MCN Originals Archive for April, 2014

The DVD Wrapup

Best Offer, Selfish Giant, Hill Street Blues, Mr. Selfridge, Devil’s Due, Dead Shadows, Bucksville and more.

Read the full article » No Comments »

Countdown To Cannes: Bennett Miller

The third in a series of snapshots outlining the nineteen directors in the 67th Palme d’Or Competition.

Read the full article » No Comments »

The Weekend Report

The Other Woman was the top choice at the weekend box office with a debut estimated at $24.8 million. Two other films also entered the marketplace at a lower threshold. Actioner Brick Mansions slotted fifth with an okay $9.6 million while chiller The Quiet Ones hardly nudged the thermostat with an opening gross of $3.9 million.

Read the full article » No Comments »

Friday Box Office Estimates

Fox counterprograms the comic books, tweener, and kids movies with the first comedy with aggressive appeal for women since Enough Said & Baggage Claim back in September 2013… and wins big. It isn’t Bad Teacher but it will be Cameron Diaz’s best start as a non-animated lead aside from that since Charlie’s Angels And it will be Leslie Mann’s biggest opening as a lead and her biggest since Knocked Up. Paul Walker’s 2nd non-F&F release in the last 7 years will open… to about half of what his other one, Takers snatched. Does anyone really know what that means? Not likely.

Read the full article » No Comments »

Review: The Amazing Spider-Man 2 (spoiler-free)

The Amazing Spider-Man 2 is a piece of quality filmmaking with actual attention to consistent coherent (and emotionally coherent) storytelling.

Read the full article » 47 Comments »

Wilmington on Movies: Bears

Three bears huddled on the snowy lopes of a vast white mountain as a raging avalanche crashes down alongside them. Fish fighting their way upstream in a glistening river, with one spunky salmon rising up from the spume and spray to nearly swat a waiting bear. A mama bear bravely standing between her two threatened cubs and a renegade clanless bear who circles and circles and wants to make a meal of them.

Read the full article » No Comments »

Countdown To Cannes: Atom Egoyan

The second in a series of snapshots outlining the eighteen directors in the 67th Palme d’Or Competition.

Read the full article » No Comments »

The DVD Wrapup

Bettie Page, Inspector Lavardin, Cell Block 11, Sorcerer, Pawnbroker, Tin Can Man, Junction, Billie Jean and more.

Read the full article » No Comments »

Countdown To Cannes: Tommy Lee Jones

The first in a series of snapshots outlining the eighteen directors in the 67th Palme d’Or Competition.

Read the full article » 2 Comments »

Wilmington on Movies: 2014 COLCOA Film Festival — Truffaut, Lelouch

Here’s the bill of fare. The COLCOA Film Festival, a fixture in Los Angeles for 17 years, shows new and classic French films in two American movie theaters at the Directors’ Guild complex: plush theaters named for legendary French filmmakers, François Truffaut and Jean Renoir. They mean a lot to me — the filmmakers, the films, and especially those two directors (or cineastes), Renoir and Truffaut.

Read the full article » No Comments »

The Weekend Report

A quartet of new releases couldn’t unseat Captain America: The Winter Soldier from the lead on Easter weekend. The Marvelous super hero grossed an estimated $26.2 million, with Rio 2 not far off with $22.6 million. Among new national releases was the unexpectedly competitive true-life inspirational saga Heaven is for Real with $21.2 million and, conversely, the unexpectedly non-competitive Transcendence, which downloaded only $11.1 million. Chiller spoof A Haunted House 2 did an OK $8.9 million and nature tale Bears was off to a fair start of $4.8 million.

Read the full article » No Comments »

Wilmington on Movies and DVDs: The TCM 2014 Classic Film Festival: How Green Was My Valley; Meet Me in St. Louis; Make Way for Tomorrow

Families, at their best, give us solace and they give us joy. At their worst, they tear us apart. Both extremes were visible on screen at this year’s TCM Classic Film Festival: often the best (How Green Was My Valley) and sometimes the worst (Whatever Happened to Baby Jane?), but always the crucial parts of a film to remember.

Read the full article » No Comments »

Friday Box Office Estimates

The numbers are 21% smaller, but once again we have a $100,000 lead for Rio 2 over Cap 2 on Friday. This weekend, however, we have four new films chasing the top spot – and failing to come close – instead of two. The top of the group is Heaven Is For Real, which opened on Wednesday and should be over a $25m cume by the end of the weekend. After uniformly negative reviews, WB’s big hitter, Transcendence, has technology running well behind God. The new sequel in town, A Haunted House 2, has been crowded out, but not so much as DisneyNature’s Bears.

Read the full article » No Comments »

The DVD Wrapup

Ride Along, Labor Day, Invisible Woman, Bastards, Everyday, Ripper Street, Bletchley Circle, Black Nativity and more.

Read the full article » No Comments »

The Torontonian Tips Cannes

In sticking with the Festival’s long-standing tradition of programming veterans in Competition, 13 of the announced 18 films are from returning auteurs. 18 is a small number for Cannes, though, so expect one, two, and possibly even three more films to be announced in the coming weeks.

Read the full article » No Comments »

The Weekend Report

Captain America: The Winter Soldier remained at the top of the charts despite significant incoming competition from newcomer Rio 2. The Captain grossed an estimated $40.9 million to the feathered flock’s $38.5 million. The session also featured two other national openers, which fought for positions three and four on the charts. Mirror chiller Oculus bowed to $11.8 million while football-themed Draft Day touched down with $10 million.

Read the full article » No Comments »

Friday Box Office Estimates

Captain America: The Winter Soldier takes a predictable 54% drop, opening the door to Rio 2 taking the top slot with around $40m for the weekend.

Also in more modest debuts, the horror film that no one can pronounce beats Kevin Costner’s oddly-dated feel-good football comedy.

Read the full article » No Comments »

17 Weeks Of Summer: Episode One – The Studios

There are 30 wide-release films due to be released by the 6 major studios in these 17 weeks of summer (May 2-August 24). And the majors haven’t done anything to change the popular media tune about an ongoing obsession with big, expensive movies.

Read the full article » 49 Comments »

DVD Geek: 12 Years a Slave

How can the random displacement of humans being distributed as property sustain a consistent intrigue of character? How can modern actors embody any of the characters, black or white, truthfully, without going insane? McQueen oversees all of these challenges, creating a powerful, beautiful work—no more or less violent than many great films that have addressed violence—that is entertaining and exciting throughout its 134 minutes.

Read the full article » 1 Comment »

Wilmington on DVDs: The Hidden Fortress; Blue Jasmine; August: Osage County; Saving Mr. Banks

Like all the best Kurosawas — which encompasses most of his output — this is a beautifully crafted, tremendously exciting movie, and it features some of Kurosawa’s best action scenes, shot and cut in his characteristic vigorous three-camera set-ups. It’s better than Star Wars.

Read the full article » No Comments »

MCN Originals

Quote Unquotesee all »

“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas