MCN Curated Headlines Archive for April, 2017

NY Times

“Owning Sky outright would give the Murdochs an important new cash generator to feed the rapacious appetite for growth and conquest that has made their family business the most influential media conglomerate in the world — one that helped hasten Britain’s ‘Brexit’ from the European Union and helped deliver Donald J. Trump to the White House.”
Murdoch British TV Deal Hinges On The Three Words “Fit And Proper”

“When you see a big thing in the sky, run for it, because they are a lot smarter than we are, and if you are stupid enough to challenge them, you will be taken out in three seconds.”
Sir Ridley Says It Will Be Unwise To Challenge Incoming Aliens

hollywoodreporter.com

“The first Godfather cost $6.5 million, the second Godfather cost $11-12 million, which if you convert that, it would take a major studio. But it would never get through the process of getting a greenlight. Nothing will get a greenlight today unless it’s a movie where they can have a whole series and a Marvel comics type of thing.”
Coppola & Co. At Radio City Music Hall

“There is no denying that much of the new Canadian film Below Her Mouth qualifies as unmitigated smut.”
Lede Of The Weekend

“Demme was also blessed by a larger liberalism: the imaginative outreach, hard to discern in the rampant studio movies of today, which assumes that everybody is worth stopping for—that there will always be folks who repay the camera’s attention. What he radiated, before or behind the lens, was an unstinting curiosity, and a faith that the most reliable map of character was the human face.”
Anthony Lane On Jonathan Demme

“It was 1969, I was only three, and as Dad stood at the back of the crowd, watching the bidding, he seemed to escape his body and floated up to the ceiling from where he watched for a while longer before slipping back into his body again. Only then did he realize one of the bidders was him. He’d bought the property without knowing that was his intention when he walked in. He describes it a surreal moment in his life when he didn’t know he was moving to Ireland at all.”
Charley Boorman Has Tales To Tell

“With the death of Demme, American cinema loses one of its greatest humanists. His work didn’t simply glow with a generosity of spirit. You got the sense that he understood people — that he understood us. He was a kind of secret-sharer, a creator of cinematic worlds where anything was possible and anything could be said.”
Bilge Ebiri‘s Swell Reminiscence Of Jonathan Demme

hollywoodreporter.com

“To get younger audiences interested in the actual news, you have to play that up. Half of what I do — well, on social media specifically — is fucking with people.”
Words From The Internet “Troll” With The White House Press Credentials

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

Quote Unquotesee all »

“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento