MCN Curated Headlines Archive for November, 2017

“The main question in drama, the way I was taught, is always what does the protagonist want. That’s what drama is. It comes down to that. It’s not about theme, it’s not about ideas, it’s not about setting, but what the protagonist wants. What gives rise to the drama, what is the precipitating event, and how, at the end of the play, do we see that event culminated? Do we see the protagonist’s wishes fulfilled or absolutely frustrated? That’s the structure of drama. You break it down into three acts.”
Mr. Mamet Turns 70. Here’s The Paris Review Art of Theater No. 11

the wrap

“Warner Bros. declined comment for this story.”
Unnamed Workers On Justice League Desultorily Describe Frankenstein Monster

“This whole thing from Weinstein to all that’s happening in Hollywood is about an abuse of power. An abuse of the position you have, and what happens is they’ve fooled everyone into thinking it’s part of the job.”
Terry Crews

Richard Schickel Memorial Edition New York Film Critics Circle Awards
Lady Bird; Sean Baker, Director; Phantom Thread, Script; Ronan, Chalamet; Haddish, Dafoe; BPM; Coco; Faces Places; Mudbound, Cinematography; Molly Haskell, Career

hollywoodreporter.com

“Repairing the damage will take a lot of time and soul-searching and I’m committed to beginning that effort. It is now my full time job… There is enough truth in these stories to make me feel embarrassed and ashamed.”
Matt Lauer Says He Is Beginning Image Recovery

“I am removing myself from the businesses that I founded. The companies will now be run by a new and diverse generation of extraordinary executives who are moving the culture and consciousness forward. I will convert the studio for yogic science into a not-for-profit center of learning and healing. As for me, I will step aside and commit myself to continuing my personal growth, spiritual learning and above all to listening.”
Russell Simmons After Jenny Lumet Sexual Assault Story

“Who Owns LA Weekly? Who owns the publication you’re reading right now? The new owners of LA Weekly don’t want you to know who they are. They are hiding from you. They’ve got big black bags with question marks covering their big bald heads.”
From LA Weekly, At Least Until Dawn

“I would like to add that I am troubled by how quickly and brutishly some have taken my comments out of context and attempted to blame my generation, my age, or my mindset, without having read the entirety of what I said.”
Angela Lansbury

“I didn’t hack anyone. I didn’t do anything that I was not authorized to do,” he told us when we met in Germany. “I didn’t go to any site I was not supposed to go to. I didn’t break any rules.”
The Eleven-Minute Man Speaks: Bahtiyar Duysak On Deactivating Donald Trump

NY Times

“At some point, she said, she passed out with her pants pulled halfway down. She woke up on the floor of his office, and Mr. Lauer had his assistant take her to a nurse.”
Matt Lauer Alleged Sexual Abuse Story Updated

ew

“There’s no time for pondering,” Scott says with a grin. “Sometimes you’ve got to lay down the law. You have to!”
“I think it was about time. Harvey definitely was way overdue. There will still be a few more people out there gritting their teeth who are way overdue.”
Sir Ridley

NY Times

“Now that Mr. Weinstein faces a mountain of damning corroborated evidence, his tactics seem tinged with malevolence, fronts for a man who abused women and used the promise of Oscar gold as bait. He might be gone, but his protégés remain.”
Cara Buckley Ponders Post-Weinstein Shape Of Oscar Three Months Before Broadcast

“I just hate to see some of these men’s careers, I mean, guys like Charlie Rose, these are terrific people and I hate to see it happen… These people’s careers are being ruined and we just hope and pray that these women are telling the truth.”
Pat Robertson, 87-Year-Old Billionaire Broadcaster, Expresses Concern About Men’s Careers In Face Of Harassment Allegations

NY Times

“The inquiry found that the relationship was inappropriate because the woman worked on the Android team while Mr. Rubin was leading it.”
Harassment Allegations: Andy Rubin, Android Creator

NY Times

“Even when professing solidarity with survivors, many people still balk, still recoil and insist, ‘I don’t know anyone who would ever do that or has ever done that.’ You do now, kind of.”
“Matt Lauer, Charlie Rose and the Sexism of Morning TV” By James Poniewozik And Margaret Lyons

Goodbye, LA Weekly, Goodbye

“Lauer whispered to Couric on set in 2006, ‘Keep bending over like that. It’s a nice view.'”
A Short History Of Matt Lauer’s Publicly Known Bad Actions

MCN Curated Headlines

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: 19 For Your Consideration Screenplays Await

Tom Spath on: 19 For Your Consideration Screenplays Await

Quote Unquotesee all »

“The difference between poetry and prose, and why if you’re not acculturated to poetry, you might resist it: that page is frightening. Why is it not filled? The two categories of people who don’t feel that way are children and prisoners. So many prison poets; they see that gap and experience it differently. I’m for the gap!”
~ Poet Eileen Myles

“Wise men build bridges, foolish men build barriers.”
~ T’Challa