MCN Curated Headlines Archive for September, 2017

hollywoodreporter.com

“You’ve got to understand something: These actors and actresses, they’re all dumb as ticks — and they’re all lazy. Right, they’re like pieces of furniture. They’re all dumb as ticks. By the way, that’s why movie attendance is down, people are tired of it. That’s why they’re not watching the National Football League, cutting the cord at ESPN. They’ve politicized everything, and you guys are voting with your feet, which I think is fantastic.”
Failed Screenwriter Steve Bannon Potshots The Industry That Wouldn’t Have Him

“The cinema is very, very young, but many of the people who write about it treat it as if it were very, very old. When you really stop to think about it, the idea is ridiculous. Poetry and painting developed over a few thousand years, but the cinema zipped its way up to speed because it developed in the age of air travel and penicillin: absurd.”
Kent Jones On All Manner Of Things Cinematic

NY Times

“In the daytime, Hugh Hefner wore custom-made silk — not satin, satin made him slip off the bedsheets, he said — in a shade he liked to call “gunfighter black.” At night he would transition into rich colors. Of an evening, he would add a bathrobe. For company, he’d put on a smoking jacket. Mr. Hefner said that he did not wear underwear.”
Choire Sicha On “Pajama Man” And His Influence On Sloppy Man Garb

“Progress necessarily requires the exchange of outdated ideas for new and better ones. By keeping open all lines of communication in our culture, every new idea—no matter how seemingly perverse, improper or peculiar, has its opportunity to be considered, to be challenged, and ultimately to be accepted or rejected by society as a whole or by some small part of it. This is the important advantage that a free society has over a totalitarian, for in a free exchange of ideas, the best will ultimately win out.”
Consider The Playboy Foundation And Its Philanthropy Toward Free Speech And Other Issues

“That I changed attitudes toward sex. That nice people can live together now. That I decontaminated the notion of premarital sex. That gives me great satisfaction.”
Hugh Hefner Was 91; Survived By His Bathrobe, Which Is 66

IMG_7600

deadline

“The shocking allegations of sexual harassment and groping of women by bloggers popular in the fringe film community is a microcosm of what happens when bad behavior isn’t addressed head-on. Just as we saw with Ailes, Cosby, O’Reilly and even filmmaker Nate Parker, there is no statute of limitations on the emotional scars inflicted upon women who’ve seen their complaints fall on deaf ears. What is clear is that whether it is a studio, network, talent agency or fringe film festival, the corporate price for dismissing sexual harassment complaints, and not enforcing a zero-tolerance policy for misbehavior, can be devastating as careers and possibly branded companies fall by the wayside.”
Mike Fleming Jr and Dino-Ray Ramos Have Posted

“Even well-meaning allies are guilty of missing the bigger picture, of not realizing that their words have power and that they can do more to create a positive, safe environment for women. Over the past few weeks, the /Film staff has grappled with the knowledge that we could have done more, that we could have offered more support to members of our community who were assaulted and harassed and harmed by predators operating around us. The knowledge that others, individuals that we trusted, were harboring these predators is dispiriting and devastating. So many of us are guilty of not looking, of not noticing, and not offering the support necessary to protect our community and the women who call it home.”
Another Meandering Film Website Mea Culpa

MCN Curated Headlines

liza antelo on: Farewell Andrea Gronvall, Critic, Journslist, ‘Siskel & Ebert’ Producer, Longtime MCN Contributor

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Mike Leigh on Kerfuffle

Ant Man Wasp

Loach Marvel

Kill Nerd Culture

“Later, as Adam Driver was collecting himself at the barracks, he thought about the two things that he really wanted to do in life, and he vowed to do them. One was to smoke cigarettes. The other was to be an actor.”

Serpico

Francis Age

“When Martin Scorsese says that the Marvel pictures are not cinema, he’s right because we expect to learn something from cinema, we expect to gain something, some enlightenment, some knowledge, some inspiration,” Francis Coppola said. “I don’t know that anyone gets anything out of seeing the same movie over and over again. Martin was kind when he said it’s not cinema. He didn’t say it’s despicable, which I just say it is.”

Streaming Ellwood

“I have to tell you, for me, the film is 35mm celluloid. I made all my shit on 35mm celluloid. My problem is—it’s not technical, again. I don’t care about the scratches because maybe you got an old print. The problem is, the digital picture has to be a new language. But we do not use it as a new language. People are using it to look like a fake film camera. Why do they not think about a new visual language? If you see these fucking digital possibilities, you can create a new language that is only for digital technology. It’s really stupid if you believe that a digital picture will have the same quality as 35mm. Never! But you have a totally different possibilities in a different way, but you can use it. Why don’t you? It’s not my job because I do not touch cameras any more. But there are a lot of possibilities out there.”

Quote Unquotesee all »

“I always thought that once I had lived in Chicago for a while, it would be interesting to do a portrait of the city – but to do it at a significant time. Figuring out when would be the ideal time to do that was the trick. So when this election came around, coupled with the Laquan McDonald trial, it seemed like the ideal time to do the story. Having lived in Chicagoland for thirty-five-plus years and done a number of films here, I’ve always been struck by the vibrancy of the city and its toughness. Its tenderness too. I’ve always been interested in the people at the center of all the stories. This is a different film in that regard, because we’re not following a couple of individuals over the course of the project in the way that a lot of the films I’ve done have, but I still feel like people’s voices and aspirations and hopes are at the center of this series.

It wasn’t easy. We started back in July 2018, it was actually on the Fourth of July – that was our first shoot. It’s like most documentaries in that the further you go along the more involved and obsessed you get, and you just start shooting more and more and more. We threw ourselves into this crazy year in Chicago. We got up every day and tried to figure out if we should be out shooting or not, and what it is we should shoot. We were trying to balance following this massive political story of the mayor’s race and these significant moments like the Laquan McDonald trial with taking the pulse of people in the city that we encounter along the way and getting a sense of their lives and what it means to live here. By election day, Zak Piper, our producer, had something like six cameras out in the field. You could double-check that, it might have been seven. We had this organized team effort to hit all the candidates as they were voting, if they hadn’t already voted. We hit tons of polling places, were at the Board of Elections and then were at the parties for the candidates that we had been able to follow closely. Then of course, we were trying to make sure we were at the parties of the candidates who made it to the runoff. So, yeah, it was kind of a monster.”
~ Steve James On City So Real

“I really want to see The Irishman. I’ve heard it’s big brother Martin Scorsese’s masterpiece. But I really can’t find the time. The promotion schedule is so tight, there’s no opportunity to see a three and a half-hour movie. But I really want to see it. In 2017, right before Okja’s New York premiere, I had the chance to go to Scorsese’s office, which is in the DGA building. There’s a lovely screening room there, too, with film prints that he’s collected. I talked to him for about an hour. There’s no movie he hasn’t seen, even Korean films. We talked about what he’s seen and his past work. It was a glorious day. I’ve loved his work since I was in college. Who doesn’t? Anyone involved with movies must feel the same way.”
~ Bong Joon-ho