MCN Originals Archive for July, 2014

The Weekend Report

Lucy had the brains and the brawn to lead weekend box office with an estimated debut of $44 million. That left that other new muscleman Hercules in the bridesmaid slot with $29 million. The third national release—Rob Reiner’s senior rom-com And So It Goes—took $4.4 million.

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Friday Box Office Estimates

The power of Scarlett Johansson’s brain on drugs outdoes The Rock’s muscles. And FreeStyle Entertainment takes out a Michael Douglas/Diane Keaton without telling anybody, while Woody #45 opens modestly.

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The DVD Report

If any actors should have been able to interest audiences in the concept of artificial intelligence forwarded in Transcendence, it was Johnny Depp and Morgan Freeman.

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31 Weeks To Oscar: Telluride, Toronto & New York

I feel like all the pieces are in the right place after announcements from New York (FIRST!) and Toronto, with the Telluride schedule showing itself more clearly than ever because of TIFF’s new rules about opening weekend and North American premieres. I hate the idea of this all being a competition between the festivals. All three are so distinct. They each have a purpose. And for me, the more above board everyone is, the better.

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A Story Of Deep Delight: Talking BOYHOOD With Richard Linklater

A conversation about time, duration, contracts, some parallels between Boyhood and poetry, making a period film in the present tense, and why film “improvisation” doesn’t exist.

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The Weekend Report

Simple simian says Dawn of the Planet of the Apes rules again with an estimated $35.8 million. However, a trio of new wide releases lined up right behind it. Best of the bunch was the shocker sequel The Purge: Anarchy that bowed to $28.3 million. Both the animated sequel Planes: Fire & Rescue and romcom Sex Tape entered below expectations with respective grosses of $17.9 million and $14.9 million.

On the alternative side Begin Again added 363 screens and plateaued. The question now is just how far can Boyhood penetrate into the marketplace. Its weekend gross of $1.2 million from 34 screens in exclusive engagements in top urban markets is truly impressive. Nonetheless it will need sustained TLC and vigorous promotion to assure its embrace in second and third tier centers in order to reach a broad audience and secure its position as an early awards contender.

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Friday Box Office Estimates

The Purge: Anarchy leads on Friday, but it’s down about 23% from opening day of the first high-concept, low-budget thriller. If it continues on this trajectory, it will gross about $26m for the weekend and still be very profitable. But don’t look elsewhere or you may think that ending the weekend as the #2 film is some sort of tragedy. Also opening, Sex Tape, which looks like Cameron Diaz’s weakest comedy opening since 2005/2006. The film is, literally, in the mid-summer Friends With Benefits slot… a film that also underperformed in spite of some hot talent. And Planes 2 opens softer than Planes, which was basically an up-converted direct-to-DVD spin-off of Cars. Of course, given that this is a film for young kids, it could still end up with a $20m weekend and a gross not too dissimilar to the first release, given the paucity of kids’ films in the market.

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The DVD Wrapup

Like Father Like Son, Face of Love, Vinyl, TV Westerns, sxtape, Southern Comfort, WWI, D-Day and more.

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Interview: Jonathan Glazer On The Birth Of UNDER THE SKIN

In a rangy interview, we talk to Jonathan Glazer about themes in Under The Skin, sight, the eye, Mica Levi’s inventive score and artistic productivity. (He admires Fassbinder’s output.) There are spoilers.

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32 Weeks To Oscar: Toronto, Telluride, and Collateral Damage

Whatever corner was turned by Telluride and by distributors, make no mistake… Telluride is now in the “me-first” Oscar race game. After 33 years of not having a single Oscar nominee for Best Picture, suddenly they were cranking out at least one a year. This kind of thing just doesn’t happen like the breeze shifting directions. But most of these films “officially” premiered at Toronto. So TIFF made claims to being the first stop for Oscar as well. And TIFF’s pedigree in this regard started 7 years earlier than Telluride… 1999… with American Beauty. And they’ve had 8 Oscar winners in 13 years. And 3 Audience Award winners won Best Picture in the last 6 years.

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The Weekend Report

The Apes rise, the Transformers drop but are far from extinction, Begin Again expands nicely, and Boyhood does awards-season opening numbers in July with an estimated $74,000 on 5 screens.

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Friday Box Office Estimates

The Apes come out swinging, though on the second tier of summer hit openings. Transformers, which is still the biggest opening day of 2014, will become the quickest film to $200 million today, although Cap 2 was holding better in its third weekend. And Boyhoodopens very strong on just 5 screens, projecting to over $50k per, which would make it the biggest exclusive opening of the year after The Grand Budapest Hotel.

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The DVD Wrapup

Jodorowsky’s Dune, Le Week-End, Cannabis Kid, Rigor Mortis, Pretty One, Watermark, POWs, Vicious, Endeavor and more.

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Review-ish: Planet of The Apes (non-spoiler)

This film really becomes The Dark Knight to the first film’s Batman Begins. You spend much if the movie anticipating which weird, never-before-seen turn the thing might take next. It’s Shakespearean, it’s Biblical (Old and New Testament), it’s The Walking Dead, it’s The Lion King, it’s Lincoln it’s The Godfather, it’s Titanic. It’s all over the place. Yet… it really comes together.

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The Weekend Report

There was a lot to celebrate during the Independence holiday span … but it wasn’t at the multiplex. Weekend business hit its lowest point for the period in the past decade. Leading the pack for its second weekend was Transformers: Age of Extinction with an estimated $36.2 million during the three-day skirmish. Raucous comedy Tammy was second and best of a trio of newcomers with $21.2 million. The other freshmen were exorcism chiller Deliver Us from Evil, which grossed $9.5 million and family-targeted Earth to Echo all that E.T.-ish at $8.2 million.

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Knights At Table: Remembering Mazursky

On the appointed day I made my way toward Bob’s Donuts and could hear laughter and boisterous banter well before I reached my destination. When I finally spied Mazursky I could see him at the center (not literally) of a group of about eight people—the loud folk I’d heard from a distance. I approached cautiously and as I neared he waved me over.

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Death & Life: Part Two

I knew Paul Mazursky for about 10 years.

I am a member of The Table, as we call it. The tradition is, simply, a bunch of guys – and yes, some women – who get together in the mornings to break bread (usually donuts) and talk shit. The common denominator is show business. And the table has enjoyed some of the best writers, directors, actors, comics, artists, execs, journalists, etc for which you could ask.

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The DVD Wrapup

The Unknown Known, Lunchbox, Cannibal Holocaust, Final Terror, Operation Petticoat, Helix and more.

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MCN Originals

Quote Unquotesee all »

“I had this friend who was my roommate for a while. She seemed really normal in every way except that she wouldn’t buy shampoo. She would only use my shampoo. And after a year it’s like, “When are you going to buy your own shampoo?” It was her way of digging in her heels. It was a certain sense of entitlement, or a certain anger. It was so interesting to me why she wouldn’t buy her own fucking shampoo. It was like,“I’m gonna use yours.” It was coming from a place of “You have more money than me, I just know it”—whether I did or I didn’t. Or maybe she felt, “You have a better life than me,” or “You have a better room than me in the apartment.” It was hostile. And she was a really close friend! There was never any other shampoo and I knew she was washing her hair. And clearly I have a thing about shampoo, as we see in ‘Friends with Money.’ I had some nice shampoo. So I found that psychologically so interesting how a person can function normally in every way and yet have this aberrance—it’s like a skip in the record. It was a sense of entitlement, I think. I put that in Olivia’s character, too, with her stealing someone’s face cream.”
Nicole Holofcener

“When books become a thing, they can no longer be fine.

“Literary people get mad at Knausgård the same way they get mad at Jonathan Franzen, a writer who, if I’m being honest, might be fine. I’m rarely honest about Jonathan Franzen. He’s an extremely annoying manI have only read bits and pieces of his novels, and while I’ve stopped reading many novels even though they were pretty good or great, I have always stopped reading Jonathan Franzen’s novels because I thought they were aggressively boring and dumb and smug. But why do I think this? I didn’t read him when he was a new interesting writer who wrote a couple of weird books and then hit it big with ‘The Corrections,’ a moment in which I might have picked him up with curiosity and read with an open mind; I only noticed him once, after David Foster Wallace had died, he became the heir apparent for the Great American Novelist position, once he had had that thing with Oprah and started giving interviews in which he said all manner of dumb shit; I only noticed him well after I had been told he was An Important Writer.

“So I can’t and shouldn’t pretend that I am unmoved by the lazily-satisfied gentle arrogance he projects or when he is given license to project it by the has-the-whole-world-gone-crazy development of him being constantly crowned and re-crowned as Is He The Great American Writer. What I really object to is this, and if there’s anything to his writing beyond it, I can’t see it and can’t be bothered. Others read him and tell me he’s actually a good writer—people whose critical instincts I have learned to respect—so I feel sure that he’s probably a perfectly fine, that his books are fine, and that probably even his stupid goddamned bird essays are probably also fine.

“But it’s too late. He has become a thing; he can’t be fine.”
~ Aaron Bady