MCN Originals Archive for April, 2012

The Weekend Report

Cusp of summer box office experienced a lull with weekend revenues of roughly $115 million that amounted to a 17% decline from the prior frame. It was a steeper 30% downturn from 2011 when the bow of Fast Five blew away the competition with an $86.1 million launch. The weekend’s big noise was happening overseas with The Avengers getting a jump start on domestic with a 39 territory debut estimated at close to $180 million. Also heaping up advance gelt internationally is Battleship with $150 million to date prior to its North American bow on 5/18.

Read the full article » No Comments »

Wilmington on Movies: The Raven

But wait a minute. This isn’t the kind of horror that puts money in your pockets. A loser roaming the streets and expiring in a hospital? Not in our bottom-line, money-obsessed, failure-hating age. Let’s imagine something more horrible — and certainly more modern, more suitable to contemporary tastes.

Read the full article » No Comments »

The DVD Wrapup: Contraband, Camelot, Return, Young Goethe, Innkeepers, Hollis Frampton … More

Like JFK’s legacy, the movie version of “Camelot” hasn’t aged well in the succeeding nearly 50 years. In fact, after knocking ’em dead on Broadway in the early 1960s, the movie version failed to overwhelm Oscar voters or attract nearly the same number of fans as “My Fair Lady.”

Read the full article » 4 Comments »

Picturing Ebertfest 2012 Day 2

Edifices, blue skies, books for sale, karaoke, Life Itself…

Read the full article » No Comments »

Wilmington on Movies: Headhunters

Slick and fast and gorgeously shot—if sometimes almost criminally over-the-top.

Read the full article » No Comments »

Review: The Five-Year Engagement

The successful rom-com never overestimates its own charms – or the charms of its superstar leads, for that matter. Rather than resting on their laurels, Segel and Stoller take inspiration from the best of the genre. They turn to the gags and goofiness of “There’s Something About Mary,” the darkness, neediness and commitment-phobia of “Eternal Sunshine of the Spotless Mind,” the sheer buffoonery of “Forgetting Sarah Marshall,” and the earnest poignancy of “Until Sunrise” to form a story that’s at once heartfelt and packed to the brim with hearty laughs.

Read the full article » 2 Comments »

Is Crossmedia Film’s Next Wave?

At the forefront of one of the film narrative’s many reinventions is a next wave of software developers, gamers, filmmakers, writers and composers; a confluence of independent talent dedicated to creating entertainment which employs a variety of mediums and crosses all media platforms, in order to create immersive story experiences for the general public. Think Steve Jobs meets James Cameron, who meets Joe Papp, Wolfgang Amadeus Mozart and then Maya Deren. Together…

Read the full article » 1 Comment »

Picturing Ebertfest 2012

Looking at opening day and night of the 14th annual Roger Ebert’s Film Festival, Champaign, Illinois, March 25, 2012.

Read the full article » 3 Comments »

Wilmington on DVDs. Godzilla

I’ve never visited Japan, and probably I never will. But if I get there, I know I’ll dream of seeing several things, all of which, to me, signify “Japanese cinema“ and “Japan.” A furious Kurosawa swordfight caught by three cameras. Two Ozu characters sitting on tatami mats, musing on the sadness of life. A geisha or wife suffering while Mizoguchi’s camera tracks slowly and beautifully around her. Something tragic or transgressive caught lucidly by Ichikawa or Imamura. And, rising up from the ocean, while the sun sets, Honda’s Godzilla (excuse me, Gojira), staring toward Tokyo and licking his chops.

Read the full article » No Comments »

Wilmington on DVDs. The Innkeepers

Ti West’s movie is loaded with seedy atmosphere and cracked wacko personality, and I much preferred it to the over-expensive blood-drenched massacres they usually give us. Paxton’s Claire and Healy’s Luke are engagingly scarable protagonists. The cellar is a doozy.

Read the full article » No Comments »

Wilmington on Movies: Darling Companion

The movie has its flaws — that outlandishly implausible ending chiefly among them — but compared to most of the un-naturalistic, unfunny, unserious, totally phony and sometimes obnoxiously ageist and condescendingly smart-ass gloppy stuff that often passes for American movie comedy-drama these days (and that sometimes gets a pass from the same people who pile on movies like “Darling Companion”), it’s a movie that deserves some encouragement.

Read the full article » No Comments »

The Weekend Report: April 22, 2012

“The Hunger Games” finally moved out of the top spot to make room for newcomers “Think Like a Man” and Zac Efron’s “The Lucky One,” both performing better than expected. Disney’s nature doc “Chimpanzee” turned in a respectable fourth with $10.2 million.

Read the full article » No Comments »

Gross Behavior: It’s All Business in Showbusiness

Cinemacon, the annual convention of movie theater owners, gets underway Monday in Las Vegas. And you might want to ask that age old Eskimo truism: Why is this Cinemacon different from all other Cinemacons?

Read the full article » 1 Comment »

Cannes Slate

(Editor’s Note: Welcome to Jake Howell, who will bring a young, new, and sometimes Canadian perspective to our Cannes coverage this year.) Cannes Artistic Director Thierry Frémaux has revealed the full slates of both the Competition and Un Certain Regard programs, and the film world has been officially enticed for the glamorous film spectacular this coming May.

Read the full article » 1 Comment »

Friday Estimates: April 20, 2012

Screen Gems reminds the industry why they are still the strongest niche distributor in the game. And WB has a strong launch of their entry into Screen Gems’ (formerly New Line’s) “Aren’t The Pretty… Who Will Die & Who Will Cry?” romance genre. And monkeys do the trick for Disney’s strongest DisneyNature launch.

Read the full article » No Comments »

A Brief History Of Disney OR Welcome To Uncle Bob’s I-Disney 3.0

The elephant everyone sees in the room is John Carter. But the real angle has to be Uncle Bob’s I-Disney 3.0.

It will be ugly no matter what. But John Carter was survivable for Rich Ross, even without pointing fingers at Team Pixar and trying to throw them – The Uncrushable – under the bus. That is, if Iger’s Disney 2.0 was working. But it was not.

Read the full article » 12 Comments »

The DVD Wrapup: Ghost Protocol, Shame, Last Rites of Joe May… More

Even if “Shame” doesn’t offer many answers and fewer resolutions, it can’t be said that we don’t know these people after 101 minutes in their presence. It feels like a fully realized short story or novella. The acting is terrific and McQueen’s direction delivers a real punch. It’s not an easy movie to watch, though, so viewers not looking for a challenge may want to think twice before renting it.

Read the full article » No Comments »

Wilmington on DVDs. A Streetcar Named Desire

The young Adonis-like Brando was the actor whom critics and Britons believed would be the American stage and screen’s great Hamlet. (But he never even tried.) He was the player for whom Tennessee Williams wrote play after play year after year. (But Brando turned them all down, except for the Sidney Lumet movie of “Orpheus Descending,” retitled “The Fugitive Kind)”.

Read the full article » No Comments »

Wilmington on DVDs. Shame

I can’t recall a single smile crossing Brandon’s mouth, or a single joke passing his lips (if there were, they were lonely), or much tenderness at all, during the course of the movie.

Read the full article » No Comments »

Wilmington on DVDs. Mission Impossible: Ghost Protocol

This is the best action movie out this year not just because it has the best action, but because the characters are interesting too.

Read the full article »

MCN Originals

Quote Unquotesee all »

A Spirited Exchange

“In some ways Christopher Nolan has become our Stanley Kubrick,” reads the first sentence of David Bordwell’s latest blog post–none of which I want or intend to read after that desperate opening sentence. If he’d written “my” or “some people’s” instead of “our”, I might have read further. Instead, I can only surmise that in some ways David Bordwell may have become our Lars von Trier.”
~ Jonathan Rosenbaum On Facebook

“Jonathan has written a despicable thing in comparing me to Trump. He’s free to read or not read what I write, and even to judge arguments without reading them. It’s not what you’d expect from a sensible critic, but it’s what Jonathan has chosen to do, for reasons of a private nature he has confided to me in an email What I request from him is an apology for comparing my ideas to Trump’s.”
~ David Bordwell Replies

“Yes, I do apologize, sincerely, for such a ridiculous and quite unwarranted comparison. The private nature of my grievance with David probably fueled my post, but it didn’t dictate it, even though I’m willing to concede that I overreacted. Part of what spurred me to post something in the first place is actually related to a positive development in David’s work–an improvement in his prose style ever since he wrote (and wrote very well) about such elegant prose stylists as James Agee and Manny Farber. But this also brought a journalistic edge to his prose, including a dramatic flair for journalistic ‘hooks’ and attention-grabbers, that is part of what I was responding to. Although I realize now that David justifies his opening sentence with what follows, and far less egregiously than I implied he might have, I was responding to the drum roll of that opening sentence as a provocation, which it certainly was and is.”
~ Jonathan Rosenbaum Replies

“In my own mind, I’ve always been a writer and the fact that I act is, well… it’s been very enjoyable and I love doing it. It has been good for me, but in my own mind I’m just a writer with a bizarre activity—acting—that I undertake.”
~ Wallace Shawn