MCN Originals Archive for April, 2010

Wilmington on Movies: A Nightmare on Elm Street, Please Give and Harry Brown…

A Nightmare on Elm Street (One and a Half Stars) U.S.; Samuel Bayer, 2010 Twenty-six years ago, I walked into the only theater that ever stood on the very same block where I lived — the Vogue in Los Angeles on Hollywood Boulevard between La Brea and Cherokee — and got the living, screaming

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Wilmington on Movies: The Back-Up Plan, The Losers and Oceans …

The Back-up Plan (One and a Half Stars) U.S.; Alan Poul, 2010 If you don’t have a back-up plan when you wander into The Back-up Plan, the new Jennifer Lopez picture, you may

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Wilmington on Movies: Date Night, When You’re Strange, The Greatest and more …

Date Night (Three Stars) U.S.; Shawn Levy, 2010 Steve Carell and Tina Fey make a potentially great movie comedy couple in Date Night — even though

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Wilmington on Movies: Clash of the Titans, The Last Song and Mid-August Lunch

Clash of the Titans (Three Stars) U.S.; Louis Leterrier, 2010 The Kraken, the Medusa, the Pegasus and the lobster monsters are smashing successes in director Louis Leterrier’s lavish remake of Clash of the Titans — the 1981 Ray Harryhausen mythological epic.

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MCN Originals

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“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento