MCN Originals Archive for September, 2009

Wilmington on DVDs: The Wizard of Oz, Monsters vs. Aliens and more…

PICK OF THE WEEK: CLASSIC The Wizard of Oz (Four Stars) U. S.; Victor Fleming, King Vidor (Unc.), 1939 (Warner) Some movies appeal to just about everybody — like the heart-stoppingly entertaining and wonderful 1939 musical that MGM made out of L. Frank Baum’s American fairy tale, The Wizard of Oz (now released in a…

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Wilmington on DVDs: X-Men Origins: Wolverine, That Hamilton Woman, O’Horten and more…

X-Men Origins: Wolverine (Two-and-a-Half Stars) U. S.; Gavin Hood (2009) The question of the day, in a world beset with war, pandemics, economic collapse, crazed cable news-slingers and

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Wilmington on DVDs: Easy Virtue, The Country Teacher, Wagon Master and more…

Easy Virtue (Three Stars) U. K.; Stephan Elliott, 2009 (Sony) Noel Coward’s blithe, spirited, sexy ’20s play, Easy Virtue, is not new to

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Review: The Imaginarium of Dr. Parnassus

MCN Review: It is not the very best Gilliam ever, but it does play like a kind of greatest hits combined with more innovation from a master filmmaker. The big thing here is CG matching Gilliam’s sizable imagination more powerfully than ever. Of course, his love of theatrical ideas – literally, from the theater –…

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Wilmington on DVDs: State of Play, Earth, Sin Nombre, Skin Game, M*A*S*H* and more…

State of Play (Three Stars) U. S.; Kevin Macdonald, 2009 (Universal) There’s stuff wrong with State of Play, director Kevin Macdonald’s would-be brainy newspaper thriller

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MCN Originals

Eric N on: Weekend Report

Judi Levine on: The Weekend Report

YancySkancy on: 4-Day Estimates

Triple Option on: 4-Day Estimates

Sideshow Bill on: 4-Day Estimates

Bulldog on: 4-Day Estimates

Sideshow Bill on: 4-Day Estimates

hcat on: 4-Day Estimates

leahnz on: 4-Day Estimates

Dr Wally Rises on: 4-Day Estimates

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch