MCN Curated Headlines Archive for March, 2017

“We experimented a lot with facial features where we might try an Asian eye with an African arm. It was really difficult to get all that stuff working in harmony in a concise character that doesn’t just look like some hodgepodge that’s been thrown together.”
WETA Workshoppers On Making Ghost In The Shell‘s Robotic Psycho Geisha Girls And More

“Oh, man. Thank you for this question. As a football supporter, I feel Mexican. But my true self is completely Latin American. Mexico is my cocina, my kitchen. It is where I hang, where I talk to my mother. But Latin America is my home. If you travel through Latin America, you see we are one. We all share the same history, the same spirit. It is the real melting pot. Go back far enough and I don’t even know where I come from.”
Gael García Bernal

LA Times

“I see movies all the time where I question why the hell they even made them, because the animus is so clearly nonfilmic. I don’t mean that you need to have thundering herds or raging gunfights as opposed to ideas, but I think certain things are more filmic than others. Genre filmmaking does supply a kind of structure that allows the filmmaker and the audience some common ground to then say, ‘Let’s see what we’re going to do on our little journey here.'”
Walter Hill On Genre

“The only platform I’m interested in talking about is theatrical exhibition.”
“Netflix, my ass.”
“I hope people see it in the theatre, where it was meant to be seen.”
Christopher Nolan, Tom Rothman And Sofia Coppola At CinemaCon

hollywoodreporter.com

“I think we proved to you that we really believe in the theatrical experience by fully supporting the theatrical window for our releases.”
Amazon Studios On Supporting Theatrical Window

“These days, there’s also a continuing crisis in masculinity that’s tied up with deindustrialization and the rise of feminism and cultural equality.”
T2 Trainspotting‘s Irvine Welsh In The Modern World

NY Times

“I got sick and tired of seeing ballets about relationships, or mythological forests 10 centuries ago. Of the ballets I saw, very few of them were about the contemporary world. So I thought why not take an extreme subject — like psychotics in a prison for the criminally insane — and see if something resembling a classical ballet could be made out of their behavior, their movements, their tics, convulsions and obsessions.”
At Eighty-Seven, Frederick Wiseman Turns To The Ballet

“It’s a true collaboration with us. He taught me everything. I knew nothing about editing. But it’s a true collaboration now, and I can’t begin to tell you how much of a joy it is to be in the room with him. Because we talk about everything, not just the movie. And he’s so rich, he’s such an extraordinary genius, and to watch the suffering he goes through while making a movie is something quite special to share.”
Thelma Schoonmaker On A Life In Martin Scorsese Movies

hollywoodreporter.com

“I can’t presume to say what everybody is getting from the film. It definitely, for lack of a better word, is a more fun way to engage in a discussion about race.”
Jordan Peele On What Get Out Can Teach H’wd

MCN Curated Headlines

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: 19 For Your Consideration Screenplays Await

Tom Spath on: 19 For Your Consideration Screenplays Await

James Brigham (Bigg) Bunyon on: "The Not-So-Glossy Future of Magazines"

Ray Pride on: Telluride Fest Looks Back At 44

Jose Angel Cruz on: Telluride Fest Looks Back At 44

I am Groot on: Enjoy Your Groot Soundboard

#MeToo: SAG Awards Will Have No Male Presenters; Golden Globes Attendees Urged To Wear Only Publicist Black

“This started with Bob Iger, a friend of mine, sitting at my winery one evening having a couple glasses, just talking about our businesses and the industry generally, the forces of disruption that were happening.” Rupert Murdoch

Anthony Kaufman On The Fates Of Sundance ’17 Releases

“‘I admire you very much, but I still have to read the script,’ Mr. Plummer, 88, recalled telling Mr. Scott, 80, as they met in the Terrace Boardroom on the Four Seasons hotel’s 11th floor.”

Disney Iger Says Disney-Fox Combine Will Shed $2 Billion In Expenses

“It’s clear to me now that the split off from New Corp and then the subsequent buyouts of executives two years ago was all in preparation for this. It’s a really sad day for those of us who love Fox so much and have given this company our all. We know that they are going to maintain the real estate but we all feel like we’re going to get buyouts or told that our services are no longer needed as there are overlaps everywhere.”

“At Least We Still Have Jeff Goldblum”

“Sources say there has been little communication from Fox’s corporate offices even to senior managers about the battle plan for the future. The expectation is that the studio and other divisions will continue to operate autonomously for the short term because the deal will inevitably face a rigorous regulatory review in Washington. Neither Disney nor 21st Century Fox can risk making major decisions on management structures until the acquisition is signed, sealed and delivered.”

“Not long after the yoga studio opened, Simmons briefly began offering free classes for fashion models.”

A Frightening-If-True February Report From A Former Employee Of Working Beneath Tavis Smiley

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What about replacing Mr. Spacey with another actor? Mr. Plummer, perhaps.
“That would theoretically be fantastic,” Mr. Rothman said he responded. “But I have supervised 450 movies over the course of my career. And what you are saying is impossible. There is not enough time.”
~ Publicizing Sir Ridley’s Deadline Dash

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris