MCN Curated Headlines Archive for August, 2017

“Mostly it’s the directors you have to be careful of. Many, many directors, particularly in musicals, are more interested in serving themselves rather than serving the text, because musicals invite a lot of invention. Even if that director is inventive, he or she should be serving the piece, and you don’t always get that. That’s the thing I look for.”
Stephen Sondheim On Revivals

NY Times

“Whatever white supremacy was and is — the murderousness of the KKK, the centuries-old institutional bias toward white people, the self-pitying narcissism of the so-called alt-right — it’s older than what happened in Charlottesville, older than this presidency. It’s wedged in the bedrock of American popular culture. Even when you aren’t looking, it manages to find you.”
Wesley Morris Says It’s Been A White Nationalist Summer All Along

indie wire

“The cast, and Craig in particular, guaranteed foreign sales that reportedly paid for production. But compared to the diverse ensemble for Hitman’s, it had less appeal to women (drawn by Reynolds) and the minority audiences who have been typically underserved this summer.”
Tom Brueggemann Thinks About Logan Lucky

“Pretty sure the amount we sacrifice per year is a lot more than you’d be willing to sacrifice if the choice was yours. You’re adorably out of touch.”
Wife Of Treasury Secretary/Producer Of Rules Don’t Apply Steve Mnuchin Wealth-splains An Instagram Commenter En Route To Examine The $200 Billion In Gold In Fort Knox; Once Dressed As Marie Antoinette In An Episode Of “CSI: NY”

Brody-gram!
Looking Back To Safdies’ Second Feature, Daddy Longlegs
“It doesn’t take much imagination to imagine terrorist attacks. What distinguishes Nocturama is its lack of imagination, a lack that appears to be a crucial element in the director’s artistic strategy. What if the act of terrorism was an acte gratuit, an action undertaken for the sheer hell of it, with no motive other than curiosity or existential self-affirmation by dint of the act itself?”
AndForward To Nocturama

“Everything is returning to the most pathetic Soviet practices.”
Acclaimed Theater And Film Director Kirill Serebrennikov Detained By Russian Authorities

MCN Curated Headlines

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“I suddenly couldn’t say anything about some of the movies. They were just so terrible, and I’d already written about so many terrible movies. I love writing about movies when I can discover something in them – when I can get something out of them that I can share with people. The week I quit, I hadn’t planned on it. But I wrote up a couple of movies, and I read what I’d written, and it was just incredibly depressing. I thought, I’ve got nothing to share from this. One of them was of that movie with Woody Allen and Bette Midler, Scenes From a Mall. I couldn’t write another bad review of Bette Midler. I thought she was so brilliant, and when I saw her in that terrible production of ‘Gypsy’ on television, my heart sank. And I’d already panned her in Beaches. How can you go on panning people in picture after picture when you know they were great just a few years before? You have so much emotional investment in praising people that when you have to pan the same people a few years later, it tears your spirits apart.”
~ Pauline Kael On Quitting

“My father was a Jerome. My daughter’s middle name is Jerome. But my most vexing and vexed relationship with a Jerome was with Jerome Levitch, the subject of my first book under his stage and screen name, Jerry Lewis.

I have a lot of strong and complex feelings about the man, who passed away today in Las Vegas at age 91. Suffice to say he was a brilliant talent, an immense humanitarian, a difficult boss/interview, and a quixotic sort of genius, as often inspired as insipid, as often tender as caustic.

I wrote all about it in my 1996 book, “King of Comedy,” which is available on Kindle. With all due humility, it’s kinda definitive — the good and the bad — even though it’s two decades old. My favorite review, and one I begged St. Martin’s (unsuccessfully) to put on the paperback jacket, came from “Screw” magazine, which called it “A remarkably fair portrait of a great American asshole.”

Jerry and I met twice while I was working on the book and spoke/wrote to each other perhaps a dozen times. Like many of his relationships with the press and his partners/subordinates, it ended badly, with Jerry hollering profanities at me in the cabin of his yacht in San Diego. I wrote about it in the epilogue to my book, and over the years I’ve had the scene quoted back to me by Steve Martin, Harry Shearer, Paul Provenza and Penn Jillette. Tom Hanks once told me that he had a dinner with Paul Reiser and Martin Short at which Short spent the night imitating Jerry throwing me off the boat.

Jerry was a lot of things: father, husband, chum, businessman, philanthropist, artist, innovator, clown, tyrant. He was at various times in his life the highest-ever-paid performer on TV, in movies, and on Broadway. He raised BILLIONS for charity, invented filmmaking techniques, made perhaps a dozen classic comedies, turned in a terrific dramatic performance in Martin Scorsese’s “The King of Comedy,” and left the world altered and even enhanced with his time and his work in it.

That’s an estimable achievement and one worth pausing to commemorate.

#RIP to Le Roi du Crazy

~ Biographer Shawn Levy on Jerry Lewis on Facebook