MCN Curated Headlines Archive for February, 2019

deadline

“I’ve heard that in past [Oscar shows], they recorded the amount of collective time that it took between a winner being announced, and that recipient or recipients collecting the obligatory hugs and kisses, and then weaving the way to the stage. Over the course of an entire show, 26 minutes were wasted. Would it not be worth exploring putting all the nominees onstage, and then announcing the winner?”
Mike Fleming

indie wire

“As a filmmaker, the most important thing is that I make the film I want to make without paying attention to what the other parts of the society, the government, or the market tell me can or can’t be made. At this point, I have to say that my focus is still very much in China. Every year there are so many issues and things that happen that really touch me, move me, disturb me, or just cause a lot of reactions, that I want to express through storytelling to really reflect on what’s going on right now in China.”
Jia Zhangke

“He was a unique, positive force and I owe him an enormous debt. Had he not backed Bleak Moments, our whole subsequent careers could well never have happened.”
Mike Leigh Remembers Albert Finney, The Man Who Made Him

“The truth will come out about my motivations and how much I believe in Jeff and Lauren’s love. It’s a legendary romance that will blow your mind as to just how in love they are. Jeff never blinked about losing $70 billion.”
Bezos Considered Buying National Enquirer Owner AMI Under The Corporate Moniker Of BOBO LLC

variety

“Regarding your concerns of “misinformation” and “inaccurate reporting”: Our protest letter of February 13 was created by a small group of ASC members directly referencing a copy of President Bailey’s February 11 letter, as well as the AMPAS Mission Statement. There was simply no room for misinterpretation, misrepresentation or inaccuracy. And the media has reported well on this issue and should be commended for airing both sides equally. The other concern is exactly how the Academy came to this decision.”
Cinematographers Slap Academy Succotash

“People need to calm down about it before the Oscars and we only have like 10 days,” says Mary Zophres. “What worries me more is actual unrest in the building before, during or after. So they need to make sure that everybody is under control.”
Fear of a Battle for the Dolby

“Sometimes, if the pants are too fitted, he’ll blow out the crotch just by trying to get in his car.” 
Putting Dwayne Johnson In Pants

NY Times

“Over four years — as president and, for 18 months, chief executive — he oversaw the creation of Disney Channel, the company’s cable network. He established Touchstone Pictures as a vehicle to release films targeted to adults, scoring a quick hit with Splash. Miller also acquired a real estate company that helped Disney develop land near its Disney World complex in Lake Buena Vista, and brought the company closer to an agreement to open a Disney theme park in France. But it was not enough.”
Former Disney Boss Ron Miller Was 85

variety

“Unfortunately, as the result of inaccurate reporting and social media posts, there has been a chain of misinformation that has understandably upset many Academy members. We’d like to restate and explain the plans for presenting the awards, as endorsed by the Academy’s Board of Governors.”
Academy Emails Rebuff To Members Who Would Doubt (Let Alone Contest) Their Undying Righteousness and Behind-the-Scenes Moves 

MCN Curated Headlines

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Quote Unquotesee all »

The Atlantic: You saw that the Academy Awards recently held up your 2001 acceptance speech as the Platonic ideal of an Oscar speech. Did you have a reaction?

Soderbergh: Shock and dismay. When that popped up and people started texting me about it, I said, “Oh, it’s too bad I’m not there to tell the story of how that took place.” Well. I was not sober at the time. And I had nothing prepared because I knew I wasn’t going to win [Best Director for Traffic]. I figured Ridley, Ang or Daldry would win. So I was hitting the bar pretty hard, having a great night, feeling super-relaxed because I don’t have to get up there. So the combination of a 0.4 blood alcohol level and lack of preparation resulted in me, in my state of drunkenness crossed with adrenaline surge. I was coherent enough to know that [if I tried to thank everyone], that way lies destruction. So I went the other way. There were some people who appreciated that, and there were some people who really wanted to hear their names said, and I had to apologize to them.
~ Steven Soderbergh

 

“I have made few films in a way. I never made action films. I never made science fiction films. I never made, really, very complicated settings, because I had modest ambitions. I knew they would never trust me to have the budget to do something different, so my mind is more focused on things I know. So they were always mental adventures I wanted to approach and share. Working for cinema with no – not only no money, but also no ambition for money. I was happy and proud [to receive the honorary Oscar] because of that, that [the Academy] could understand what kind of work I have done over 60 years. I stayed faithful to the ideal of sharing emotion, impressions, and mostly because I have so much empathy for other people that I approach people who are not really spoken about. I have 65 years of work in my bag, and when I put the bag down, what comes out? It’s really the desire of finding links and relationships with different kinds of people. I never made a film about the bourgeoisie, about rich people. about nobility. My choices have been to show people that are, in a way, more common and see that each of them has something special and interesting, rare and beautiful. It’s my natural way of looking at people. I didn’t fight my instincts. And maybe that has been appreciated in the famous circle of Hollywood.“

Agnes Varda