MCN Originals Archive for April, 2010

Wilmington on Movies: A Nightmare on Elm Street, Please Give and Harry Brown…

A Nightmare on Elm Street (One and a Half Stars) U.S.; Samuel Bayer, 2010 Twenty-six years ago, I walked into the only theater that ever stood on the very same block where I lived — the Vogue in Los Angeles on Hollywood Boulevard between La Brea and Cherokee — and got the living, screaming

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Wilmington on Movies: The Back-Up Plan, The Losers and Oceans …

The Back-up Plan (One and a Half Stars) U.S.; Alan Poul, 2010 If you don’t have a back-up plan when you wander into The Back-up Plan, the new Jennifer Lopez picture, you may

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Wilmington on Movies: Date Night, When You’re Strange, The Greatest and more …

Date Night (Three Stars) U.S.; Shawn Levy, 2010 Steve Carell and Tina Fey make a potentially great movie comedy couple in Date Night — even though

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Wilmington on Movies: Clash of the Titans, The Last Song and Mid-August Lunch

Clash of the Titans (Three Stars) U.S.; Louis Leterrier, 2010 The Kraken, the Medusa, the Pegasus and the lobster monsters are smashing successes in director Louis Leterrier’s lavish remake of Clash of the Titans — the 1981 Ray Harryhausen mythological epic.

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MCN Originals

YancySkancy on: 4-Day Estimates

Triple Option on: 4-Day Estimates

Sideshow Bill on: 4-Day Estimates

Bulldog on: 4-Day Estimates

Sideshow Bill on: 4-Day Estimates

hcat on: 4-Day Estimates

leahnz on: 4-Day Estimates

Dr Wally Rises on: 4-Day Estimates

Doug R on: 4-Day Estimates

Mike on: 4-Day Estimates

Quote Unquotesee all »

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain