MCN Curated Headlines Archive for May, 2017

“Our hit ratio is way too high. So, we’ve canceled very few shows. I’m always pushing the content team: We have to take more risk, you have to try more crazy things. Because we should have a higher cancel rate overall.”
Netflix Hastings Says The Streamer Will Start Axing Shows Because They’re Too Successful; Intends To Increase Spending Above Present $6 Billion

indie wire

“The shocking truth is that the Observer has been going down the drain financially for quite some time. The end of what was the remains of a once-vital and responsible New York paper came when [Jared Kushner] threw what was left of a great weekly paper under the bus and lost all interest in bringing it back to life again by focusing his interests on running the White House and digging a tunnel to Russia.”
NYObserver Fires 78-Year-Old Film Critic Rex Reed As It Slims To Staff Of A Dozen
AndGlenn Kenny Remembers Reed’s Riot Acting In Myra Breckenridge

“#WonderWoman: Warner Bros. is gambling $150M with a filmmaker whose only prior big-screen credit was an $8M indie”
The Reporter Tweets What It Really Thinks About Women Directing Studio Pictures

“The documentary process is the reverse of fiction filmmaking. Every time there was a problem on set or anything went wrong, it was perfect for the documentary and made it more interesting, more vital, more alive. The fiction film experience is the flipside, and it wasn’t fun when things go wrong. I learned to really appreciate what my husband, my daughter, my son — people who work behind the scenes — had gone through, and I gained a lot of appreciation for them.”
Eleanor Coppola Tells Marshall Shaffer About Her Fiction Debut At 81

“I was paid a visit at my dorm room at @nyuwinstein and questioned by the CIA because they found the color xerox of my passport in The General’s desk drawer at his residence and wanted to know about my relationship with him.”
Brett Ratner Remembers Manuel Noriega

“In Ramsay’s cinema, emotion is memory, and it feeds the present and the future.”
Bilge Ebiri On You Were Never Really Here

LA Times

Superman had been a favorite movie of mine, even when I was at Cooper Union. People were painting a portrait of the career that I could have as an indie New York filmmaker. The only thing that stood in my way from staying in New York — because I loved New York and I wanted to stay — was something more that I wanted to do that was inspired by Superman. One day I would love to sing a song to the world, to bring something into the world that is beautiful in that sort of way.”
Meredith Woerner Meets Patty Jenkins

“I Love Women Who Hate Men and Hate Men Who Hate Women”
Might Be John Waters For All We Know

NY Times

“After 54 Years, We Fell in Love. After Five Months, I Got Leukemia. I Thought It Was A Romantic Comedy. I Was Wrong About The Comedy.”
Delia Ephron On A Gift Her Sister, Nora Ephron, Left Her

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

What’s Steven Soderbergh’s The Laundry All About? A Mossack Fonseca And Panama Papers Primer

Chicago’s Music Box Theatre posts its digital library of film calendars back to 1983

I Pain Moviehouses: Theater Chains Still Resist The Irishman

Petit on Radio On

“In the next few years, empires will rise and crumble. Heroes will arise and reputations will be destroyed in the greatest clash of content civilization has ever seen. Maybe they’ll all lose! With a thousand models and paths to victory, it’s entirely possible that everyone is wrong. Now, that would be entertainment. It’s a terrifying time to be an executive, but a great time to be a viewer. And an even better time to be an industry watcher as the carnage begins.”

Animating No Time To Die

“Harvey Weinstein, the once-powerful movie mogul who put Manhattan’s skyline in the Miramax logo, wants his trial on sexual assault charges moved out of New York City, arguing that the intense media scrutiny makes it impossible for jurors to give him a fair trial.”

“There’s an impatience now to be entertained – to be fed with plot in a fast way,” González Iñárritu said. “Everything has to be clear, understandable, global, like a Coca-Cola commercial. It has to please everybody because it’s a world product, and you cannot deal with that fucking thing.The possibilities to experiment and explore are gone because TV demands guaranteed globality that everybody understands. That is changing the stamina and motivations of young writers and filmmakers. Cinema – the inspiration, that’s a jewel – it’s probably going to disappear.”

Isabelle Huppert Says More Women Should Head Film Fests

“Matrix 4″ A Go With Lana Wachowski Producing, Directing; Script by Wachowski, David Mitchell, Aleksandar Hemon

Quote Unquotesee all »

“We don’t have any idea what the universe is. Wise people have always told us that this is proof you shouldn’t think, because thinking leads you nowhere. You just build over this huge construction of misunderstanding, which is culture. The history of culture is the history of the misunderstandings of great thinkers. So we always have to go back to zero and begin differently. And maybe in that way you have a chance not to understand but at least not to have further misunderstandings. Because this is the other side of this question—Am I really so brave to cancel all human culture? To stop admiring the beauty in human production? It’s very difficult to say no.”
~ László Krasznahorkai

“I have a license to carry in New York. Can you believe that? Nobody knows that, [Applause] somebody attacks, somebody attacks me, oh, they’re gonna be shot. Can you imagine? Somebody says, oh, it is Trump, he’s easy pickings what do you say? Right? Oh, boy. What was the famous movie? No. Remember, no remember where he went around and he sort of after his wife was hurt so badly and kill. What?  I — Honestly, Yeah, right, it’s true, but you have many of them. Famous movie. Somebody. You have many of them. Charles Bronson right the late great Charles Bronson name of the movie come on.  , remember that? Ah, we’re gonna cut you up, sir, we’re gonna cut you up, uh-huh.

Bing!

One of the great movies. Charles Bronson, great, Charles Bronson. Great movies. Today you can’t make that movie because it’s not politically correct, right? It’s not politically correct. But could you imagine with Trump? Somebody says, oh, all these big monsters aren’t around he’s easy pickings and then shoot.”
~ Donald Trump