MCN Originals Archive for December, 2018

The DVD Wrapup: 2018’s Most Memorable Titles, Hobbyhorses, Martyr, CMA Live, Tailspin Tommy, Gilda, Miracle Worker … More

In Martyr, Hassane (Hamza Mekdad) is one of countless young Lebanese men for whom a college degree is no more useful than a medal earned in a long-ago war.

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The Gurus o’ Gold On Key Categories

The Gurus let go of multiple outliers and one-vote-wonders for best picture this go-round.

While relatively small fields, there’s movement in the acting categories, including sentiment for Bohemian Rhapsody that elevates Rami Malek. Actresses off the Guru radar include Felicity Jones, Natalie Portman and Saoirse Ronan.

As with the Academy, the Guru screenplay predictions hold surprises, including BlacKkKlansman leading adapted predictions and Roma sandwiched by leader The Favourite and a maybe not-so-surprising showing for First Reformed, for yet-to-be-nominated writer-director Paul Schrader. The Gurus also shine light on recently-prized Ethan Hawke.

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The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

For anyone over, say, 15, to fully appreciate Ruben Fleischer’s Venom, it’s necessary to possess a working knowledge of Eddie Brock/Venom’s origin story and those of several other key characters. If not, it’s just another vehicle to show off cool CGI effects,

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The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

After laying low for several years, preparing to exact her own justice on the people who killed her family, Riley returns to town a trained killer and martial-arts expert. At 5-foot-8, Garner is no less credible a vigilante than Liam Neeson, at 6-4.

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The Gurus Predict Globes for Drama, Musical or Comedy, and Director

The Gurus predict the sentiment of the happy-go-lucky members of the Hollywood Foreign Press Association this week, considering what tickled their fantasy this season: lots of love predicted for A Star Is Born, as well as possible chances for Green Book.

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The DVD Wrapup: Support the Girls, M:I Fallout, Gosford Park, Serpent’s Egg. True Stories, School Daze, Candyman, Hanging Rock, Yellowstone … More

In her late 40s, Lisa knows that her first obligation is to the owner’s bank account, but her heart is divided between her wait staff and loyal customers. As balancing acts go, it’s a doozy.

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MCN Originals

Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott