MCN Originals Archive for June, 2009

Wilmington on DVDs: My Dinner with Andre, Two Lovers, Do the Right Thing and more…

PICK OF THE WEEK: NEW Two Lovers (Three-and-a-Half Stars) U. S.; James Gray, 2009 Joaquin Phoenix, in various weird ways, has suggested that James Gray‘s Brooklyn romance Two Lovers may be

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Wilmington on DVDs: Woodstock, Last Year at Marianbad, Waltz with Bashir and more…

PICK OF THE WEEK: CLASSICS Woodstock: 3 Days of Peace and Music — The Director’s Cut (Four Stars) U.S.; Michael Wadleigh, 1970-1994 (Warner) Both a great rock concert movie, and a superb documentary on youth culture in the Vietnam War Years, Michael Wadleigh’s Woodstock

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Wilmington on DVDs: The Seventh Seal, At the Death House Door, Gary Cooper and more…

PICK OF THE WEEK: CLASSICS The Seventh Seal (Two discs) (Four Stars) Sweden; Ingmar Bergman, 1957 (Criterion) Antonius Block, a dazzlingly blonde and handsome, idealistic, death-haunted knight

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Wilmington on DVDs: Gran Torino, Revolution Revisited, The Rain People, and more…

PICK OF THE WEEK: NEW Gran Torino (Four Stars) U.S.; Clint Eastwood, 2008 (Warner) Clint Eastwood plays a Dirty Harry guy grown old in his latest movie Gran Torino.

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Wilmington on DVDs: Revolutionary Road, Tender Mercies, Man Hunt, and more…

PICK OF THE WEEK: NEW Revolutionary Road (Three-and-a-Half Stars) U. S.; Sam Mendes, 2008 (Paramount) Revolutionary Road is one of these novels I‘ve always meant to crack — like Remembrance of Things Past, or

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MCN Originals

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott