MCN Originals

Friday Box Office Estimates

Ouija will probably be the sole $20m-grosser for the weekend, though it is possible—as is often the case with horror films—that it drops so quickly that it comes up short. Good holds for Gone Girl And Disney’s Alexander, etc. Nice expansion for St. Vincent. And strong exclusive launches for Laggies and Citizenfour.

Read the full article » No Comments »

20 Weeks To Oscar: Surveying The Board

Interstellar lands this week.

That leaves Unbroken, The Gambler, Selma, American Sniper, A Most Violent Year, Into The Woods, Big Eyes, and Exodus: Gods & Men

That’s a lot of movies, given an already pretty narrow field.

Read the full article » 12 Comments »

Larry Gross on the Passing of L. M. Kit Carson

Kit Carson’s passing really got me.

Read the full article » 1 Comment »

The DVD Wrapup: Le Chef, For a Woman, Canopy, Snowpiercer, Sexina, Sleeping With Fishes, Johnny Thunders, Dorothea Lange … More

In a setup that could have been written by climate-change deniers, Snowpiercer describes what happens after an untested cooling agent – think, Ice-nine from Kurt Vonnegut’s “Cat’s Cradle” – is introduced into the upper atmosphere. In 20 years, it turns what might have been an inconvenient loss of beachfront property into a global catastrophe. Survivors of the freeze-out have been packed on a very special “miracle” train, in which passengers are divided into haves and have-nots, and frozen seas allow access to global destinations. Those in the rear half of the train look has if they had been shoved aboard the 1:10 to Siberia, while the passenger in front enjoy privileges commonly reserved for the ruling elite.

Read the full article » No Comments »

The Weekend Report

The Second World War thundered into multiplexes in the form of Fury and topped the charts with an estimated $23.6 million opening salvo. The two other national bows included Guillermo Del Toro-produced animated fiesta The Book of Life slotting third with $16.9 million and three-hankie The Best of Me striking few Sparks, remaining a few sniffles behind at $10.2 million. Platformers ranged from a drop dead $310,000 result for Jason Reitman’s sixth moral tale, Men, Women & Children, at 608 theaters to a tempo-setting $202,000 bounce for percussive stamina test Whiplash at 21 venues.

Read the full article » 1 Comment »

Friday Box Office Estimates

Fury rolls out to $8.8m on Friday, including over $1m on Thursday night. The two other openers are soft, though Book of Life could get a boost to a near-$19m weekend as family audiences land on Saturday. And Birdman soars on 4 screens, looking at $100k+ per-screen for the weekend. Also pulling more than $10k per screen for the weekend in exclusive release are The Tale of Princess Kaguya and Listen Up Philip.

Read the full article » No Comments »

Gurus o’ Gold: After New York…

This week, the Gurus take on Picture, Actor, Actress, Supporting Actress, Supporting Actor, and Director. And if The Gurus are right at this point, all five of these individual honors would got to first-time winners and 3 of the 5 would have never been nominated before.

Read the full article » 15 Comments »

The Gronvall Report: Theodore Melfi On St. Vincent

From the opening scene of the new movie St. Vincent, where he’s telling a joke in a bar, all the way through the closing credits, Bill Murray creates yet another memorably flippant curmudgeon.

Read the full article » No Comments »

The DVD Wrapup: Venus in Fur, Witching & Bitching, Chinese Puzzle, Persecuted, Bill Morrison, Kingpin, Courage the Cowardly Dog … More

Say what you will about Roman Polanski–now 81, believe it or not–the man still knows how to make a movie.

Read the full article » No Comments »

The Gronvall Report: Damien Chazelle on WHIPLASH

Artistry plus adrenaline proves the winning formula for Whiplash the pulsating new musical drama and second feature from French-American writer-director Damien Chazelle. The Sony Pictures Classics release won both the Grand Jury Prize (Dramatic) and the Audience Award (Dramatic) when it premiered at the 2014 Sundance Film Festival, setting off a chain reaction of kudos that is reverberating months later, well into awards season.

Read the full article » No Comments »

The Weekend Report

Despite considerable heat from new releases, Gone Girl held onto the top spot for the current frame with an estimated $26.8 million. Four new films entered the marketplace with Dracula Untold coming closest with $23.4 million. The remaining trio included family-friendly Alexander and the Terrible, Horrible, No Good, Very Bad Day that grossed $18.9 million, courtroom/bedroom drama The Judge at $13.3 million and the steamy Addicted fogging up an impressive $7.5 million.

Read the full article » No Comments »

Friday Box Office Estimates

Drac takes a bite out of Amazing Amy with an Untold $8.9 million to Gone Girl‘s $8.1. Sundance fave Whiplash brings the tempo with over $6,000 per at six jazz rooms. Feel-good pop-doc Meet The Mormons makes a surprising entry at number 10 with a $1.2 million gross.

Read the full article » No Comments »

The DVD Wrapup: Million Dollar Arm, Edge of Tomorrow, Million Ways to Die, Sleeping Beauty, To Be Takei, Zappa, Dusk Till Dawn, Hemlock Grove, Houdini … More

Because of baseball’s unique learning curve, Million Dollar Arm probably could have been set in any country where cricket, soccer or, even, camel racing are king. The only thing known about baseball by the boys who participated in the contest is that it requires a player to throw an orb covered in horsehide toward an opponent with a bat in his hand, pretty much like cricket.

Read the full article » No Comments »

21 Weeks To Oscar – Carlos & Joey & Cash, Oh My! (Part 2 of 2)

Should anyone really care that Joey Berlin has built a “critics” group that now affords him a rather significant annual payday? Does it matter than Carlos de Abreu made up awards out of nothing but the contents of his giant scrotal sack and now has gotten rich on the money that returns virtually nothing of value to the studios? Eighty-something foreign-language speakers have made themselves seem worth much, much more than the time of day because they have a TV show that has been successfully and inaccurately positioned as an Oscar precursor… should we care? The Academy has made The Oscars less and less about movies and more and more about being like the Jimmy Fallon show with statues (Oscar nominee beer pong, coming this spring!) because they are obsessed with being cutting edge, when the only real distinction of the organization is the many years it takes to get invited to join, thus given its awards real weight… does it matter?

Read the full article » 6 Comments »

21 Weeks To Oscar – Carlos & Joey & Cash, Oh My! (Part 1 of 2)

How could I write about what a con the Hollywood Foreign Press Association was – and is – with its eight-something barely-employed writers puffing up with self-importance and raping studio coffers all year long while showing no semblance of journalistic integrity whatsoever, and be charmingly amused by Carlos who made up awards, chose winners by himself in negotiations with distributors, with no other purpose than to line his own pockets? I was being a hypocrite.

Read the full article » No Comments »

The Weekend Report

“Amazing Amy” manages to stay just a cool-headed million ahead of wicked doll Annabelle, taking $38.1 million versus $37.1 million ahead of the Haunting.

Read the full article » No Comments »

Friday Box Office Estimates

Annabelle breaks out of the box with a $2.3 million Friday lead on Gone Girl, but history tells us that a horror movie will stall as the weekend progresses while a drama will stay strong, if not get stronger… so look for Gone Girl to win the weekend. Even with 2 strong newcomers, the holdover business is good, with The Equalizer down only 55% Friday-to-Friday, suggesting a hold in the high 40s for the weekend. There are also 2 weak mainstream newcomers; Freestyle’s Left Behind and a 17-screen launch of Men, Women & Children from Jason Reitman and Paramount.

Read the full article » No Comments »

The DVD Wrapup: Transformers, Are You Here, Sordid Lives, American Muscle, Last of the Unjust, Ida, Lucky Them, Hellion, Wolf, Ivory Tower … More

In this way, Age of Extinction is the cinematic equivalent of a really explosive fireworks display on the 4th of July. Lots of things sparkle and go “boom,” but nothing lingers for very long. In addition to returning to Chicago for a while, Bay takes us to Hong Kong, Beijing, Monument Valley, Iceland and Detroit, which was redressed to fill in for other locations.

Read the full article » 3 Comments »

22 Weeks To Oscar: Bring On The Narratives!

Even before we really know – and no one really knows jack excrement this early, especially in this season – we do know some of the strategies waiting to be unfurled in the next two months.

If you wanna to win an Oscar, you gotta have a narrative.

Read the full article » 2 Comments »

The Weekend Report

The Equalizer vanquished the opposition with an opening tally estimated at $35.2 million. The session’s other national deb, Laika’s stop-motion animation The Boxtrolls, bowed to $17.3 million, ranking third overall.

Read the full article » No Comments »

MCN Originals

Quote Unquotesee all »

“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel