MCN Originals Archive for November, 2011

Wilmington on DVDs. The Rest: Friends With Benefits; 30 Minutes or Less; One Day; Island of Lost Souls

     “Friends with Benefits” (Two Stars) U. S.: Will Gluck, 2011 Falling in love is such great movie material that it’s a pity Hollywood screws it up so often, especially  these days. Friends with Benefits is  supposed to be smarter and funnier than the usual pseudo-romantic comedy of today, but it’s really ust another rommie-commie with more (and…

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Wilmington on DVDs. Pick of the Week: Blu-ray. Cave of Forgotten Dreams

      Cave of Forgotten Dreams (Also Two Disc Blu-ray/3D Blu-ray combo) (Four Stars) Germany/France: Werner Herzog, 2011 (MPI Home Video)   Perhaps 30,000 years ago, or less, in the age of the paleoliths, a man or woman, or a group of them, stood before the walls of the cave of Chauvet, in France,…

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Wilmington on DVDs. Pick of the Week: New. Sarah’s Key

      Sarah’s Key (Elle s’appelait Sarah) (Three Stars) France: Gilles Paquet-Brenner, 2010 (Weinstein Company/Anchor Bay) Sarah‘s Key (Elle s’appelait Sarah) is a movie about public and private tragedies, based on the novel by Tatiana de Rosnay and filmed with much fidelity and feeling by director-screenwriter Gilles Paquet-Brenner. It’s a good movie, with one…

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Gurus o’ Gold: November 29, 2011

The Gurus start this week with three questions about the award season itself, primarily about the early awards and nominations coming out in November.

Then it’s on to Best Picture, where Hugo is the big mover, and Supporting Actress & Actor, which hasn’t changed much at the top in the last month… but for which the field keeps narrowing.

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Wilmington on Movies: The Artist

        The Artist (Three and a Half Stars) U.S.-France: Michel Hazanavicius The Artist, a movie about the Golden Age of Hollywood, is a superb silent film in black and white by the French writer-director Michel Hazanavicius. It’s an utterly wonderful show: a gloriously anachronistic little film with actors who don’t talk and pictures that…

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20W2O Special: New York First! Film Critics Circle Get Tattooed

“Real” critics groups should not be in the role of negotiating screenings or demanding anything from the studios of film producers. The idea of NYFCC being a proactive player in the awards season, positioning itself to be FIRST! and presuming that studios will follow is a business call, not a show call. And though many of us write about the business in the course of being critics – certainly too much these days… mea culpa – if there is any time that calls for a pure “show” mindset, it’s year-end awards.

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Wilmington on Movies: My Week with Marilyn

    My Week With Marilyn (Three Stars) U.K.: Simon Curtis, 2011 Marilyn Monroe: She was a dream of sex and the ultimate blonde fantasy. She was a smart girl who got rich and famous playing dumb. She was an innocent who played with fire and whose angel-wings burst into flame. And she was a…

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The Weekend Report: November 27, 2011

There was no sunset for Twilight as its fourth incarnation Breaking Dawn ascended to the top of weekend movie sales with an estimated $41.9 million for the three-day slice of the Thanksgiving holiday session.

Three new national releases – all targeted toward family viewing – failed to enliven the festive spirit that came early last weekend but didn’t sustain the merriment. The re-booted The Muppets ranked second with $29.3 million (all figures reflect three-day box office). Two other films targeted that segment with 3D offerings. The animated Arthur Christmas bowed to $12.3 million while the period adventure Hugo arrived at the station with $11.3 million.

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Friday Estimates: November 25, 2011

To no one’s surprise, Twilight continues on top of the heap. It’s followed by FOUR family films, with The Muppets dominating over the other 3, which are right on top of each other.

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Wilmington on Movies: The Descendants

  The Descendants (Four Stars) U.S.: Alexander Payne, 2011  Good things often take a while. But should they? It took director-writer Alexander Payne seven years to make a new film  after his Oscar-winning/box-office/critical triumph with Sideways in 2004.  Considering how good Sideways was, and how much it was liked, that’s a long time. (Too long)….

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Wilmington on Movies: The Muppets

  The Muppets (Three Stars) U.S.: James Bobin, 2011 It’s good to have them back. Jim Henson’s Muppets — among the most delightful puppets and most engaging fuzzy-furry fictional beasties to ever pop out of a TV or movie screen — haven’t been around much in recent years. Oh, once in a while we’ve seen them: a…

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15 Weeks To Oscar: Now There’s A Race

War Horse is for real. It’s a true epic and an instant classic.

The Artist is a real joy. Undeniable. Surprising. An epic pleasure.

It will be interesting to see how this starts to play out… and whether either of the last entries into the race can change the game, perhaps as the movie that wins on a split between two more classically styled films.

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DP/30 Holiday Cornucopia: Albert Nobbs, The Descendants, Happy Feet Two, Hugo, Melancholia, We Need To Talk About Kevin

It’s a holiday weekend. DP/30 allows you to spend some of your down time with Sir Ben Kingsley, George Miller, Glenn Close, John Logan, Tilda Swinton, Kirsten Dunst, the comedy act of Bridges/Lillard/Forster, and others…

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The DVD Wrapup: Super 8, Spy Kids 4, Devil’s Double, Sarah’s Key, Family Tree, Trigger, Helldriver …

Super 8: Blu-ray Spy Kids 4: All Time in the World As residents of the placid Ohio town of Lillian are being rounded up and bussed to an Air Force base – ostensibly to protect them from a mysterious virus – I remembered that I’d seen this movie before, dozens of times in the last…

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Thankful 2011: 15 Years Of Thanks

Being thankful in a time of turmoil is an interesting thing. I find myself more thankful on a daily basis than at any time in this career of covering film and the film industry. And yet, I find myself fearful of what it will all become.

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Gurus o’ Gold: November 22, 2011

As we head into the holiday weekend, The Gurus offer their weekly Best Picture projections.

And this week, the unlikely nominations for which each guru would be thankful. And which choice is being hoped from by 5 of the 14 Gurus? Take a look.

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Wilmington on DVDs. Box Sets: Georges Melies, The Wizard of Cinema (1896-1913); Melies Encores

  This week, happily on my birthday, November 23, a truly wonderful film is opening: Hugo, Martin Scorsese’s amazing and beautiful fiction feature about an inventive  boy named Hugo Cabret (Asa Butterfield) who lives in a spectacular Parisian railroad station (Modeled on the Gare Montparnasse), and the bearded, embittered shopkeeper he meets there, a man who…

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Wilmington on DVDs. Pick of the Week: Classic. 12 Angry Men (Lumet); Twelve Angry Men (Schaffner)

  DVD PICK OF THE WEEK: CLASSIC 12 Angry Men (Two Discs) (Four Stars) U.S.; Sidney Lumet, 1957 (Criterion) The court will rise…   12. Twelve men, jurors in a ’50s murder trial, gather together in the sweltering heat of a New York City afternoon, in a box-like jury room where the fans give little…

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Wilmington on DVDs. Pick of the Week: New. Super 8

    Super 8 (Four Stars) U.S.: J. J. Abrams, 2011, Paramount Remember what it was like when you were 12? 14? Twelve, wishing you were fourteen? Remember how magical the world was then? And how magical the movies were: the ones that you really loved and remembered and were really affected by? For me, that was 1958…

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Wilmington on Movies: Happy Feet Two

      Happy Feet Two (Three Stars) U.S.: George Miller, 2011   I’ve got to admit: The first ten minutes or so of Happy Feet Two had me worried — even though I was quite partial to the first 2006 installment of the original, George Miller’s 2006 tale of a tap-dancing penguin named Mumble…

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MCN Originals

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“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas