MCN Originals Archive for March, 2009

Wilmington on DVDs: Slumdog Millionaire, Danton, Il Generale Della Rovere and more …

PICK OF THE WEEK: NEW Slumdog Millionaire (Three-and-a-Half Stars) U.K./India; Danny Boyle Slumdog Millionaire is a dancing, crackling shockwave of a movie, an incandescent

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Wilmington on DVDs: A Secret, Dodes’ka-den, L’Innocente and more … plus, this week’s box set

PICK OF THE WEEK: NEW A Secret (Un Secret) (Three-and-a-Half Stars) France; Claude Miller, 2007 (Strand Releasing) The young French film critic Francois Truffaut used to snipe at the obvious craftsmanship and overt

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Wilmington on DVDs: Synecdoche, NY, Faust and more …plus, this week’s box set

PICK OF THE WEEK: NEW Synecdoche, New York (Three-and-a-Half Stars) U. S.; Charlie Kaufman, 2008 (Sony) Synecdoche (def.): A figure of speech where the whole is used for

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Wilmington on DVDs: Pinocchio, Milk, Happy-Go-Lucky and more … plus, this week’s box set

PICK OF THE WEEK: CLASSICS Pinocchio (Two Discs) (Four Stars) U.S.; Ben Sharpsteen, Hamilton Luske 1940 (Walt Disney) When you wish upon a star…. A little wooden-boy puppet named Pinocchio

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Wilmington on DVDs: Australia, Beatrix Potter, and more… plus, this week’s box set

PICKS OF THE WEEK: NEW Australia (Four Stars) (A) Australia/U.K.; Baz Luhrmann, 2008 (20th Century Fox) Over the top it may be, sport, but Baz (Moulin Rouge!) Luhrmann’s visually scrumptious, rousing epic of WW2-era Australia unbound, was one of my favorite movies of 2008.

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MCN Originals

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott