MCN Curated Headlines Archive for December, 2016

NY Times

“I said, ‘Gee, this is all outdoor scenery.’ I said, ‘Gee, I’m a landscape painter!’”
Margalit Fox‘s Splendid Survey Of The Life Of Tyrus Wong, 106, Key Artist Of Bambi Among Other Achievements

“Without moderators or fancy algorithms, they are prone to anarchy. Too often they devolve into racist, misogynistic maelstroms where the loudest, most offensive, and stupidest opinions get pushed to the top.”
VICE Chucks Comments

NY Times

“A similar progression — from the basic to the rhapsodic, the material to the transcendent — happens in Paterson as days pass, details accumulate, and words turn into poetry, one line at a time.”
Manohla Dargis Gets Jim Jarmusch Just Right

hollywoodreporter.com

“Every line of attack the forces of political correctness try on me fails pathetically. I’m more powerful, more influential and more fabulous than ever before, and this book is the moment Milo goes mainstream. Social justice warriors should be scared — very scared.”
CBS’ Simon & Schuster Invests Quarter-Mil Advance Book Deal With White Nationalist Banned From Twitter

NY Times

“Ms. Reynolds was, as they say, a trouper. So she did what came naturally to her: She trouped.”
Wesley Morris On “The Unsinkable Debbie Reynolds”
And – “The reason I got into filmmaking was super naïve: to change the world, you know? To really make the voices that we don’t get to hear heard, and the images and the stories that we don’t get to see seen. I would like to normalize that.”
Morris Checks In With Director Melina Matsoukas In A Year Of “Formation” And “Insecure”

You know, I’m still kind of a Luddite. I carry around a notebook. I write my scripts by hand. But then my films are edited on digital equipment. Why can’t I have both? It’s one big ocean.”
Jim Jarmusch And Gabe Klinger Talk Director Tech

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

Quote Unquotesee all »

“That’s the joke of Prune, that we just pretend to be a restaurant. But we’re actually an institute for living. We hide behind the fried eggs, and we hide behind the marrow bones, but really what we’re doing here is trying to change the whole goddamn world, one lamb chop at a time. It’s slow going, but I think we’re getting there.”
~ Gabrielle Hamilton

“I’m into pleasure rebellion,” she says, lighting a cigarette. “I’ve shared all my misery and tragedy but in my personal life I’m a cheerleader, an optimist. That aspect of myself is not shared. Once you are free from trauma, you are going to luxuriate in pleasure and happiness – personal pleasure. A divine gluttony, I should say.”
Lydia Lunch