, Best Foreign Language, Best Documentary

Checking in a week before Oscar nomination voting ends: predictions for documentary feature, foreign language film, and of course, best picture, with a good range of wiggling in the rankings after major guilds have announced their nominees.

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The DVD Wrapup: Mid90s, Oath, Obamaland, Bad Reputation, Hell Fest, Time Freak, Kusama, Oddsockeaters, Bent, Harry/Sally, Nemesis, Frontline, Cats … More

Jonah Hill’s endearing dramedy is only the latest entry in a long list of movies in which skateboarding plays a key role in the social development of borderline characters looking for a reason to wake up in the morning.

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Gurus Predict Globes Picks And Best Picture

The Gurus weigh in on Best Picture after the PGA nominations and Hollywood Foreign Press best pics before Sunday night gets its Globe on.

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MCN Originals

Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott