MCN Originals Archive for February, 2012
David Robert Mitchell’s debut feature easily qualifies as one of the most criminally under-screened and neglected movies of the young century. While Hollywood continues to search in vain for the new John Hughes and independents hope to capture the same lightning in a bottle as “American Pie,” “The Myth of the American Sleepover” was there all along. Even in DVD, it succeeds at almost every level in capturing the joys, angst and insanity of being a teenager in middle-class America.Read the full article »
Oscar went bump in the night as the mockuventure Act of Valor ascended to the top of the weekend ticket charts with an estimated $24.7 million. Runnerup was another freshman _ Good News from Tyler Perry _ with $15.6 million. Further done the list the comedic Wanderlust bowed to a disappointing $6.6 million and the thriller Gone went missing with $4.8 million.
In the niches the hockey antics of Goon grossed a solid $1.1 million in Canada while a trio of Indian imports failed to shake up that sector of domestic box office. Exclusive starter were largely inert save for the controversial Albanian drama The Forgiveness of Blood that opened to $29,700 at three venues.
This weekend’s projection is up 23% from last year.Read the full article »
Now, let’s consider a film financed, written and developed in France that stars two French actors and was shot, edited and scored by French folk. It’s called The Artist and on Friday was named best French film of the year at the Cesars in Paris. And, believe it or not, on Saturday was cited as the quintessence of American independent cinema by the Spirit Awards.
What makes The Artist soooo American?Read the full article »
We spoke to Jean & Berenice back in November, the afternoon after their AFI opening night went into the wee hours. The conversation was as much about the language barrier as it was about the movie itself.
There’s a lot of info about making the movie, but there’s an awful lot of laughter and lulls coming out of not quite understanding one another all the time. But a couple of months later, it feels like an amusing landmark on the way to The Oscars. Hope you enjoy.Read the full article »
With its cast of real-life Navy Seals playing characters based on themselves, in a script partly drawn from real life, in scenes that the Seals actors helped design and choreograph, Act of Valor should really be the last word in Seals combat realism.Read the full article »
Here is the question I ask people when they make a face after they ask, “What’s going to win?” and I say, “The Artist” (as I have since September). “We all now there are some excellent films that are nominated. Is there any one of the nine this year that you feel desperately needs to win… should win Best Picture?”
In almost every case, I get a blank stare and some mumbling.Read the full article »
The Gurus make their final calls this week in two ways. First, there is a chart of categories that are the most likely to end up in Oscar night upsets.
And then, specific changes in specific races by specific Gurus. Some made as many as four changes, some made none. Many of the changes brought outlying picks into conformity with the rest of the group. A few went against the grain. But all of the categories in which changes have been made are listed.
Here is the full list of the Final Gurus Predictions
Here are last week’s final charts for your perusal as well.
Have a great Oscar night. The Gurus know you will.Read the full article »
Tower Heist. Wheww! That was one hell of a movie. Hell of a movie! Brett Ratner: Rush Hour! Rush Hour 2!!. Rush Hour 3!!! He‘s one moviemaker who can really make a movie move. Didn’t ya think?Read the full article »
Made before the Production Code cleaned up his innuendos and flagrant sexual metaphors, Lubitsch constantly teases the viewer with his balancing act of sharing and hiding what the characters are thinking and doing. Almost as an afterthought, each man’s fortunes rise because of his association with Hopkins’ character, and yet, for each, it is a downward trajectory of spirit when she turns her attentions elsewhere.Read the full article »
It’s the rare documentarian whose sympathizes don’t lie with common men and women, especially those dealt a weak hand at birth. Compassion isn’t something that can be taught at film school, like cinematography, history and theory. It pretty much has to be bred in the bone.Read the full article »
This is a movie you should see both for its storytelling skills and the intense interest of the story it tells. So the hell what if it’s not constructed like the usual movie. Who wants it to be?Read the full article »
YOU MIGHT BE AN OSCAR ASSHOLE IF… you write about how this filmmaker or that filmmaker was too busy chasing Oscar to make the movie they should have made.
As someone who actually has fairly lengthy conversations with almost every filmmaker who has made an Oscar nominated picture in the last five years or more, I am particularly conscious how stupid and self-serving this notion is.Read the full article »
No screenings for critics here on Ghost Rider: Spirit of Vengeance — for reasons that become quickly apparent when you watch it — so I decided to fork over coin of the realm anyway and catch it at a multiplex. After all, I thought, how bad could it be? I mean really: How bad?Read the full article »
Weekend box office pushed to about $160 million and a 12% slippage for the three-day portion of the holiday frame. It was however 9% improved from the comparable 2011 session when newcomers Unknown and I Am Number Four ranked one and three in the lineup with $21.8 million and $19.4 million.
Ghost Rider: Spirit of Vengeance had been tipped to top the charts by pundits with estimates in the low to mid $30 million range. While hardly a review driven title, the picture received withering response and diminished the crowd composed 61% male and 52% aged 25 years older plus. According to studio sources just 352 playdates were 3D engagements and accounted for 72% of box office … but those details seem highly questionable.Read the full article »
The Vow continues to hold the lead, keeping the return of Ghost Rider in the 2 spot. And Safe House, in #3, holds off This Is War.
In holdovers, The Woman in Black has become CBS Films’ highest domestic grosser. And Star Wars: Episode 1’s 3D re-release has to be seen as a bit of a bust.Read the full article »
Voting closes Tuesday… but the die is pretty much cast at this point.
In the 9 days to come, there will be plenty of conversation about the nominees and who should or should not win. But at this moment in the season, I find myself thinking about the ones that got left behind.Read the full article »
Who, I pondered, were the craftsmen who made all the wonderful furniture and clothes and hand-crafted-looking household items that graced the Clocks’ house? Did these objects come from dollhouses? Are Pod and Homily master artisans as well as brilliant borrowers? As I said, I thought about it, but not much.Read the full article »
The movie begins lyrically, with a scene that recalls the openings of both Bergman’s The Magician and Max Ophuls’ Lola Montes: the Mozart family traveling to an engagement in a nearly broken down coach through the woods. When it does break down, we’re made painfully aware of how vulnerable their existence really is, the dilemma of many artists.Read the full article »
You’ll either buy into Aura and her world or you’ll find Tiny Furniture excruciatingly pretentious and boring.Read the full article »
The movie, despite its hollow dialogue and sometimes punishing slow pace, does look sort of good. But it seems odd at times that this movie was directed by a man who made a movie about the Kinsey Report.Read the full article »