MCN Curated Headlines Archive for October, 2016

hollywoodreporter.com

“I’m going to push. Not only for better tools, workflow, high dynamic range and high frame rates — the things we are working toward. I’m still very bullish on 3D, but we need brighter projection, and ultimately I think it can happen — with no glasses. We’ll get there.”
James Cameron Promises Tech To Go With The Many Avatar Sequels

“We were partly plotting our escape from Akron in the future and we were investigating whatever stuff we could get our hands on that was a little outside. We were Midwestern and suddenly that was, wow, this is our stuff: This is working-class, wild-ass primal music. Yeah, that had a big effect.”
Jim Jarmusch On The Seed Of Gimme Danger

NY Times

“The black penis is imagined more than it’s seen, which isn’t surprising. This newly relaxed standard for showing penises feels like a triumph of juvenile phallocentrism — it’s dudes peeking over a urinal divider and, as often as not, giggling at what they see. Not all of that peeking is harmless; some of those dudes are scared of what they’ve seen.”
Wesley Morris Rocks Out With His Pop Out, Essaying The “Last Taboo: Black Male Sexuality”

“Astaire is clearly not an experimental dancer like Twyla Tharp or Pina Bausch, but he is surreal in the sense of surpassing the real. He is transcendent. When he dances a question proposes itself: what if a body moved like this through the world? But it is only a rhetorical, fantastical question, for no bodies move like Astaire, no, we only move like him in our dreams.”
Zadie Smith‘s Dance Lessons For Writers

“The Mary Sue thing in itself is sexist because it’s the name of a woman.”
Daisy Ridley Takes Up The Case Of Rey Against The Armies Of The Internet

“Even though it comes near the beginning of Jenkins’ career, Moonlight feels like the fulfillment of an inner world that has been under pressure within him for a very long time.”
Richard Brody Feels A Thrill

“Berlusconi’s nothing compared to Trump, because the action of Berlusconi affects Italy only and the action of Trump would affect the whole world. And I don’t believe that people can be so blinded to vote for him. I refuse to believe that. I would not be able to work in the street or look at people anymore if that happened! F—ed-up souls.”
Francesco Rosi Talks Politics But Says Fire At Sea Is Not Political

“Chicago locations are used as backdrops to movies and television series, but how many movies get the gritty, rub-it-between-your-fingers texture of the streets and sidewalks and alleyways?”
Ten Films That Capture The Sensations Of A City, By Ray Pride

MCN Curated Headlines

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“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner