MCN Curated Headlines Archive for November, 2016

“Diverse personal narrative has never been more important than it is in proto-Trump America – in a country where so many are willing to throw away the rights of the “other” for the illusion of safety, storytelling is our most straightforward empathy generator, a humanization machine. Millions of Americans are casually falling in love with a brown-skinned, athletic, undeniably feminist heroine offering an object lesson about striding out of your bubble and setting right your mistakes.”
Writes Lindy West

Filmmakers Include Eliza Hittman, Alex Ross Perry, Brett Haley, Gillian Robespierre, Marti Noxon, Adam Bhala Lough, Brian Knappenberger, Yance Ford, Marina Zenovich, Cate Shortland, David Lowery, Dustin Guy Defa, koganada
Sundance 2017 Announces 66 Features In Competition And NEXT

variety

“I used to argue, pretty vociferously, that critics’ groups should wait before voting until they’ve had the chance to see every last movie. But that ship, I’m afraid, has sailed.”
Owen Gleiberman Canvasses For Rogue One As An “Awards Movie”

NY Times

“My father, very late in life, said to me, ‘You know, there is humor in what you do.'”
Iggy Pop Talks Danger

hollywoodreporter.com

“From losing millions in the failed Relativity studio to backing Warner Bros. flops and hits with Ratner and Packer, the former Goldman Sachs banker has done business with Trump (and been sued by him) and had a cameo (with his actress fiancée) in Warren Beatty’s new movie.”
A Detailed Rat-A-Tat-Tat “Inside Steven Mnuchin’s Hit-And-Miss Path From Hw’d To Treasury,” By Kim Masters

“There was some glass ceiling on why our story wasn’t getting better.”
How Andrew Stanton Found A Narrative For Finding Dory

hollywoodreporter.com

“The awards are voted on by a group of film enthusiasts, professionals, academics, young filmmakers and students.”
Secretive Coven Calling Self “National Board Of Review” Weeps For Manchester By The Sea, Affleck, Lonergan Screenplay; Barry Jenkins, Director; Also KuboO.J.:MIA

(Past Best Pictures: A Most Violent Year, Her,  Zero Dark Thirty)

MCN Curated Headlines

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“There’s a mass belief that if you’re texting, you’re somehow not interrupting the conversation—you’re not being rude. It’s an illusion of multitasking. I started filmmaking when people didn’t expect to have a phone on set, when it would’ve been seen as unprofessional to pull out a phone. Phones have become a huge distraction, and people work much better without them. At first it causes difficulty, but it really allows them to concentrate on what they’re doing. Everybody understands. I’ve had a lot of crews thank me. With a set, we’re trying to create a bubble of alternate reality.”
~ Christopher Nolan

“I’ve always loved films that approach sound in an impressionistic way and that is an unusual approach for a mainstream blockbuster, but I feel it’s the right approach for this experiential film. Many of the filmmakers I’ve admired over the years have used sound in bold and adventurous ways. I don’t agree with the idea that you can only achieve clarity through dialogue. Clarity of story, clarity of emotions—I try to achieve that in a very layered way using all the different things at my disposal—picture and sound.”
~ Christopher Nolan