MCN Curated Headlines Archive for January, 2019

“How do you make a movie about a horrible person without becoming a vessel by which he can broadcast his horrible ideas?”
Bilge Ebiri On Alison Klayman’s The Brink

“The biggest change is just the endurance to do a 16-hour movie in the case of ‘Too Old To Die Young.’ It’s ten episodes around 90 minutes apiece. I warned Nic Winding Refn, you better drink a lot of coffee and get a lot of sleep. ‘Too Old To Die Young’ has gone on for a year; for me the challenge has been to not get burned out and jaded and complacent, but to stay engaged and focused for that much time.”
Composer Cliff Martinez On His Three-Decade Career

variety

“The marketplace for collecting entertainment content was very small when Ultraviolet started. It was siloed into walled gardens at the time.”
Ultraviolet “Movie Locker” Deep-Sixed

deadline

“We tested and retested the film — with audiences and critics alike — and the data demonstrated that the film was not going to be able to perform at our initial expectations, so we adjusted our budget and marketing tactics accordingly. Regardless of the spend, it’s next to impossible for an adult-skewing drama to overcome a 23% score on Rotten Tomatoes and a D+ CinemaScore. To have spent more would have been irresponsible to our capital partners and wouldn’t have made prudent business sense for an independent distributor. “
Stars Displeased With Distributor Failing To Put Cash Dollars Behind Serenity

NY Times

“I believe that art in the face of censorship is like water in the face of a stone. The water will find a way to flow around it.”
Asghar Farhadi In The NYT Magazine

hollywoodreporter.com

“I have got a reason why I doubt that he has done it.”
Avi Lerner Avers All Of Hollywood Gets Behind His Bryan Singer Hire

”Instead of apologizing for the show’s length, the academy should resolve to pack the Oscar broadcast full of major moments, no matter how long it goes. Instead of antagonizing the craftspeople who should be celebrating the biggest night of their careers, the Oscars should find a way to honor them by making every presentation a blockbuster event.”

hollywoodreporter.com

“I built my name on two people talking in a room. And I still believe in the power of something seemingly so small as two people talking in a room. I still think that is how everything begins. You can look at the largest global narrative that you can find, and you can trace it back at some point to two people in a room.”
Steven Soderbergh

“There’s something about advertising on an Instagram account that got successful for posting stolen jokes—and spending ad money to run sponsored posts stylized like stolen jokes, no less—that feels antithetical to everything Comedy Central stands for.”
“Comedy Central Is Advertising With Every Comedian’s Worst Enemy”

hollywoodreporter.com

“I didn’t even vote for the guy. I don’t necessarily crave a conservative audience, but that may be an outcome, and it wouldn’t surprise me. I understand that audience deeply. But it’s not a mission statement.”
Catching Up To The Brute, Bloody Output Of Dallas’ Cinestate

MCN Curated Headlines

Josephfex on: Tribeca 2019 Sets Lineup

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

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“That’s the joke of Prune, that we just pretend to be a restaurant. But we’re actually an institute for living. We hide behind the fried eggs, and we hide behind the marrow bones, but really what we’re doing here is trying to change the whole goddamn world, one lamb chop at a time. It’s slow going, but I think we’re getting there.”
~ Gabrielle Hamilton

“I’m into pleasure rebellion,” she says, lighting a cigarette. “I’ve shared all my misery and tragedy but in my personal life I’m a cheerleader, an optimist. That aspect of myself is not shared. Once you are free from trauma, you are going to luxuriate in pleasure and happiness – personal pleasure. A divine gluttony, I should say.”
Lydia Lunch