Night Moves

MCN Originals

The Weekend Report

The Second World War thundered into multiplexes in the form of Fury and topped the charts with an estimated $23.6 million opening salvo. The two other national bows included Guillermo Del Toro-produced animated fiesta The Book of Life slotting third with $16.9 million and three-hankie The Best of Me striking few Sparks, remaining a few sniffles behind at $10.2 million. Platformers ranged from a drop dead $310,000 result for Jason Reitman’s sixth moral tale, Men, Women & Children, at 608 theaters to a tempo-setting $202,000 bounce for percussive stamina test Whiplash at 21 venues.

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Friday Box Office Estimates

Fury rolls out to $8.8m on Friday, including over $1m on Thursday night. The two other openers are soft, though Book of Life could get a boost to a near-$19m weekend as family audiences land on Saturday. And Birdman soars on 4 screens, looking at $100k+ per-screen for the weekend. Also pulling more than $10k per screen for the weekend in exclusive release are The Tale of Princess Kaguya and Listen Up Philip.

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Gurus o’ Gold: After New York…

This week, the Gurus take on Picture, Actor, Actress, Supporting Actress, Supporting Actor, and Director. And if The Gurus are right at this point, all five of these individual honors would got to first-time winners and 3 of the 5 would have never been nominated before.

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The Gronvall Report: Theodore Melfi On St. Vincent

From the opening scene of the new movie St. Vincent, where he’s telling a joke in a bar, all the way through the closing credits, Bill Murray creates yet another memorably flippant curmudgeon.

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The DVD Wrapup: Venus in Fur, Witching & Bitching, Chinese Puzzle, Persecuted, Bill Morrison, Kingpin, Courage the Cowardly Dog … More

Say what you will about Roman Polanski–now 81, believe it or not–the man still knows how to make a movie.

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The Gronvall Report: Damien Chazelle on WHIPLASH

Artistry plus adrenaline proves the winning formula for Whiplash the pulsating new musical drama and second feature from French-American writer-director Damien Chazelle. The Sony Pictures Classics release won both the Grand Jury Prize (Dramatic) and the Audience Award (Dramatic) when it premiered at the 2014 Sundance Film Festival, setting off a chain reaction of kudos that is reverberating months later, well into awards season.

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The Weekend Report

Despite considerable heat from new releases, Gone Girl held onto the top spot for the current frame with an estimated $26.8 million. Four new films entered the marketplace with Dracula Untold coming closest with $23.4 million. The remaining trio included family-friendly Alexander and the Terrible, Horrible, No Good, Very Bad Day that grossed $18.9 million, courtroom/bedroom drama The Judge at $13.3 million and the steamy Addicted fogging up an impressive $7.5 million.

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Friday Box Office Estimates

Drac takes a bite out of Amazing Amy with an Untold $8.9 million to Gone Girl‘s $8.1. Sundance fave Whiplash brings the tempo with over $6,000 per at six jazz rooms. Feel-good pop-doc Meet The Mormons makes a surprising entry at number 10 with a $1.2 million gross.

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The DVD Wrapup: Million Dollar Arm, Edge of Tomorrow, Million Ways to Die, Sleeping Beauty, To Be Takei, Zappa, Dusk Till Dawn, Hemlock Grove, Houdini … More

Because of baseball’s unique learning curve, Million Dollar Arm probably could have been set in any country where cricket, soccer or, even, camel racing are king. The only thing known about baseball by the boys who participated in the contest is that it requires a player to throw an orb covered in horsehide toward an opponent with a bat in his hand, pretty much like cricket.

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21 Weeks To Oscar – Carlos & Joey & Cash, Oh My! (Part 2 of 2)

Should anyone really care that Joey Berlin has built a “critics” group that now affords him a rather significant annual payday? Does it matter than Carlos de Abreu made up awards out of nothing but the contents of his giant scrotal sack and now has gotten rich on the money that returns virtually nothing of value to the studios? Eighty-something foreign-language speakers have made themselves seem worth much, much more than the time of day because they have a TV show that has been successfully and inaccurately positioned as an Oscar precursor… should we care? The Academy has made The Oscars less and less about movies and more and more about being like the Jimmy Fallon show with statues (Oscar nominee beer pong, coming this spring!) because they are obsessed with being cutting edge, when the only real distinction of the organization is the many years it takes to get invited to join, thus given its awards real weight… does it matter?

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21 Weeks To Oscar – Carlos & Joey & Cash, Oh My! (Part 1 of 2)

How could I write about what a con the Hollywood Foreign Press Association was – and is – with its eight-something barely-employed writers puffing up with self-importance and raping studio coffers all year long while showing no semblance of journalistic integrity whatsoever, and be charmingly amused by Carlos who made up awards, chose winners by himself in negotiations with distributors, with no other purpose than to line his own pockets? I was being a hypocrite.

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The Weekend Report

“Amazing Amy” manages to stay just a cool-headed million ahead of wicked doll Annabelle, taking $38.1 million versus $37.1 million ahead of the Haunting.

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Friday Box Office Estimates

Annabelle breaks out of the box with a $2.3 million Friday lead on Gone Girl, but history tells us that a horror movie will stall as the weekend progresses while a drama will stay strong, if not get stronger… so look for Gone Girl to win the weekend. Even with 2 strong newcomers, the holdover business is good, with The Equalizer down only 55% Friday-to-Friday, suggesting a hold in the high 40s for the weekend. There are also 2 weak mainstream newcomers; Freestyle’s Left Behind and a 17-screen launch of Men, Women & Children from Jason Reitman and Paramount.

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The DVD Wrapup: Transformers, Are You Here, Sordid Lives, American Muscle, Last of the Unjust, Ida, Lucky Them, Hellion, Wolf, Ivory Tower … More

In this way, Age of Extinction is the cinematic equivalent of a really explosive fireworks display on the 4th of July. Lots of things sparkle and go “boom,” but nothing lingers for very long. In addition to returning to Chicago for a while, Bay takes us to Hong Kong, Beijing, Monument Valley, Iceland and Detroit, which was redressed to fill in for other locations.

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22 Weeks To Oscar: Bring On The Narratives!

Even before we really know – and no one really knows jack excrement this early, especially in this season – we do know some of the strategies waiting to be unfurled in the next two months.

If you wanna to win an Oscar, you gotta have a narrative.

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The Weekend Report

The Equalizer vanquished the opposition with an opening tally estimated at $35.2 million. The session’s other national deb, Laika’s stop-motion animation The Boxtrolls, bowed to $17.3 million, ranking third overall.

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Friday Box Office Estimates

The Equalizer opened right in the middle between Denzel Washington’s two biggest solo-star openers, The Book of Eli and Safe House, suggesting that this could be his third $100 million movie… and if not, just short of it. Also opening, The Boxtrolls, edgy stop-motion from Laika, featuring an amazing vocal performance by Sir Ben Kingsley. The opening day is slightly better than the last Laika, Paranorman, which suggests that the trick to pushing these films over $100m domestic still has not been solved.

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The DVD Wrapup: Godzilla, Girl in Yellow Boots, Last Passenger, My Name Is A, Calling, Come Morning, Reign, Hillbilly Butcher … More

To paraphrase a much tortured aphorism from the Savoyard intellectual Joseph de Maistre, “Every generation has the Godzilla it deserves.” In fact, every new generation since 1954 has gotten several new fire-breathing lizards, however, whether we deserved one or not. First introduced in post-WWII Japan as the King of the Monsters, the daikaiju and other giant monsters were Japan’s metaphorical response to America’s war-ending bombings of Hiroshima and Nagasaki. Even then, the gargantuan creature looked as if it had escaped from a toy factory. And, yet, Godzilla, Mothra, Rodan and other irradiated critters captured the fancy of movie audiences around the world.

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Gurus o’ Gold: Post-Venice/Telluride/Toronto Best Picture Field

Do the fall festivals matter? The Gurus chime in with their look at the Best Picture race, which has changed, particularly with the rise of 2 titles, but still finds the pre-fest Top 7 all residing int he Top 9 of this new chart.

Also, the actors and actresses who got the biggest festival bumps.

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20 Weeks of Summer: Was The Summer DISASTER Actually A Win? (Part 2: Sony/Universal/WB)

Three of the six majors were UP for the summer in gross worldwide revenues. Fox was up by $920 million, Paramount was up by $626 million, and Sony was up by $28 million. Of the other three, Disney was down by $869 million, Universal was down by $1.26 billion, and WB was down by $991 million. But with all that “down,” only one movie at these three studios was a significant loser financially.

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MCN Originals

Quote Unquotesee all »

“I was fortunate to be in the two big film epics of the last part of the 20th century: Godfather and “Lonesome Dove” on television, which was my favorite part. That’s my “Hamlet.” The English have Shakespeare; the French, Molière. In Argentina, they have Borges, but the western is ours. I like that.”
~ Robert Duvall

“He’s not one of my heroes. He doesn’t touch me or inspire me. There are so many people who inspire me, so many people who touch my heart. It doesn’t matter if he’s not a hero of mine. It doesn’t matter if I don’t tell the whole world how honoured I am to share a prize with a man who made somebody play with words over the years. He’s a hero in cinema historically, but he’s not a personal hero of mine. Jean-Luc Godard did this press release and he mentioned he would never go and see Mommy in theatres because he already knew what Mommy was about: another ‘TV movie’ and that nowadays everything is predictable. He’s this old grinchy man. He’s the grinch from Switzerland in the mountain. Deaf, blind, smoking, literally. Basically being provocative about everything.”
~ Xavier Dolan On Jean-Luc Godard