MCN Originals Archive for September, 2006

Stephen Frears’ ‘The Queen’ and Pedro Almodovar’s ‘Volver’

Stephen Frears and Pedro Almodovar. Two great filmmakers whose work goes great together at film festivals. But more importantly, these two non-US filmmakers have once again achieved what seems to endlessly elude Americans working in either the indie or studio systems. They deliver unique, beautifully made, clean, crisp, compelling films year after year. You can…

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Little Children Movie Review

It is hard to figure out where to start discussing Little Children. It is easy enough to say that it is the best American film of 2006 to date, since it is. To say that this film is one of the great sophomore efforts of all time (by director/co-writer Todd Field) is no overstatement. And…

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MCN Originals

Eric N on: Weekend Report

Judi Levine on: The Weekend Report

YancySkancy on: 4-Day Estimates

Triple Option on: 4-Day Estimates

Sideshow Bill on: 4-Day Estimates

Bulldog on: 4-Day Estimates

Sideshow Bill on: 4-Day Estimates

hcat on: 4-Day Estimates

leahnz on: 4-Day Estimates

Dr Wally Rises on: 4-Day Estimates

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch