MCN Curated Headlines Archive for June, 2017

“A high-visibility legacy brand bankrolled by Viacom would publish quality work across various platforms at a time when the industry seemed to be moving towards inane, disposable video content.”
What Went Wrong With The MTV News Experiment?

indie wire

“How Spider-Man: Homecoming Will Save Sony’s Summer And Launch A-List Careers”
You Read It There First

hollywoodreporter.com

Bob Iger: “A workout and my iPad.”
James Murdoch: “Laughing out loud at least once.”
Lachlan Murdoch: “Quietly acknowledging the responsibilities we have to both employees and our customers around the world.”
Bob Bakish: “My Android Blackberry.”
THR Asks Bigs How They Get Through The Day

LA Times

“There are so many artists who were not admitted in the past because we had a limit on how many new members we invited each year. So with the elimination of those and the aggressive pursuit of excellence by all of our members, we will be able to expand in a more inclusive way for several years.”
Dawn Hudson On The Added Academy Membership

LA Times

“Maybe the Academy, far from seeing its standards decline, is figuring out what it means to have standards in the first place: namely, by fostering a membership that can genuinely be described as world class.”
Justin Chang, Fast And Curious, On 2017 Academy Invitees

hollywoodreporter.com

“The Academy, with last year’s invitations, largely depleted the pool of women and people of color who have had the sorts of film-specific careers to merit an invitation. And, therefore, you can imagine how this year’s list looks even more problematic. The bottom line is that the Academy cannot fix the industry’s diversity problems any more than a tail can wag a dog. This is not a problem that can be reverse-engineered… Invite every member of almost every guild and comparable organization to vote for the Oscars and just call it a day.”
Scott Feinberg Contra The Academy

“We are one of the crucial layers of review that you seem so determined to erase, as the sudden removal of the public editor role shows. We are stewards of The Times, committed to preserving its voice and authority… you have turned your backs on us. We abhor your decision to wipe out the copy desk.”
New York Times Copy Desk Addresses Top Editors

variety

“We are conducting a full editorial review to pinpoint how this source was vetted, and how these stories were approved and published in violation of our usual editorial workflow.”
VICE Retracts Two Stories About Disney Animatronic Trump

“The two studios are contractually locked together for at least two more years. Contracts will be fulfilled, but don’t look to Marvel to throw in any extra heroes as party favors, or to sign on for another go-around.”
Richard Rushfield Surmises Sony’s History With Marvel And Present/Future With Tom Rothman

“An unlikely leading man in the vein of Edward G. Robinson, James Cagney, a bulldog (or, more, a pitbull) and that guy who either hugs or punches you (or both) after a long night of drinking, he was a stocky lug, short in stature but large in charisma, with a slangy eloquence that was rough-hewn melodious, a guy one loves to listen to – his rugged cadence was often full of wit and an energy that was both boot shaking and an absolute pleasure.”
Kim Morgan On The Great The Long Good Friday And The Even Greater Bob Hoskins

“I realized that the whole concept of narrative art has been forgotten.”
Los Angeles Approves Plans For George Lucas Memorabilia Museum

“Maybe Korean cinema as it stands loves exploring the fact that life is everything, that life isn’t just a comedy or a thriller or a horror. It’s all of them.”
Steven Yeun On Working With Bong Jong-hoo

“The crack epidemic gave me something to write about – but I had to survive it first.”
John Singleton Opens Up Over L. A. Catfish Dinner

“I would say the inspiration for it was reality.”
Amy Pascal On The Diverse Casting Of Spider-Man Homecoming

MCN Curated Headlines

Quote Unquotesee all »

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster

“One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard, while upholding one of the most rigidly patriarchal hierarchies of any art form.”
~ Lindy West