MCN Originals Archive for November, 2009

Me and Orson Welles Red Cliff, The Road, and Ninja Assassi

Me and Orson Welles, Red Cliff, The Road, and Ninja Assassin Me and Orson Welles (Three and a Half Stars) U.S.; Richard Linklater, 2009 In Me and Orson Welles, Richard Linklater, a director whose films I usually like, takes on a highly ambitious subject that really appeals to me — a portrayal of the astonishing…

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Wilmington on DVDs Three Monkeys , Snow White and the Seven Dwarfs, Angels & Demons, Funny People, and more…

PICK OF THE WEEK: NEW Three Monkeys (Three and a Half Stars) Turkey/France/Italy; Nuri Bilge Ceylan, 2008 (Zeitgeist Films) Nuri Bilge Ceylan, the brilliant Turkish cineaste (Distant, Climates), whose exquisite visual tableaus, minimalist plots and flair for long dramatic silences, irresistibly recall the heyday of Michelangelo Antonioni, here offers more plot than usual, in the…

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Wilmington on DVDs: Star Trek, Gone with the Wind, The Exiles, Fight Club, Humpday and more…

PICK OF THE WEEK: NEW Star Trek (Three and a Half Stars) U.S.; J. J. Abrams, 2009 The latest Star Trek movie, called simply Star Trek, is a genuine audience-pleaser, a film that

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Wilmington on DVDs: Up, Wings of Desire, The General, Heat, The Ugly Truth, Mamma Mia!, Monsters, Inc. and more…

PICK OF THE WEEK: NEW Up (Four Stars) U. S.; Pete Docter, 2009 Up, this year’s new Pixar picture, flies

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Wilmington on DVDs: Food, Inc., North By Northwest, Forrest Gump, It’s a Wonderful Life, The Taking of Pelham 1 2 3 and more…

PICK OF THE WEEK: NEW Food, Inc. (Three and a Half Stars) U. S.; Robert Kenner, 2009 (Magnolia) Do you really know everything you should about the food you eat?

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MCN Originals

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima