MCN Curated Headlines Archive for February, 2018


Kevin Smith Does A Good Twenty Minutes On Being Alive

The Int’l Documentary Association Looks Behind The Nominated Shorts: Edith + EddieHeaven Is a Traffic Jam on the 405Heroin(e)Knife SkillsTraffic Stop

“The lighthouse is surrounded by crystal trees that resemble the synapses of the brain. This lighthouse is desire, as with Virginia Woolf, and also the frontier that separates our own minds from others’. Here we see an embodied meditation on subjectivity and trauma. Lena finds the meteor that has punched through the lighthouse’s wall, and climbs down the wound it created, into the subconscious.”
Josephine Livingstone On Annihilation

variety

“Franklin has been accused of being verbally abusive to staffers and making inappropriate statements in the writers’ room, including making sexually charged comments about his personal relationships and sex life. Franklin has not been accused of directly sexually harassing or engaging in physical misconduct with any staffers.”
Netflix Fires “Fuller House” Showrunner Jeff Franklin; Warner Bros. TV Severs Deal Over Complaints

“There’s been a huge refusal in many quarters to criticize the CIA for fear of undermining the morale of the agency. I find that to be a kind of cheap excuse. It’s time the agency was held to account, because I don’t think anyone has done that.”
CIA Publicly Indicates Displeasure With “The Looming Tower”

variety

Guadagnino “is similar to me in that he often uses cinema rather than reality as the point of departure for his inspiration. There are many directors who use reality as their basis. Luca’s reality is in the films that precede him, the cinema that he loves. So since he loves my body of work, it’s possible that he has taken it as the basis of his reality. For him, reality is cinema.”
Bernardo Bertolucci

Argentine Director Hugo Santiago, 78, Films Include Invasión, With Adolfo Bioy Casares And Jorge Luis Borges; Robert Bresson’s Assistant Director 1959-66

Santiago On Bioy Casares And Borges 24’43” video

OSCAR VOTING HAS CLOSED.

 Francis Coppola’s Got A Notion About That There Future

“When I was in preproduction and then shooting it and then editing it, it really felt like ‘this is what I always wanted to do’. I got to draw on all the experience that I had and the work that I’d done in learning to make movies. All of that kicked in, which was tremendously satisfying and what I had hoped would happen! But the truth is you never know until you’re there.”
Greta Gerwig

“At Sundance, we had such a diverse crew of all-female department heads, and every executive producer is a white man. And they’re great fucking white men! They invested in this movie and gave me all this freedom. They’re perfectly awesome. But I was like, Wow, the money still lives in one place. And I think that’s true not just of my film, that’s true in all of Hollywood. The money’s still trickling out down to us from them, despite all the changes. Luckily there are some good ones. To speak to their generosity, I don’t think any of them were like, “We need to make our money back on this.” I think they were getting into it to support the art.”
Josephine Decker

hollywoodreporter.com

“Endless sexual miscommunication and bitter rancor lie ahead. But thanks to the miracle of technology, most of the great movies of Hw’d history are now easily accessible — a collective epic of complex emotion that once magnificently captured the magic and mystique of sex.”
Camille Paglia Weighs In On Movies And Modern Communication

“You must just acknowledge deep in your heart of hearts that people are supposed to fuck. It is our main purpose in life, and all those other activities — playing the trumpet, vacuuming carpets, reading mystery novels, eating chocolate mousse — are just ways of passing the time until you can fuck again. Well, maybe not eating chocolate mousse. If it is made with good Swiss chocolate and topped off with Devon cream, eating chocolate mousse is almost as good as fucking.”
Writer Cynthia Heimel Was 70

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott