MCN Originals Archive for May, 2011

Wilmington on DVDs: Pick of the Week, New. Biutiful

PICK OF THE WEEK: NEW Biutiful (Also Blu-ray) (Four Stars) Spain: Alejandro Gonzales Inarritu, 2011 (Roadside Attractions) In Alejandro Gonzales Inarritu’s sad and moving film Biutiful, Javier Bardem gives an extraordinary performance as a dying man named Uxbal: a small time Barcelona hustler working a variety of scams and shady deals to support his two young…

Read the full article » No Comments »

Shouldn’t An Average Of A $500m Gross Per Movie Be Enough For Wall Street?

Wall Street analysts are running away from DreamWorks Animations like chickens with their claymation heads cut off. But how could they have expected any more from the company?

Read the full article » 16 Comments »

Wilmington on Movies: Meek’s Cutoff

  Meek’s Cutoff (Three and a Half Stars) U. S.: Kelly Reichardt, 2011 Meek’s Cutoff, like the Coen Brothers’ True Grit, is an art film Western for a contemporary audience, and an unusually good one — made by a director and writer (Kelly Reichardt and Jonathan Raymond), who show a real feeling for what it…

Read the full article » No Comments »

Memorial Weekend 4-Day Box Office Charts

Estimates for the 4-day weekend are in… and what happens in Bangkok stays in the record books.

Read the full article » No Comments »

The Weekend Report: May 29, 2011

Despite withering reviews The Hangover Part II lived up to industry expectations to take the crown for the three-day portion of the Memorial weekend with an estimated $86.5 million. The frame’s other national debut Kung Fu Panda 2 ranked second with a lower than anticipated tally of $48.2 million.

Read the full article » 1 Comment »

Wilmington on Movies: Kung Fu Panda 2

  Kung Fu Panda 2 (Two and a Half Stars) U.S.: Jennifer Yuh Nelson, 2011  Kung Fu Panda 2 is a cute, likable movie, done with a lot of skill and A-level talent, and with all the visual virtuosity we expect by now from big-budget cartoon features — especially from sequels to gigantic hits, like…

Read the full article » 1 Comment »

Friday Estimates: May 27

Led by a trio of sequels, it looks to be a big weekend at the box office. The Hangover 2 has hit $60 million so far, and , with The Hangover 2’s $60 million so far, and the power of the Panda should increase as families head to the theatre on Saturday.

Read the full article » No Comments »

Wilmington on Movies: The Hangover Part II

     The Hangover, Part II (Two Stars) U.S.: Todd Phillips, 2011 I laughed a lot at 2009’s big comedy hit, The Hangover — that tense and raunchy tale of three longtime buddies at a wedding who wake up after a night of incredible but totally forgotten debauchery and have to try to figure out…

Read the full article » No Comments »

SIFF Review: Kung Fu Panda 2

Important lessons are learned along the way, blah blah blah, and there are plenty of fights that are exciting without being too scary or violent for most small fry. Yes, it’s predictable, but so are the books you probably read to the kids at bedtime, right? Kids like predictable. They have their whole lives to care about character arcs and dramatic tension and movies being interesting.

Read the full article » 1 Comment »

Wilmington on DVD: The Rest. I Am Number Four, The Roommate, Fear and Loathing in Las Vegas, El Topo, Hurry Sundown, Grand Prix

I Am Number Four (One a Half Stars) U.S.: D. J. Caruso 2011 (Touchstone/DreamWorks) Sometimes, you look at a movie, and you know it’s going to give you a bad time. But what can you do? I Am Number Four is a super-glossy, not very good science fiction teen thriller, produced by Michael Bay and directed…

Read the full article » No Comments »

Review: The Tree Of Life

“My favorite is a shot from the branches of a tree, looking down onto the grass, where the erratic play of two boys running in circles mirrors the motion of two dogs frolicking in the same frame. Malick slowly prepares us to take in just how whimsical and sensual and malleable the lives of children are, how they drink in everything around them without knowing whether it’s milk or poison.”

Read the full article » 6 Comments »

Wilmington on DVD, Pick of the Week: Box Set. Silent Naruse

PICK OF THE WEEK: BOX SET Silent Naruse (Three Discs) (Three and a Half Stars) Japan: Mikio Naruse, 1931-34 (Criterion/Eclipse) He was a sad-looking man who’d had an unhappy love life, early feuds with his bosses, and little beyond his career to make him feel any joy or optimism about life. He’d been raised in…

Read the full article » No Comments »

The DVD Wrapup: Gnomeo & Juliet, Lemonade Mouth, I Am Number Four, Anton Chekhov’s The Duel, The Big Bang, Burning Palms …

Gnomeo & Juliet: Blu-ray According to one of those computer-generated lists of keywords on the IMDB.com website, nearly 70 television specials and movies – including “Gnomeo & Juliet” — owe their very existence to William Shakespeare’s “Romeo & Juliet.” (That it doesn’t include the delightful rom-com, “Letters to Juliet,” or the Soviet-era adaptation, “Romeo i…

Read the full article » 3 Comments »

Wilmington on DVD, Picks of the Week: Kes, Gnomeo and Juliet

PICK OF THE WEEK: NEW Gnomeo and Juliet (Two and a Half Stars) U.S.-U.K.: Kelly Asbury, 2011 This movie seems to have a totally crazy idea — a musical animated feature riff on William Shakespeare‘s unbeatable Romeo and Juliet, with two sets of feuding lawn ornaments (mostly gnomes, but also a green plastic frog, and…

Read the full article » No Comments »

Review: The Hangover, Part II (spoiler-free)

I guess that if I expected them to change the game… to push the envelope… to make the sequel that armchair quarterbacks fantasized about… I would have been disappointed that Michael Caine didn’t show up as a debauched ex-pat who knew more about Bangkok hookers than anyone alive… or that the baby wasn’t along for the ride… or that there isn’t really a topper to the Mike Tyson appearance. But I have to say, I thought it was refreshing that they weren’t trying to trick us into loving some other movie. And unless Phillips decides to do “The Wolfpack Meets Count Dracula,” there is probably no reason to do this a third time.

But I laughed.

PLUSTodd Phillips DP/30s all over DP

Read the full article » 23 Comments »

Weekend Report:May 22, 2011

The big surprise was that only 46% of Prates 4’s opening box office derived from 3D and large format engagements that comprised 66% of Pirates initial foray. Had tickets matched the percentage of 3D playdates, the film would have grossed more than $100 million this weekend. A studio spokesman said that he didn’t have an explanation for this but it was something that was definitely being investigated.

Read the full article » 3 Comments »

Wilmington on Movies: Midnight in Paris

  Midnight in Paris (Four Stars) U. S./France: Woody Allen, 2011 Midnight in Paris is a funny valentine to the City of Light, a sweet, jazzy fairy tale about the wonders of Parisian art and artist cliques in the ‘20s — a time when you could actually (if you were connected enough) go to a…

Read the full article » No Comments »

Wilmington on Movies: Louder Than a Bomb

Louder than a Bomb (Three and a Half Stars) U. S.: Greg Jacobs & Jon Siskel, 2011             Louder than a Bomb made me feel good about some of the kids of today, made me feel that they’re probably being maligned, at least in part, by most other America movies…

Read the full article » No Comments »

Wilmington on Movies: Pirates of the Caribbean: On Stranger Tides

The “Pirate“ series may be at its height of its production expertise here, it may look better than ever, and it may have recaptured some of the initial light, breezy touch. But, script wise, it’s clearly running out of planks to walk. Not enough to hurt the movie financially — but enough to justify at least some of the fussilade of amusing critical blasts the picture has generated. (Audiences will like the show better.)

Read the full article » 2 Comments »

Wilmington on DVD, The Rest: The Mechanic, Blue Valentine, No Strings Attached, The Alien Movies

CURRENT AND RECENT DVD RELEASES The Mechanic (Two Stars) U.S.: Simon West, 2011 (Sony) Remember 1972? The great movie year of The Godfather, of Cabaret, of Deliverance, of Frenzy, and Junior Bonner, and The Discreet Charm of the Bourgeoisie, Fellini’s Roma, Cries and Whispers, Solaris, Ulzana‘s Raid, The King of Marvin Gardens, Avanti!, Sleuth, and…

Read the full article » 1 Comment »

MCN Originals

Quote Unquotesee all »

“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas