MCN Originals Archive for April, 2009

Wilmington on DVDs: Nothing But the Truth, Johnny Got His Gun, In the Realm of the Senses and more…

PICK OF THE WEEK: NEW Nothing But the Truth” (Three Stars) U. S. Rod Lurie, 2008 (Sony) The most effective of writer-director (and ex-movie critic) Rod Lurie’s political melodramas

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Wilmington on DVDs: Frost/Nixon, The Wrestler, In the Realm of the Senses, Assault on Precinct 13 and more …

CO-PICKS OF THE WEEK: NEW Frost/Nixon (Three-and-a-Half Stars) U.S.; Ron Howard Taken from Peter Morgan‘s stage play — which also starred the spot-on Frank Langella as

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Wilmington on DVDs: Doubt, Alexandra, The Last Metro, Fallen Angels, No Country for Old Men and more …

CO-PICKS OF THE WEEK: NEW Doubt (Four Stars) U.S.; John Patrick Shanley, 2008 (Miramax) In Doubt, Meryl Streep and Philip Seymour Hoffman play a gorgon, dictatorial nun and a chubby-faced, affable progressive priest, battling in a Bronx parochial school in 1964. And they stage a classic actor‘s duel for director-writer John Patrick Shanley’s tense, humane…

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MCN Originals

Eric N on: Weekend Report

Judi Levine on: The Weekend Report

YancySkancy on: 4-Day Estimates

Triple Option on: 4-Day Estimates

Sideshow Bill on: 4-Day Estimates

Bulldog on: 4-Day Estimates

Sideshow Bill on: 4-Day Estimates

hcat on: 4-Day Estimates

leahnz on: 4-Day Estimates

Dr Wally Rises on: 4-Day Estimates

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch