MCN Curated Headlines Archive for June, 2018

variety

“The bad grade, in this case, raises a question: Why are so many people turning on Hereditary who’d be all too happy to sit through the limb-severing, soundtrack-gonging, ghost-face-in-the-mirror megaplex horror implement of the week? The reason they’ve turned on it, of course, is that it’s not the horror implement of the week.”
Variety Stretches, Yawns, Has a Deep Think, Composes Nearly 1,300-Word Thumbsucker On Hereditary And Tracking Aid CinemaScore

“As an actor, I have periods of intense work and then a break. As you get older, learning lines gets harder, since your brain is slower. I have a little office space at home where I often stare out the window at the bird feeders in the garden.”
Alison Steadman

LA Times

“I said, ‘I need a kamikaze performance — I need you to jump off the deep end.'”
Jen Yamato On All the Brains Behind Hereditary

“When you tell people about sexual abuse, they think: “Oh my God! It’s so horrible!” Or they have this perception of a person who is sexually abused as someone crying in a corner, and it’s a big drama. For me, as a survivor, it’s not like that. You live with something in a very, again, ordinary way. It’s part of you. I don’t see this event as horrific in the way you see it as horrific. I see it as part of my life, and I’m investigating a narrative in my life, not something from a horror film. So I wanted to show the ordinariness of it all.”
“The Tale”‘s Jennifer Fox

Good things can come from idiot men saying stupid shit and everyone reacting accordingly.”
Colin Trevorrow

“It’s time to start financing women and people of color who are directors, producers, and screenwriters with big money—and the rest will follow. Decades of talk have not moved the Hollywood gauge. It’s time for action.”
B. Ruby Rich On Film Quarterly Turning 60

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

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“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento