MCN Curated Headlines Archive for November, 2016

“Diverse personal narrative has never been more important than it is in proto-Trump America – in a country where so many are willing to throw away the rights of the “other” for the illusion of safety, storytelling is our most straightforward empathy generator, a humanization machine. Millions of Americans are casually falling in love with a brown-skinned, athletic, undeniably feminist heroine offering an object lesson about striding out of your bubble and setting right your mistakes.”
Writes Lindy West

Filmmakers Include Eliza Hittman, Alex Ross Perry, Brett Haley, Gillian Robespierre, Marti Noxon, Adam Bhala Lough, Brian Knappenberger, Yance Ford, Marina Zenovich, Cate Shortland, David Lowery, Dustin Guy Defa, koganada
Sundance 2017 Announces 66 Features In Competition And NEXT

variety

“I used to argue, pretty vociferously, that critics’ groups should wait before voting until they’ve had the chance to see every last movie. But that ship, I’m afraid, has sailed.”
Owen Gleiberman Canvasses For Rogue One As An “Awards Movie”

NY Times

“My father, very late in life, said to me, ‘You know, there is humor in what you do.'”
Iggy Pop Talks Danger

hollywoodreporter.com

“From losing millions in the failed Relativity studio to backing Warner Bros. flops and hits with Ratner and Packer, the former Goldman Sachs banker has done business with Trump (and been sued by him) and had a cameo (with his actress fiancée) in Warren Beatty’s new movie.”
A Detailed Rat-A-Tat-Tat “Inside Steven Mnuchin’s Hit-And-Miss Path From Hw’d To Treasury,” By Kim Masters

“There was some glass ceiling on why our story wasn’t getting better.”
How Andrew Stanton Found A Narrative For Finding Dory

hollywoodreporter.com

“The awards are voted on by a group of film enthusiasts, professionals, academics, young filmmakers and students.”
Secretive Coven Calling Self “National Board Of Review” Weeps For Manchester By The Sea, Affleck, Lonergan Screenplay; Barry Jenkins, Director; Also KuboO.J.:MIA

(Past Best Pictures: A Most Violent Year, Her,  Zero Dark Thirty)

MCN Curated Headlines

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

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“If there are theories about me, I’d rather not know. Astrophysics – now that’s fascinating. String theory, worm holes, the expanding universe, the Big Bang versus the Big Bounce – those are the kind of theories that make you feel like living and understanding the mystery of the world. Film theory is just a pain in the ass.”
~ Claire Denis

“I had a knockoff Michael Kors bag that said MLK instead of MK. Jada told me that I shouldn’t have knockoff stuff. I told her that my philosophy is, Whatever the bag costs, I should be able to keep that amount of cash in the bag. If it’s a $300 purse, I have to put $300 in cash in that purse. I do not want a bag that is more expensive than the cash I have to put in it. Things are going good for me now, so I am graduating to your Fendis and your Guccis. But I better have the cash equivalent, or I’m not buying the purse. And if things start to go wrong, I’m going right back to my knockoffs. When you’re somebody like me, who’s been homeless, clothes are not that important. Clothes are not a roof over my head, food in my ­stomach, my family’s health—that’s what money is for. But fashion helps get more money. So, we ride.”
~ Tiffany Haddish