MCN Originals Archive for January, 2010

Wilmington on Movies: Extraordinary Measures and Tooth Fairy

Extraordinary Measures (Two and a Half Stars) U. S.; Tom Vaughan, 2010 Nothing can break your heart like the spectacle of a loved one with a seemingly incurable disease; few can elevate it like a true story of disease defeated, a life saved, a doom deferred. Witness the

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Wilmington on Movies: The Book of Eli, The Spy Next Door, The Imaginarium of Dr. Parnassus, The Lovely Bones and 35 Shots of Rum

The Book of Eli (Two and a Half Stars) U.S.; Allen & Albert Hughes, 2010 The end of the world arrives again this week, though thankfully only in the movies. In The Book of Eli — an exciting but, for me, finally disappointing sci-fi thriller from the Hughes Brothers — Denzel Washington plays a lone,…

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Wilmington on Movies: Leap Year, The Sun

Leap Year (Two and a Half Stars) U.S.-U.K.: Anand Tucker Leap Year — in which Amy Adams learns that a bad-tempered Irishman who runs a tavern/hotel is in many ways preferable to a smooth-talking Boston cardiologist with a Blackberry — is a sweet-natured picaresque romantic comedy blessed with spectacular Irish scenery and cursed with the…

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Wilmington: The National Film Critics Awards

This year’s big winner at the 2009 voting awards meeting of the National Society of Film Critics, the 44th in its genuinely storied annals, was Kathryn Bigelow’s Iraq War drama The Hurt Locker. Already

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Wilmington: Ten Best of 2009

Here are my ten best, from a year of my life I wish I had never lived, a year of sorrow and pain and occasional flashes of redemption and love. What of the movies I watched during that time of personal tragedy? Well, this makes twice I’ve

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MCN Originals

Quote Unquotesee all »

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant