MCN Curated Headlines Archive for April, 2019

hollywoodreporter.com

“Researchers have long studied a phenomenon called parasocial relationships, whereby people create intense ‘relationships’ with people they don’t know, often celebrities or characters. Experiments on parasocial relationships have shown that affection for a TV character predicts their perception of how real a character is. In other words, if I like character A more than character B, I’ll feel like character A is more real. Absolutely that can feel like real grief. These relationships are meaningful.”
Academic in Reporter Rolodex Say That Avengers Grief Could Be Real

LA Times

“All we want is a fair hearing. You have an offense that’s forty years old, in which he has admitted his guilt, he has apologized to the victim, he has done more time than the law requires and the victim has come forward and begged the courts to put an end to it. What else do they want from an 85-year-old man? There’s got to be some point at which you forgive.”
Roman Polanski Sues The Academy

Subtweeting The South Korean Spoilers?

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deadline

“I find it mind-boggling that anyone seemingly as introverted and thoughtful as Woody Allen could have constructed as deafeningly operatic a narrative. Indeed, it’s also baffling that Ronan Farrow, the product of this maelstrom, would emerge as the un-anointed Jean Valjean of pop culture, steadfastly delivering his career death sentences to a rapt audience.”
Peter Bart Remains on The Woody Allen Beat

hollywoodreporter.com

“He has no current connection to either entity, and hasn’t since he left our Utah Advisory Board in 1993. Sundance Institute categorically denounces his behavior as described in recent reports, and we stand in solidarity with those whose brave truth-telling shines light on abusive behavior.”
Sundance Film Festival Co-Founder Sterling Van Wagenen Charged With Sexually Abusing a Young Girl 

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

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“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento