MCN Curated Headlines Archive for February, 2017

hollywoodreporter.com

“Unlikely as it is, I find myself rising to defend Warren Beatty.”
Kim Masters Considers Beatty’s Perplex From Journalistic Experience

For independent cinema there’s no limits except the law. So if you explore certain taboos then it’s a question of legality and morality, depending on where your moral compass leads you. I am trying to make films about provocative subjects but get larger budgets for them, but that’s when you start to realize how deeply conservative cinema is.”
Canadian Filmmaker Bruce LaBruce On His Latest Provocation

“As I said last night, once you go away from the Earth and look back at the Earth, you see no borders, no lines separating countries. It is one, whole, beautiful unit.”
Why Asghar Farhadi Sent Two Iranian Scientists To Accept Oscar
And – Jafar Panahi On Farhadi’s Win

“The problem is that unfamiliarity is the punchline. Not Kimmel’s unfamiliarity due to ignorance, mind you, but rather the perceived abnormality or exoticism of the names in question, a perspective that is comes from a limited, geo-centric worldview wherein any name that doesn’t fit America’s Amy/Patrick/Jimmy canon is worthy of derision.”
On Jimmy Kimmel’s Casual Racism At Oscar

“Adherents of the Ahmadiyya faith—Ahmadis—cannot practice it without facing legal prosecution or the wrath of a vigilante mob.”
Pakistanis Astir; Mahershala Ali’s Faith Not Considered Muslim

“We have spent last night and today investigating the circumstances, and will determine what actions are appropriate going forward. We are unwaveringly committed to upholding the integrity of the Oscars and the Academy of Motion Picture Arts and Sciences.”
The Academy Statement About PwC Best Picture Failure

NY Daily News

NYDN-PwC

Ouch.

“Straight talk is a strong way for both managers and employees to handle a crisis. Radical transparency strengthens teams and confers authority on the managers who use it.”
“Four Great Success Lessons From The Spectacular Oscars Disaster”

LA Times

“He in sleek tux, she resplendent in white gown, they took the stage. The night was nearly done, a touch of class for the final prize. No one saw or anticipated the iceberg.”
Jeffrey Fleishman‘s Bristling Backstage Oscar Tick-Tock

Screen Shot 2017-02-27 at 5.28.06 PMScreen Shot 2017-02-27 at 5.26.46 PM

LA Times

“Truly, if surrealist Luis Buñuel had had a writing credit on the program he could not have done it any better.”
Kenneth Turan On Oscar Night

“A congratulatory tweet was posted. We later removed the post to avoid any misperception that the USG endorsed the comments made in the acceptance speech.”
State Department Tweets, Then Goes Back On Congratulations To Asghar Farhadi

“Watching videos of the biggest gaffe in Oscar history this morning, it seems to me that Warren Beatty not only realized he was handed the wrong envelope, but that he was delighted at being handed a once-in-a-lifetime opportunity. And decided to have a little fun with the people who snubbed him, as well as promoting his ironically named Rules Don’t Apply on a global scale.”
Lou Lumenick Thinks Beatty Was Masterfully “Playing Puzzlement”

Guy Hamilton, Pierre Etaix, Don Ireland, Herschell Gordon Lewis, Gloria DeHaven, Robert Vaughn, Michele Morgan, Anne Jackson, Steven Hill, Marvin Kaplan, William Schallert, Burt Kwouk, Doris Roberts, Alec McCowen, Fyvush Finkel, Jon Polito, Garry Shandling, Miguel Ferrer, Alexis Arquette, Florence Henderson, Teresa Saldana… and many more
A Rollcall Of Those Passed Over By Oscar “In Memoriam”

wsj

Screen Shot 2017-02-27 at 2.10.55 AM

“On his Twitter bio, Mr. Cullinan describes himself as ‘Counting Oscar ballots and keeping secrets.'”
PricewaterhouseCooper Managing Partner Was Backstage Tweeting Photos Of Emma Stone Before He Handed The Wrong Envelope To Warren Beatty

“We sincerely apologize to Moonlight, La La Land, Warren Beatty, Faye Dunaway and Oscar viewers for the error that was made during the award announcement for Best Picture. The presenters had mistakenly been given the wrong category envelope and when discovered, was immediately corrected. We are currently investigating how this could have happened, and deeply regret that this occurred. We appreciate the grace with which the nominees, the Academy, ABC and Jimmy Kimmel handled the situation,” Says PwC

moonlight
Rules Don’t Apply (Complete Oscar Winners List)

MCN Curated Headlines

joker scr888 on: Academy of Motion Picture Arts and Sciences Elects 2018–19 Board of Governors

genting casino vacancy malaysia on: Academy of Motion Picture Arts and Sciences Elects 2018–19 Board of Governors

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch