MCN Originals Archive for May, 2010

Wilmington on Movies: Prince of Persia: Sands of Time, Sex and the City 2 and MacGruber…

Prince of Persia: Sands of Time (Three Stars) U.S.; Mike Newell, 2010 Prince of Persia, which is probably one of the best-looking Arabian fantasy movies ever, is also unfortunately

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Wilmington on Movies: Shrek Forever After, Looking for Eric and Father of My Children …

Shrek Forever After (Three Stars) U.S.; Mike Mitchell, 2010 Shrek Forever After is supposedly “The Final Chapter.” But that title may be making false promises.

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Wilmington on Movies: Robin Hood and Just Wright…

Robin Hood (Three and a Half Stars) U.S.; Ridley Scott, 2010 “To live outside the law, you must be honest,“ Bob Dylan once sang

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Wilmington on Movies: Iron Man 2, Babies and Mother and Child…

Iron Man 2 (Two and a Half Stars) U.S.; Jon Favreau What would we have thought back in the 1960s, if someone had told us that

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MCN Originals

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“One of my favorite things in watching any performance on film is when there isn’t a lot of cutting going on and when you get a chance to become really absorbed in the artist in hand. The same way we do, hopefully, at a concert, when we get a chance to really trip in to something that’s happening on stage. Whether the singer’s singing, or one of the other musicians is playing, we sort of stay there instead of cutting round with our eyes a lot.”
~ Jonathan Demme

“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray