MCN Originals Archive for January, 2010

Wilmington on Movies: Extraordinary Measures and Tooth Fairy

Extraordinary Measures (Two and a Half Stars) U. S.; Tom Vaughan, 2010 Nothing can break your heart like the spectacle of a loved one with a seemingly incurable disease; few can elevate it like a true story of disease defeated, a life saved, a doom deferred. Witness the

Read the full article »

Wilmington on Movies: The Book of Eli, The Spy Next Door, The Imaginarium of Dr. Parnassus, The Lovely Bones and 35 Shots of Rum

The Book of Eli (Two and a Half Stars) U.S.; Allen & Albert Hughes, 2010 The end of the world arrives again this week, though thankfully only in the movies. In The Book of Eli — an exciting but, for me, finally disappointing sci-fi thriller from the Hughes Brothers — Denzel Washington plays a lone,…

Read the full article »

Wilmington on Movies: Leap Year, The Sun

Leap Year (Two and a Half Stars) U.S.-U.K.: Anand Tucker Leap Year — in which Amy Adams learns that a bad-tempered Irishman who runs a tavern/hotel is in many ways preferable to a smooth-talking Boston cardiologist with a Blackberry — is a sweet-natured picaresque romantic comedy blessed with spectacular Irish scenery and cursed with the…

Read the full article »

Wilmington: The National Film Critics Awards

This year’s big winner at the 2009 voting awards meeting of the National Society of Film Critics, the 44th in its genuinely storied annals, was Kathryn Bigelow’s Iraq War drama The Hurt Locker. Already

Read the full article »

Wilmington: Ten Best of 2009

Here are my ten best, from a year of my life I wish I had never lived, a year of sorrow and pain and occasional flashes of redemption and love. What of the movies I watched during that time of personal tragedy? Well, this makes twice I’ve

Read the full article »

MCN Originals

Quote Unquotesee all »

“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch