MCN Originals Archive for July, 2014

The Weekend Report

Lucy had the brains and the brawn to lead weekend box office with an estimated debut of $44 million. That left that other new muscleman Hercules in the bridesmaid slot with $29 million. The third national release—Rob Reiner’s senior rom-com And So It Goes—took $4.4 million.

Read the full article »

Friday Box Office Estimates

The power of Scarlett Johansson’s brain on drugs outdoes The Rock’s muscles. And FreeStyle Entertainment takes out a Michael Douglas/Diane Keaton without telling anybody, while Woody #45 opens modestly.

Read the full article »

The DVD Report

If any actors should have been able to interest audiences in the concept of artificial intelligence forwarded in Transcendence, it was Johnny Depp and Morgan Freeman.

Read the full article »

31 Weeks To Oscar: Telluride, Toronto & New York

I feel like all the pieces are in the right place after announcements from New York (FIRST!) and Toronto, with the Telluride schedule showing itself more clearly than ever because of TIFF’s new rules about opening weekend and North American premieres. I hate the idea of this all being a competition between the festivals. All three are so distinct. They each have a purpose. And for me, the more above board everyone is, the better.

Read the full article » 13 Comments »

A Story Of Deep Delight: Talking BOYHOOD With Richard Linklater

A conversation about time, duration, contracts, some parallels between Boyhood and poetry, making a period film in the present tense, and why film “improvisation” doesn’t exist.

Read the full article » 6 Comments »

The Weekend Report

Simple simian says Dawn of the Planet of the Apes rules again with an estimated $35.8 million. However, a trio of new wide releases lined up right behind it. Best of the bunch was the shocker sequel The Purge: Anarchy that bowed to $28.3 million. Both the animated sequel Planes: Fire & Rescue and romcom Sex Tape entered below expectations with respective grosses of $17.9 million and $14.9 million.

On the alternative side Begin Again added 363 screens and plateaued. The question now is just how far can Boyhood penetrate into the marketplace. Its weekend gross of $1.2 million from 34 screens in exclusive engagements in top urban markets is truly impressive. Nonetheless it will need sustained TLC and vigorous promotion to assure its embrace in second and third tier centers in order to reach a broad audience and secure its position as an early awards contender.

Read the full article »

Friday Box Office Estimates

The Purge: Anarchy leads on Friday, but it’s down about 23% from opening day of the first high-concept, low-budget thriller. If it continues on this trajectory, it will gross about $26m for the weekend and still be very profitable. But don’t look elsewhere or you may think that ending the weekend as the #2 film is some sort of tragedy. Also opening, Sex Tape, which looks like Cameron Diaz’s weakest comedy opening since 2005/2006. The film is, literally, in the mid-summer Friends With Benefits slot… a film that also underperformed in spite of some hot talent. And Planes 2 opens softer than Planes, which was basically an up-converted direct-to-DVD spin-off of Cars. Of course, given that this is a film for young kids, it could still end up with a $20m weekend and a gross not too dissimilar to the first release, given the paucity of kids’ films in the market.

Read the full article »

The DVD Wrapup

Like Father Like Son, Face of Love, Vinyl, TV Westerns, sxtape, Southern Comfort, WWI, D-Day and more.

Read the full article »

Interview: Jonathan Glazer On The Birth Of UNDER THE SKIN

In a rangy interview, we talk to Jonathan Glazer about themes in Under The Skin, sight, the eye, Mica Levi’s inventive score and artistic productivity. (He admires Fassbinder’s output.) There are spoilers.

Read the full article »

32 Weeks To Oscar: Toronto, Telluride, and Collateral Damage

Whatever corner was turned by Telluride and by distributors, make no mistake… Telluride is now in the “me-first” Oscar race game. After 33 years of not having a single Oscar nominee for Best Picture, suddenly they were cranking out at least one a year. This kind of thing just doesn’t happen like the breeze shifting directions. But most of these films “officially” premiered at Toronto. So TIFF made claims to being the first stop for Oscar as well. And TIFF’s pedigree in this regard started 7 years earlier than Telluride… 1999… with American Beauty. And they’ve had 8 Oscar winners in 13 years. And 3 Audience Award winners won Best Picture in the last 6 years.

Read the full article » 13 Comments »

The Weekend Report

The Apes rise, the Transformers drop but are far from extinction, Begin Again expands nicely, and Boyhood does awards-season opening numbers in July with an estimated $74,000 on 5 screens.

Read the full article »

Friday Box Office Estimates

The Apes come out swinging, though on the second tier of summer hit openings. Transformers, which is still the biggest opening day of 2014, will become the quickest film to $200 million today, although Cap 2 was holding better in its third weekend. And Boyhoodopens very strong on just 5 screens, projecting to over $50k per, which would make it the biggest exclusive opening of the year after The Grand Budapest Hotel.

Read the full article »

The DVD Wrapup

Jodorowsky’s Dune, Le Week-End, Cannabis Kid, Rigor Mortis, Pretty One, Watermark, POWs, Vicious, Endeavor and more.

Read the full article »

Review-ish: Planet of The Apes (non-spoiler)

This film really becomes The Dark Knight to the first film’s Batman Begins. You spend much if the movie anticipating which weird, never-before-seen turn the thing might take next. It’s Shakespearean, it’s Biblical (Old and New Testament), it’s The Walking Dead, it’s The Lion King, it’s Lincoln it’s The Godfather, it’s Titanic. It’s all over the place. Yet… it really comes together.

Read the full article » 22 Comments »

The Weekend Report

There was a lot to celebrate during the Independence holiday span … but it wasn’t at the multiplex. Weekend business hit its lowest point for the period in the past decade. Leading the pack for its second weekend was Transformers: Age of Extinction with an estimated $36.2 million during the three-day skirmish. Raucous comedy Tammy was second and best of a trio of newcomers with $21.2 million. The other freshmen were exorcism chiller Deliver Us from Evil, which grossed $9.5 million and family-targeted Earth to Echo all that E.T.-ish at $8.2 million.

Read the full article »

Knights At Table: Remembering Mazursky

On the appointed day I made my way toward Bob’s Donuts and could hear laughter and boisterous banter well before I reached my destination. When I finally spied Mazursky I could see him at the center (not literally) of a group of about eight people—the loud folk I’d heard from a distance. I approached cautiously and as I neared he waved me over.

Read the full article »

Death & Life: Part Two

I knew Paul Mazursky for about 10 years.

I am a member of The Table, as we call it. The tradition is, simply, a bunch of guys – and yes, some women – who get together in the mornings to break bread (usually donuts) and talk shit. The common denominator is show business. And the table has enjoyed some of the best writers, directors, actors, comics, artists, execs, journalists, etc for which you could ask.

Read the full article » 1 Comment »

The DVD Wrapup

The Unknown Known, Lunchbox, Cannibal Holocaust, Final Terror, Operation Petticoat, Helix and more.

Read the full article »

MCN Originals

Eric N on: Weekend Report

Judi Levine on: The Weekend Report

YancySkancy on: 4-Day Estimates

Triple Option on: 4-Day Estimates

Sideshow Bill on: 4-Day Estimates

Bulldog on: 4-Day Estimates

Sideshow Bill on: 4-Day Estimates

hcat on: 4-Day Estimates

leahnz on: 4-Day Estimates

Dr Wally Rises on: 4-Day Estimates

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch