Z

MCN Originals Archive for March, 2009

Wilmington on DVDs: Slumdog Millionaire, Danton, Il Generale Della Rovere and more …

PICK OF THE WEEK: NEW Slumdog Millionaire (Three-and-a-Half Stars) U.K./India; Danny Boyle Slumdog Millionaire is a dancing, crackling shockwave of a movie, an incandescent

Read the full article »

Wilmington on DVDs: A Secret, Dodes’ka-den, L’Innocente and more … plus, this week’s box set

PICK OF THE WEEK: NEW A Secret (Un Secret) (Three-and-a-Half Stars) France; Claude Miller, 2007 (Strand Releasing) The young French film critic Francois Truffaut used to snipe at the obvious craftsmanship and overt

Read the full article »

Wilmington on DVDs: Synecdoche, NY, Faust and more …plus, this week’s box set

PICK OF THE WEEK: NEW Synecdoche, New York (Three-and-a-Half Stars) U. S.; Charlie Kaufman, 2008 (Sony) Synecdoche (def.): A figure of speech where the whole is used for

Read the full article »

Wilmington on DVDs: Pinocchio, Milk, Happy-Go-Lucky and more … plus, this week’s box set

PICK OF THE WEEK: CLASSICS Pinocchio (Two Discs) (Four Stars) U.S.; Ben Sharpsteen, Hamilton Luske 1940 (Walt Disney) When you wish upon a star…. A little wooden-boy puppet named Pinocchio

Read the full article »

Wilmington on DVDs: Australia, Beatrix Potter, and more… plus, this week’s box set

PICKS OF THE WEEK: NEW Australia (Four Stars) (A) Australia/U.K.; Baz Luhrmann, 2008 (20th Century Fox) Over the top it may be, sport, but Baz (Moulin Rouge!) Luhrmann’s visually scrumptious, rousing epic of WW2-era Australia unbound, was one of my favorite movies of 2008.

Read the full article »

MCN Originals

Quote Unquotesee all »

DENNIS COOPER

The next thing that really changed my world and thoroughly influenced my writing were the films of Robert Bresson. When I discovered them in the late seventies, I felt I had found the final ingredient I needed to write the fiction I wanted to write.

INTERVIEWER

What was the final ingredient?

DENNIS COOPER

Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
~ Dennis Cooper Discovers Bresson

The whole world within reach.
~ Filmmaker Peter Hutton

Z Weekend Report