MCN Originals Archive for June, 2010

Wilmington on Movies: Knight and Day and Wild Grass

Knight and Day (Three Stars) U.S.; James Mangold, 2010 Knight and Day doesn’t make much sense, but do we really want it to?

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Wilmington on Movies: Toy Story 3, The Killer Inside Me, The A-Team and Marmaduke

Toy Story 3 (Four Stars) U. S. Lee Unkrich, 2010 Toy Story 3 is just what we’ve come to expect from Pixar: a brilliantly conceived and immaculately animated knockout of a family show

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Wilmington: A Tale of Two Cities

“It was the best of times, it was the worst of times…” Charles Dickens, A Tale of Two Cities So said Charles Dickens, to describe the changing worlds of staid England and turbulent France, of the two cities London and Paris, during French revolutionary times — in his great melodramatic novel A Tale of Two…

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Wilmington on Movies: Get Him to the Greek and Breathless

Get Him to The Greek (Three Stars) U.S.; Nicholas Stoller, 2010 Get Him to the Greek — the latest from the Judd Apatow juggernaut

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MCN Originals

Eric N on: Weekend Report

Judi Levine on: The Weekend Report

YancySkancy on: 4-Day Estimates

Triple Option on: 4-Day Estimates

Sideshow Bill on: 4-Day Estimates

Bulldog on: 4-Day Estimates

Sideshow Bill on: 4-Day Estimates

hcat on: 4-Day Estimates

leahnz on: 4-Day Estimates

Dr Wally Rises on: 4-Day Estimates

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch