MCN Curated Headlines Archive for October, 2017

“I feel like movies are presents, and credits and fonts are bows and wrapping paper. I like everything to feel like it was given a lot of time. I hate it when I watch movies and it seems like they just went and picked a font and, like, called it a day… I put into her the sheer confidence and the id I find in 8- or 9-year-old girls. They’re just brash, and they don’t know that they should feel anything but great about themselves.” 
Greta Gerwig Conversing In The Wilds Of Manhattan

“I wish I could convey to you just how thrilling this movie is. I wish I could quote all of the jokes and recount the best offbeat bits. I’m tempted to catalog the six different ways the ending can make you cry. I’ll settle for one: the bittersweet feeling of having watched someone grow in front of your eyes, into a different and in some ways improved version of herself. “
A. O. Scott Leads Team Lady Bird

“So I sent Tommy Lee the screenplay down in Texas, and two hours later, he calls me up and he says, ‘I don’t get it.’ I said, ‘Why don’t you reread the fucking thing and remember that the Academy Award-winning actor Tommy Lee Jones is playing the fucking role!’ And I hung the phone up. A few hours later, he calls back and says, ‘OK, I’ll do it.’ And then he got on a plane and flew into Burbank the next day, and we went to work. No management. No nonsense. The deal was obviously going to be worked out.”
Late Producer Peter Macgregor-Scott On The Making Of Batman & Robin

“Yeah, we’re working on the best approach to getting to know the clients and getting to know who’s behind the entities that are signing up for advertising.”
Facebook, Twitter, Google Offer A Lot Of  ¯\_(ツ)_/¯ To Congress

“We are aware of the media reports and are looking into the matter.”
CBS Looking Into “Entourage”-Era Allegations About Jeremy Piven


“Digital platforms are taking top projects off the table, new ventures including Endeavor Content are helping finance sales companies’ transformation into producers, and online dealmaking and fests such as Toronto are turning film buying into a 365-day-a-year business that could become far less dependent on markets or sales agents.”
Before AFM, Gregg Goldstein On Int’l Distribution In The Amazon Studios-Netflix Era And How AFM Attendees Are Getting Squeezed And Maybe Even Shafted

“They are two weeks into a production schedule that would extend well into 2018 even if they had not shut down Tuesday. Contracts totaling millions of dollars for everything from actors to catering are already signed. Who eats all that financial loss if production never resumes? Even the best insurance won’t cover all of it.”
“House of Cards” Production Suspended Indefinitely

“I might have kissed somebody on the cheek to say goodbye and then licked them. That’s my thing.”
Andy Dick Fired From Movie

“The picture is very long. It must have been cuttable and should have been. They can’t do better because they can’t play it more than three times a day because it’s just too long, which is of course self-indulgent at the very least, arrogant probably. It’s criminal.”
Blade Runner Co-Producer Michael Deeley

“Late in the process, I was sitting next to the producer, Andrew Kosove, and he made a comment which I thought was brilliant about the opening line of the film, K saying ‘I hope you don’t mind me taking the liberty. I tried not to drag in any dirt.’ Andrew said it’s a kind of mission statement for the production – revisiting a much-loved 35-year-old film and hoping not to contaminate it.”
Getting Blade Runner 2049 Down To 164 Minutes From Four Hours And Two Parts 

“Pinhead represents the Faustian bargain: the things we desire will come at a price.”
“How We Made Hellraiser

“PMS was the total filmmaker. He knew every aspect of production and postproduction. Peter knew everyone’s job and what they needed to execute their craft with finesse. He cared for the well-being of the stars and the craft service personnel with equal concern.”
Producer Peter Macgregor-Scott Was 69; Films Include The Fugitive, Best Little Whorehouse, The Jerk, Revenge Of The Nerds, Death To Smoochy

“Pretty much everyone within a 1,000-mile radius of the biz is well aware that Sex-for-Work is Standard Operating Procedure in Hollywood. As Quentin Tarantino recently explained, in its treatment of women, Hollywood has been “operating under an almost Jim Crow-like system.” Precisely. Within this system, men are subjects and young women are objects for gratification/consumption.”
Filmmaker Nina Menkes

“I think that many people in the theatre and in the creative industries have been aware of many stories of many people over a lot of years, and Kevin Spacey would be one of the people that people have had concerns about, yes.”
Victoria Featherstone, Artistic Director, Royal Court Theatre

“Figuring out how to work within your resources and still be true to the story, still be true to the vision, it’s a trick, and it’s something a producer and a director really have to do together at some level.”
Dana Stevens Profiles Indefatigable Producer Christine Vachon

“I am sorry that Kevin only saw fit to acknowledge his truth when he thought it would serve him, just as denial served him for so many years.”
Zachary Quinto


“Believe me, I would love the pain to stop today. This is about creating a cycle of awareness, this is about opening people’s eyes and minds that this is a problem that exists. The soonest that I can have protection, I don’t have to wait until the film is done… the most important thing now is that I have securit … this is no joke. I am fearing for my life.”
Corey Feldman Says He Will Release Names Of Hw’d Offenders In Crowd-Funded $10 Million Feature


“Media Rights Capital and Netflix are deeply troubled by last night’s news concerning Kevin Spacey. In response to last night’s revelations, executives from both of our companies arrived in Baltimore this afternoon to meet with our cast and crew to ensure that they continue to feel safe and supported.”
Netflix Won’t Produce More “House of Cards” After 2018 Binge

NY Times

“We’ll drag you through the mud by your hair.”New Harvey Weinstein Accusations Reach Back To 1970s

“Peak Michael Douglas’ is the pathology director David Fincher has made his career exploring and criticizing.”
Jessa Crispin on “David Fincher’s Antisocial Network”

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

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“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier

“My first objective relationship in life was with the camera. I didn’t understand anything but then I realized the camera is my friend. It doesn’t lie to me. It doesn’t manipulate me. It only reports what I’m doing. And therefore, for me to work with a camera and the camera to be directed by an artist, a craftsman, someone who knows what he or she wants, I couldn’t ask for anything more.”
~ Elliot Gould