MCN Originals Archive for November, 2010

MW on DVDs: Antichrist, Liverpool, Moonfleet, Fantasia/Fantasia 2000 … and more

CO-PICKS OF THE WEEK: NEW Antichrist (Two Discs) (Three and a Half Stars) Denmark/U.S.A.: Lars von Trier, 2009 (Criterion Collection) Lars von Trier strikes again. The beginning looks like a poor man’s Citizen Kane which segues into a disease-of-the-month teleplay that becomes a Sam Shepard two-character Gothic pop drama in the deep woods, and then…

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Gurus o’ Gold: True Grit Week – Episode One

This is Round 1 of 2 rounds of voting this week, as True Grit rolls out for most of the Gurus. Will it change the complexion of the race? Tune back in on Friday to see, as The Gurus vote on all of the Top 8 categories. Today, Winter’s Bone moves into a Top Ten tie.

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The DVD Wrap: Fantasia/Fantasia 2000, The Sorcerer’s Apprentice, Knight and Day, Cairo Time, The Sicilian Girl, Vampires Suck … and more

Fantasia/Fantasia 2000: Blu-ray The Sorcerer’s Apprentice: Blu-ray According to Disney legend, Dopey the Dwarf was originally pushed for the role in Fantasia that went to Mickey Mouse. Instead, Uncle Walt went with the established star, hoping the role would maintain Mickey’s high profile in movies. Although Dopey might have been an inspired choice, there’s no…

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Frenzy on the Wall: How to Fix the Oscars

I am an unabashed fan of the Academy Awards. I have watched every telecast since I was a young boy and I still anticipate Oscar Day as much as I always have. Historically, I have never really been a fan of the choices the Academy has made, but I still see the show itself as…

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Weekend Box Office Report — November 28

Industry trackers generally predicted that Deathly Hallows would prevail at the box office but few anticipated that Tangled would be truly competitive with the Hogwart’s grad. They also generally over estimated the strengths of the remaining trio of new entries; especially Faster, which was given the edge over Love and Other Drugs.

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Friday Estimates – November 27

As anticipated, Harry Potter and the Deathly Hallows, Pt. 1 has a firm hold on the top box office slot in its second weekend. Animated kid-flick Tangled looks to be off to a decent start, while the tenacious Unstoppable surprises by clinging to 4th position over newer entries in the field — at least for now.

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MW on Movies: Tangled, Burlesque and White Material

Tangled (Three Stars) U.S.: Nathan Greno, Byron Howard, 2010 I don’t know: Maybe I’m going though my second childhood. But, these days, very often, the kids’ movies coming out of the big studios (and I mean mostly the cartoon features) seem and look to me so much brighter, funnier, more entertaining — hell, so much…

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Box Office Hell — November 25

Heading into the long Thanksgiving weekend, our box office pundits predict that Harry Potter and the Deathly Hallows, Pt. 1 will handily hold onto the top slot. Meanwhile, newcomer kid-flick Tangled will have to battle it out with Megamind for second place in the frame.

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Love & Other Drugs, dir/co-wr Ed Zwick, co-wr/prod Marshall Herskovitz

DP/30 – They have been making TV and movies together for decades. This week, they have Anne Hathaway and Jake Gyllenhaal in the Oscar-buzzed Love & Other Drugs. They took some time to talk about the film, their work together, and the future of the industry.

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MW on DVDs: Metropolis, Flipped, Last of the Mohicans, The Bing Crosby Collection … and more

PICK OF THE WEEK: CLASSIC Metropolis (Most Complete Version) (Four Stars) Germany: Fritz Lang, 1927 Metropolis, Fritz Lang’s great, spellbinding science fiction epic about a futuristic city gone mad, has been regarded as a cinematic classic since almost the very hours of its premiere, in Berlin in 1927. At that first showing, German audiences and…

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Review: Burlesque

It’s a Xerox of a Xerox of an Original. Steve Antin imitates Rob Marshall imitating Bob Fosse. Cher plays… “Cher”. Stanley Tucci queens it up to great effect, The Magic Homosexual, really. Cam Gigandet plays The Boy. Kristen Bell is objectified as The Villain. And a series of cardboard cutouts posing as actors turn up,…

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The DVD Wrap: Flipped, Cats & Dogs: The Revenge of Kitty Galore, The Six Million Dollar Man: The Complete Collection, Deadwood: The Complete Collection … and more

Flipped Anyone who lost faith in Rob Reiner after blowing their hard-earned dough on such star-studded duds as The Story of Us, Alex & Emma and Rumor Has It …, might want to give the filmmaker another chance. In the pre-pubescent romance Flipped, we meet a boy and girl who could have lived down the…

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Gurus o’ Gold – November 23, 2010

Happy Thanksgiving all. Some votes have changed and three films have fallen off The Chart, but the Top Ten remains unchanged from last week. This week’s special categories are Unexpected Nods I’d Be Thankful For and a pair of categories in memory of Ronni Chasen.

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Frenzy on the Wall: Anne Hathaway is a Great Actress … Right?

“Anne Hathaway is a great actress.” “Is she, though?” Both speakers in that conversation are me. This was the dialogue I was having with myself as I watched Hathaway on Saturday Night Live this past weekend. She was so effortlessly charismatic, her timing excellent, and her presence inviting. Whether she was playing a hillbilly waiting…

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Weekend Box Office Report — November 21

Harry and the Deathly Swallows … Gulp! Harry Potter and the Deathly Hallows, Part 1 ascended to an estimated $126.2 million and corralled more than 60% of weekend ticket sales. Comparatively speaking the remaining films in the multiplex had to settle for chump change, including the bow of the thriller The Next Three Days which…

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Weekend Estimates – November 21

Harry Potter and the Deathly Hallows, Part One falls just about where our Box Office Hell pundits predicted, effectively stupefying all competition for the top slot of the weekend. Meanwhile, Megamind stops Unstoppable from taking the second position.

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Friday Estimates — November 20

As expected, Part One of Harry Potter and the Deathly Hallows gets off to a good start for the weekend with just over $60 million, bolstered by sold-out Thursday midnight previews. The rest of the pack straggles far behind, battling it out for the leftovers.

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Review: Harry Potter and the Deathly Hallows, Part One

There’s remarkable attention to the setting of tone of both character and setting in the fantastic production design. Yates uses carefully framed shots of remote, isolated settings to establish the complete and total isolation of Harry, Ron and Hermione once they are forced to disappear into the ether to hunt for the Horcruxes.

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MW on Movies: Harry Potter and the Deathly Hallows, Pt. 1, The Next Three Days, and Client 9: The Rise and Fall of Eliot Spitzer

Harry Potter and the Deathly Hallows, Part One (Three Stars) U.S.; David Yates, 2010 The beginning of the end for a very long, mostly gratifying, often magical and sometimes splendiferous and surprising cinematic journey on a constantly twisting fantastical/literary road, Harry Potter and the Deathly Hallows, Part One splits the last of the J. K….

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Biutiful, director Alejandro González Iñárritu, cinematographer Rodrigo Prieto, editor Stephen Mirrione, composer Gustavo Santaolalla, executive producer Guillermo del Toro

DP/30 – Five of the people who made Biutiful come to life, led by the writer/director, sit for a long chat about the film, the process, and the future of cinema for adults.

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MCN Originals

Quote Unquotesee all »

Tsangari: With my next film, White Knuckles, it comes with a budget — it’s going to be a huge new world for me. As always when I enter into a new thing, don’t you wonder how it’s going to be and how much of yourself you are going to have to sacrifice? The ballet of all of this. I’m already imaging the choreography — not of the camera, but the choreography of actually bringing it to life. It is as fascinating as the shooting itself. I find the producing as exciting as the directing. The one informs the other. There is this producer-director hat that I constantly wear. I’ve been thinking about these early auteurs, like Howard Hawks and John Ford and Preston Sturges—all of these guys basically were hired by the studio, and I doubt they had final cut, and somehow they had films that now we can say they had their signatures.  There are different ways of being creative within the parameters and limitations of production. The only thing you cannot negotiate is stupidity.
Filmmaker: And unfortunately, there is an abundance of that in the world.
Tsangari: This is the only big risk: stupidity. Everything else is completely worked out in the end.
~ Chevalier‘s Rachel Athina Tsangari

“The middle-range movies that I was doing have largely either stopped being made, or they’ve moved to television, now that television is a go-to medium for directors who can’t get work in theatricals, because there are so few theatricals being made. But also with the new miniseries concept, you can tell a long story in detail without having to cram it all into 90 minutes. You don’t have to cut the characters and take out the secondary people. You can actually put them all on a big canvas. And it is a big canvas, because people have bigger screens now, so there’s no aesthetic difference between the way you shoot a movie and the way you shoot a TV show.

“Which is all for the good. But what’s happened in the interim is that theatrical movies being a spectacle business are now either giant blockbuster movies that run three hours—even superhero movies run three hours, they used to run like 58 minutes!—and the others, which are dysfunctional family independent movies or the slob comedy or the kiddie movie, and those are all low-budget. So the middle ground of movies that were about things, they’re just gone. Or else they’re on HBO. Like the Bryan Cranston LBJ movie, which years ago would’ve been made for theaters.

“You’ve got people like Paul Schrader and Walter Hill who can’t get their movies theatrically distributed because there’s no market for it. So they end up going to VOD, and VOD is a model from which no one makes any money, because most of the time, as soon as they get on the site, they’re pirated. So the whole model of the system right now is completely broken. And whether or not anybody’s going to try to fix, or if it even can be fixed, I don’t know. But it’s certainly not the same business that I got into in the ’70s.”
~ Joe Dante

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