MCN Curated Headlines Archive for November, 2017

“The main question in drama, the way I was taught, is always what does the protagonist want. That’s what drama is. It comes down to that. It’s not about theme, it’s not about ideas, it’s not about setting, but what the protagonist wants. What gives rise to the drama, what is the precipitating event, and how, at the end of the play, do we see that event culminated? Do we see the protagonist’s wishes fulfilled or absolutely frustrated? That’s the structure of drama. You break it down into three acts.”
Mr. Mamet Turns 70. Here’s The Paris Review Art of Theater No. 11

the wrap

“Warner Bros. declined comment for this story.”
Unnamed Workers On Justice League Desultorily Describe Frankenstein Monster

“This whole thing from Weinstein to all that’s happening in Hollywood is about an abuse of power. An abuse of the position you have, and what happens is they’ve fooled everyone into thinking it’s part of the job.”
Terry Crews

Richard Schickel Memorial Edition New York Film Critics Circle Awards
Lady Bird; Sean Baker, Director; Phantom Thread, Script; Ronan, Chalamet; Haddish, Dafoe; BPM; Coco; Faces Places; Mudbound, Cinematography; Molly Haskell, Career

hollywoodreporter.com

“Repairing the damage will take a lot of time and soul-searching and I’m committed to beginning that effort. It is now my full time job… There is enough truth in these stories to make me feel embarrassed and ashamed.”
Matt Lauer Says He Is Beginning Image Recovery

“I am removing myself from the businesses that I founded. The companies will now be run by a new and diverse generation of extraordinary executives who are moving the culture and consciousness forward. I will convert the studio for yogic science into a not-for-profit center of learning and healing. As for me, I will step aside and commit myself to continuing my personal growth, spiritual learning and above all to listening.”
Russell Simmons After Jenny Lumet Sexual Assault Story

“Who Owns LA Weekly? Who owns the publication you’re reading right now? The new owners of LA Weekly don’t want you to know who they are. They are hiding from you. They’ve got big black bags with question marks covering their big bald heads.”
From LA Weekly, At Least Until Dawn

“I would like to add that I am troubled by how quickly and brutishly some have taken my comments out of context and attempted to blame my generation, my age, or my mindset, without having read the entirety of what I said.”
Angela Lansbury

“I didn’t hack anyone. I didn’t do anything that I was not authorized to do,” he told us when we met in Germany. “I didn’t go to any site I was not supposed to go to. I didn’t break any rules.”
The Eleven-Minute Man Speaks: Bahtiyar Duysak On Deactivating Donald Trump

NY Times

“At some point, she said, she passed out with her pants pulled halfway down. She woke up on the floor of his office, and Mr. Lauer had his assistant take her to a nurse.”
Matt Lauer Alleged Sexual Abuse Story Updated

ew

“There’s no time for pondering,” Scott says with a grin. “Sometimes you’ve got to lay down the law. You have to!”
“I think it was about time. Harvey definitely was way overdue. There will still be a few more people out there gritting their teeth who are way overdue.”
Sir Ridley

NY Times

“Now that Mr. Weinstein faces a mountain of damning corroborated evidence, his tactics seem tinged with malevolence, fronts for a man who abused women and used the promise of Oscar gold as bait. He might be gone, but his protégés remain.”
Cara Buckley Ponders Post-Weinstein Shape Of Oscar Three Months Before Broadcast

“I just hate to see some of these men’s careers, I mean, guys like Charlie Rose, these are terrific people and I hate to see it happen… These people’s careers are being ruined and we just hope and pray that these women are telling the truth.”
Pat Robertson, 87-Year-Old Billionaire Broadcaster, Expresses Concern About Men’s Careers In Face Of Harassment Allegations

NY Times

“The inquiry found that the relationship was inappropriate because the woman worked on the Android team while Mr. Rubin was leading it.”
Harassment Allegations: Andy Rubin, Android Creator

NY Times

“Even when professing solidarity with survivors, many people still balk, still recoil and insist, ‘I don’t know anyone who would ever do that or has ever done that.’ You do now, kind of.”
“Matt Lauer, Charlie Rose and the Sexism of Morning TV” By James Poniewozik And Margaret Lyons

Goodbye, LA Weekly, Goodbye

“Lauer whispered to Couric on set in 2006, ‘Keep bending over like that. It’s a nice view.'”
A Short History Of Matt Lauer’s Publicly Known Bad Actions

MCN Curated Headlines

liza antelo on: Farewell Andrea Gronvall, Critic, Journslist, ‘Siskel & Ebert’ Producer, Longtime MCN Contributor

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Mike Leigh on Kerfuffle

Ant Man Wasp

Loach Marvel

Kill Nerd Culture

“Later, as Adam Driver was collecting himself at the barracks, he thought about the two things that he really wanted to do in life, and he vowed to do them. One was to smoke cigarettes. The other was to be an actor.”

Serpico

Francis Age

“When Martin Scorsese says that the Marvel pictures are not cinema, he’s right because we expect to learn something from cinema, we expect to gain something, some enlightenment, some knowledge, some inspiration,” Francis Coppola said. “I don’t know that anyone gets anything out of seeing the same movie over and over again. Martin was kind when he said it’s not cinema. He didn’t say it’s despicable, which I just say it is.”

Streaming Ellwood

“I have to tell you, for me, the film is 35mm celluloid. I made all my shit on 35mm celluloid. My problem is—it’s not technical, again. I don’t care about the scratches because maybe you got an old print. The problem is, the digital picture has to be a new language. But we do not use it as a new language. People are using it to look like a fake film camera. Why do they not think about a new visual language? If you see these fucking digital possibilities, you can create a new language that is only for digital technology. It’s really stupid if you believe that a digital picture will have the same quality as 35mm. Never! But you have a totally different possibilities in a different way, but you can use it. Why don’t you? It’s not my job because I do not touch cameras any more. But there are a lot of possibilities out there.”

Quote Unquotesee all »

“I always thought that once I had lived in Chicago for a while, it would be interesting to do a portrait of the city – but to do it at a significant time. Figuring out when would be the ideal time to do that was the trick. So when this election came around, coupled with the Laquan McDonald trial, it seemed like the ideal time to do the story. Having lived in Chicagoland for thirty-five-plus years and done a number of films here, I’ve always been struck by the vibrancy of the city and its toughness. Its tenderness too. I’ve always been interested in the people at the center of all the stories. This is a different film in that regard, because we’re not following a couple of individuals over the course of the project in the way that a lot of the films I’ve done have, but I still feel like people’s voices and aspirations and hopes are at the center of this series.

It wasn’t easy. We started back in July 2018, it was actually on the Fourth of July – that was our first shoot. It’s like most documentaries in that the further you go along the more involved and obsessed you get, and you just start shooting more and more and more. We threw ourselves into this crazy year in Chicago. We got up every day and tried to figure out if we should be out shooting or not, and what it is we should shoot. We were trying to balance following this massive political story of the mayor’s race and these significant moments like the Laquan McDonald trial with taking the pulse of people in the city that we encounter along the way and getting a sense of their lives and what it means to live here. By election day, Zak Piper, our producer, had something like six cameras out in the field. You could double-check that, it might have been seven. We had this organized team effort to hit all the candidates as they were voting, if they hadn’t already voted. We hit tons of polling places, were at the Board of Elections and then were at the parties for the candidates that we had been able to follow closely. Then of course, we were trying to make sure we were at the parties of the candidates who made it to the runoff. So, yeah, it was kind of a monster.”
~ Steve James On City So Real

“I really want to see The Irishman. I’ve heard it’s big brother Martin Scorsese’s masterpiece. But I really can’t find the time. The promotion schedule is so tight, there’s no opportunity to see a three and a half-hour movie. But I really want to see it. In 2017, right before Okja’s New York premiere, I had the chance to go to Scorsese’s office, which is in the DGA building. There’s a lovely screening room there, too, with film prints that he’s collected. I talked to him for about an hour. There’s no movie he hasn’t seen, even Korean films. We talked about what he’s seen and his past work. It was a glorious day. I’ve loved his work since I was in college. Who doesn’t? Anyone involved with movies must feel the same way.”
~ Bong Joon-ho