Roma

MCN Originals Archive for November, 2018

Gurus o’ Gold Speak Best Picture, Foreign Language, Doc Feature

A Star is Born, Roma, Green Book and The Favourite and Black Panther sentiment shifts slightly, from Guru to Guru. Extra love for Mary Poppins Returns as screenings accelerate, and First Reformed after nods from the New York Film Critics Circle.

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The DVD Wrapup: Gauguin, Blindspotting, Skate Kitchen, Wobble Palace, Third Murder, Outrage Coda, Nelly, Luciferina, MDMA, Heavy Trip, Agony, Family I Had … More

The movie sidesteps Gauguin’s assertion in his memoir that Tehura was 13 years old, not 17, when she was offered to him in marriage. In her first appearance in a movie, Adams isn’t asked to do much more than look exotic, pose well and provide companionship, all of which she does very well.

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Gurus o’ Gold Go Best Picture, Director, Cinematographer

Post-Thanksgiving, the Gurus shake up the Best Picture field on a couple of pictures that have just opened, reflecting critical and financial reception, as well as bright-and-sunny early previews for Mary Poppins Returns.

The Gurus also look upon best director and best cinematographer for the first time in 2018, with much love for one big black-and-white picture: Alfonso Cuarón’s cinematography on Roma makes a rare Gurus sweep.

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DVD Gift Guide II: Bergman@100, 2001 4K, Rambo 4K, Dances With Wolves, Robin Williams, Ernie Kovacs, Detectorists, Frosty, Elf … More

“In honor of Ingmar Bergman’s 100th birthday, the Criterion Collection is proud to present the most comprehensive collection of his films ever released on home video. … Arranged as a curated film festival, with ‘opening’ and ‘closing’ nights bookending double features and ‘centerpiece’ programs …”

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Gurus O’ Gold On Best Picture, Best Supporting Actor, Best Actor

For mid-November, the Gurus update their predictions for Best Picture, and take a first look at best supporting actor and best actor.

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The DVD Wrapup: Owl’s Legacy, Good Manners, Childrens Act, Juliet Naked, Unnamable, Little Italy, Gas Food Lodging, SWF, Detective Dee, Windtalkers … More

“The Owl’s Legacy” was supported by the Onassis Foundation and aired on French public television. When it failed to deliver the expected conclusions about the ancient Athenians’ influence on modern Greece, it was shelved for nearly 30 years.

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The DVD Wrapup: Incredibles 2, Superman, Midaq Alley, La Boyita, 7th Day, Longing, Breaking Brooklyn, Mara, Capra Goes to War, Sleepwalkers, The Circus, Native America … More

If Jerry Siegel and Joe Shuster’s creation hadn’t leapt from the pages of Action Comics #1 and captured the fancy of Americans of all ages, it isn’t likely that “Superman: The Movie” would have been released, 40 years later, and the superheroes in The Incredibles might look more like Batman than Kal-L, from Krypton.

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The DVD Wrapup: Spy Who Dumped Me, Elena Ferrante, Sun at Midnight, Elephant’s Journey, Retro Afrika, Never Goin’ Back, Believer, Dragnet, Valley Girl, Black Sails … More

Credit for keeping viewers from sweating the improbable details largely belongs to McKinnon’s inspired riffing and improvisation, along with Fogel and co-writer David Iserson’s clever plotting and location-hopping.

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MCN Originals

Quote Unquotesee all »

“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray